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Audio Recording Engineer Jobs (NOW HIRING)

The Audio Engineer is a hands on technical leadership role responsible for delivering premium live ... Support special events, remote video shoots, and studio style productions Record, edit, and master ...

Audio Visual Engineer

San Diego, CA · On-site

$35 - $45/hr

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Audio Recording Engineer information

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How much do audio recording engineer jobs pay per year?

As of Aug 29, 2026, the average yearly pay for audio recording engineer in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What is an audio recording engineer?

An Audio Recording Engineer is responsible for capturing, editing, and mixing sound for music, film, television, podcasts, and other media. They operate recording equipment, manage sound levels, and ensure high-quality audio production. Engineers work in studios, live sound environments, and post-production facilities. Strong technical skills, knowledge of audio software, and a good ear for sound quality are essential for success in this field.

What does an audio recording engineer do?

A typical day for an Audio Recording Engineer involves setting up microphones and equipment, running recording sessions, troubleshooting technical issues, and collaborating with musicians and producers to achieve the desired sound. Engineers often handle editing, mixing, and sometimes mastering audio tracks, requiring both technical precision and creative input. The work environment may be fast-paced and deadline-driven, especially during critical recording sessions or live performances. Being adaptable and communicative is key, as you’ll often coordinate with artists, session musicians, and other studio staff to deliver professional-quality audio results.

What skills and qualifications are needed to be an audio recording engineer?

To excel as an Audio Recording Engineer, you need a solid understanding of audio theory, signal flow, and acoustics, usually backed by relevant technical training or a degree in audio engineering or a related field. Familiarity with digital audio workstations (DAWs), microphones, mixing consoles, and industry-standard software such as Pro Tools is essential, and certifications like Avid Pro Tools Certified User can be beneficial. Attention to detail, effective communication, and creative problem-solving are valuable soft skills for this role. These abilities ensure high-quality recordings, smooth studio operations, and productive collaboration with artists and producers.

Do audio recording engineers get paid well?

Audio recording engineers can earn a wide range of salaries depending on experience, location, and the industry they work in. Entry-level engineers typically earn lower wages, while experienced professionals working in major markets or for high-profile clients can earn significantly higher pay. Certification in audio production and proficiency with industry-standard software can also influence earning potential.

Is there a demand for audio recording engineers?

Audio recording engineers are in demand in the music, film, television, and live event industries, especially as content creation and multimedia production grow. Employment opportunities often require proficiency with digital audio workstations and recording equipment, with job growth driven by the expanding entertainment and media sectors.
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Infographic showing various Audio Recording Engineer job openings in the United States as of August 2026, with employment types broken down into 94% Full Time, 2% Part Time, and 4% Contract. Highlights an 85% Physical, 6% Hybrid, and 9% Remote job distribution, with an average salary of $84,456 per year, or $40.6 per hour.

Audio Engineer (A1)

Community Bible Church

San Antonio, TX • On-site

Full-time

Re-posted 14 days ago


Job description

JOB SUMMARY


The Audio Engineer (A1) is responsible for delivering world-class audio experiences for both in-room and broadcast environments across all CBC campuses, services, conferences, and special events.


This role combines advanced live mixing, systems engineering, immersive audio technologies, broadcast integration, and technical leadership to create distraction-free worship experiences that

support ministry at the highest level. The ideal candidate understands that audio is more than technical execution - it is emotional support, clarity, atmosphere, storytelling, and leadership through sound.


This position requires a highly skilled engineer who thrives in fast-paced live production environments while maintaining excellence in preparation, communication, adaptability, and servant leadership. The Audio Engineer will work closely with worship leaders, production staff, volunteers, and creative teams to help deliver consistent and engaging experiences both in-room and online.


ESSENTIAL FUNCTIONS


Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.


  • Serve as lead A1 for weekend worship services, conferences, broadcasts, and special events

  • Mix high-level FOH, monitor, overflow, and broadcast audio environments

  • Deliver polished, balanced, and emotionally engaging mixes for:

  •  In-room worship experiences

  • Online streaming audiences

  • Satellite campuses

  • Broadcast environments

  • Recording and archive playback

  • Overflow environments

  • Operate Yamaha Rivage and Yamaha DM7 console ecosystems across multiple production environments including:

  • Main Worship Center

  • Overflow venues

  • Monitor World

  • Broadcast environments

  • Build and maintain console show files, scenes, routing structures, macros, and workflows

  • Execute dynamic live mixes while adapting quickly to spontaneous service flow changes

  • Collaborate closely with worship leaders, pastors, broadcast teams, and production leadership to support ministry moments with intentional excellence

  • Maintain sonic consistency across multiple venues and campus environments

  • Mix and optimize audio specifically for online and broadcast environments

  • Understand the operational and creative differences between FOH and broadcast mixing

  • Manage vocal intelligibility, tonal balance, dynamics, and loudness consistency across streaming platforms

