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Audio Recording Engineer Jobs (NOW HIRING)

Audio Operator, TTS

Burbank, CA · On-site

$35 - $44/hr

Record remote talent via remote recording platforms. * Edit, consolidate and deliver voice ... artists, developers, and industry veterans worldwide. For more information, please visit www ...

The Audio Engineer is a hands on technical leadership role responsible for delivering premium live ... Support special events, remote video shoots, and studio style productions Record, edit, and master ...

Audio Visual Engineer

San Diego, CA · On-site

$35 - $45/hr

The Field Engineer II - Audio Visual will be able to install and operate most types of AV systems ... Must have a proven track record in audiovisual systems engineering and control systems ...

Job Summary: Crooked is hiring for an Audio Engineer on the Audio department reporting to the ... This role will focus on recording, assembling, and mixing our podcasts. The ideal candidate is a ...

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Audio Recording Engineer information

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$29.5K

$84.5K

$171.5K

How much do audio recording engineer jobs pay per year?

As of Aug 17, 2026, the average yearly pay for audio recording engineer in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What is an audio recording engineer?

An Audio Recording Engineer is responsible for capturing, editing, and mixing sound for music, film, television, podcasts, and other media. They operate recording equipment, manage sound levels, and ensure high-quality audio production. Engineers work in studios, live sound environments, and post-production facilities. Strong technical skills, knowledge of audio software, and a good ear for sound quality are essential for success in this field.

What does an audio recording engineer do?

A typical day for an Audio Recording Engineer involves setting up microphones and equipment, running recording sessions, troubleshooting technical issues, and collaborating with musicians and producers to achieve the desired sound. Engineers often handle editing, mixing, and sometimes mastering audio tracks, requiring both technical precision and creative input. The work environment may be fast-paced and deadline-driven, especially during critical recording sessions or live performances. Being adaptable and communicative is key, as you’ll often coordinate with artists, session musicians, and other studio staff to deliver professional-quality audio results.

What skills and qualifications are needed to be an audio recording engineer?

To excel as an Audio Recording Engineer, you need a solid understanding of audio theory, signal flow, and acoustics, usually backed by relevant technical training or a degree in audio engineering or a related field. Familiarity with digital audio workstations (DAWs), microphones, mixing consoles, and industry-standard software such as Pro Tools is essential, and certifications like Avid Pro Tools Certified User can be beneficial. Attention to detail, effective communication, and creative problem-solving are valuable soft skills for this role. These abilities ensure high-quality recordings, smooth studio operations, and productive collaboration with artists and producers.

Do audio recording engineers get paid well?

Audio recording engineers can earn a wide range of salaries depending on experience, location, and the industry they work in. Entry-level engineers typically earn lower wages, while experienced professionals working in major markets or for high-profile clients can earn significantly higher pay. Certification in audio production and proficiency with industry-standard software can also influence earning potential.

Is there a demand for audio recording engineers?

Audio recording engineers are in demand in the music, film, television, and live event industries, especially as content creation and multimedia production grow. Employment opportunities often require proficiency with digital audio workstations and recording equipment, with job growth driven by the expanding entertainment and media sectors.
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Infographic showing various Audio Recording Engineer job openings in the United States as of August 2026, with employment types broken down into 94% Full Time, 2% Part Time, and 4% Contract. Highlights an 85% Physical, 6% Hybrid, and 9% Remote job distribution, with an average salary of $84,456 per year, or $40.6 per hour.

Full-time

Posted 4 days ago


Job description

  1. Summary

Title: Audio Engineer

Reports to: Director of Production

Employment Status: Full-Time Salaried, Exempt

Overview: As the primary executor of both live and recorded audio for the Nashville Symphony and at the Schermerhorn Symphony Center (SSC), the Audio Engineer helps the Director of Production manage and supervise part-time audio staff and audio production equipment/infrastructure at SSC. This role also works in conjunction with external venues and engineers to ensure the sonic quality of the Nashville Symphony is preserved regardless of the performance context.

  1. Primary Duties and Responsibilities
  1. Collaborate with Director of Production, Artistic Operations staff, orchestra musicians, and conductors to establish and execute audio standards and best-practices consistent with the Nashville Symphony and SSC’s reputation of excellence.
    1. Operate and/or supervise the operation of SSC audio equipment.
    2. Maintain audio equipment, communicating effectively about any repair or replacement needs to the Director of Production in a timely fashion.
    3. Provide audio support for non-orchestral events and concerts at SSC.
  2. Coordinate with other venues, arts organizations, engineers, and artists to cultivate and maintain a high standard of auditory excellence for the Nashville Symphony outside of SSC.
  3. Operate and/or supervise the operation, maintenance, and purchase & installation of SSC audio equipment for the Nashville Symphony, visiting artists/tours, and venue rental clients.
  4. Interpret technical riders and advance audio production for visiting artists and tours congruent with symphony CBA regulations and SSC best practices.
  5. Coordinate with Director of