  • Collaborate with video engineering and broadcast teams to maintain synchronization and minimize latency issues

  • Understand audio-for-video workflows including:

  • Embedded SDI audio

  • Dante network audio systems

  • Multitrack recording

  • Playback systems

  • Lip sync management

  • Streaming signal paths

  • Help create immersive worship experiences for In room/online audiences

  • Operate, maintain, and troubleshoot advanced live audio systems including:

  • Yamaha Rivage console ecosystems

  • Yamaha DM7 console ecosystems

  • d&b Audiotechnik PA systems

  • d&b Soundscape immersive audio environments

  • Shure wireless microphone systems

  • Dante audio networking

  • RF coordination systems

  • Playback and recording systems

  • Configure and maintain Dante audio infrastructure and routing workflows across multiple venues

  • Coordinate wireless frequencies and RF environments for large-scale productions

  • Assist with PA optimization, gain structure management, and system tuning workflows

  • Troubleshoot complex signal flow and technical issues under live-event pressure

  • Maintain organized documentation including:

  • Patch sheets

  • Signal flow diagrams

  • System configurations

  • Equipment status reports

  • Ensure systems remain operationally reliable and service-ready

  • Record, edit, mix, and master audio for:

  • Video productions

  • Promotional content

  • Broadcast packages

  • Podcasts

  • Worship recordings

  • Support multitrack recording workflows and playback systems

  • Maintain organized session archives and audio assets

  • Assist in developing scalable playback and recording workflows for future production growth

  • Support guest artists, conferences, and special production environments with advanced preparation and execution

  • Serve as technical lead for smaller ministry events and gatherings

  • Adapt quickly between FOH, monitors, broadcast mixing, systems engineering, and production support roles

  • Cross-train in lighting, broadcast, and video systems to support overall production excellence

  • Help train and develop Audio All-Stars (volunteers) within CBC production culture and standards

  • Maintain calm, organized, and solutions-focused environments during high-pressure productions


COMPETENCIES


  • Strong attention to detail with exceptional listening skills

  • Calm and composed under live-event pressure

  • Highly organized and solutions-oriented

  • Team-focused with strong interpersonal communication skills

  • Self-motivated learner with a growth mindset

  • Reliable, punctual, and highly accountable

  • Passionate about excellence in both ministry and production environments

  • Adaptable and flexible within rapidly changing live-event environments


POSITION TYPE/EXPECTED HOURS OF WORK


Regular full-time, 36-40 hours per week. Weekend services and special events are required as part of scheduled responsibilities. Must work flexible hours including evenings and conferences.


PHYSICAL REQUIREMENTS


While performing the duties of this job, the employee may be regularly required to do the following:


  • Work extended periods on your feet in active live production environments, often during long services, rehearsals, and events. 

  • Lifting, carrying, and setting up audio and production equipment weighing up to 50 lbs

  • Navigating stages, platforms, and technical areas


EDUCATION AND EXPERIENCE


  • High School Diploma or equivalent required

  • 3+ years of live audio production experience preferred

  • Experience in church, touring, concert, or broadcast production environments strongly preferred

  • Relevant certifications or advanced live audio training considered a plus


REQUIRED SKILLS


  • Strong experience with professional digital audio consoles in live production environments

  • Experience operating Yamaha Rivage and Yamaha DM7 systems preferred

  • Advanced understanding of:

  • FOH mixing

  • Broadcast mixing

  • Monitor engineering

  • EQ and dynamics processing

  • Gain structure

  • Signal flow

  • System optimization

  • Experience with Shure wireless systems and RF coordination

  • Understanding of Dante audio networking and digital audio infrastructure

  • Strong troubleshooting skills in high-pressure live production environments

  • Strong musical ear with understanding of dynamics, arrangement, frequency balance, and worship aesthetics


PREFERRED QUALIFICATIONS


  • Experience with d&b audiotechnik systems

  • Experience with d&b Soundscape immersive audio environments

  • Experience in large church, touring, concert, or broadcast production environments

  • Familiarity with Waves plugins, playback systems, multitrack recording, and audio postproduction workflows

  • Understanding of synchronization, latency management, and broadcast integration

  • Experience mentoring volunteers or technical team members

  • Familiarity with lighting and broadcast production systems


WORK ENVIRONMENT


Live production environments with high sound pressure levels


OTHER DUTIES


  • Must exemplify The CBC Way of Honor, Hospitality, Hustle, High Capacity, and Humility

  • Communicate proactively and professionally with production staff, worship teams, volunteers, and ministry leaders

  • Lead by preparation, professionalism, positivity, and adaptability

  • Support continuous improvement of CBC systems, workflows, and team development

  • Uphold the belief that production should support worship experiences without becoming distracting

  • CBC Member, genuine desire to serve God and the Church

  • Must live a life beyond reproach 1 Timothy 3

  • Maintain daily disciplines of Bible study and prayer

Employment Type: FULL_TIME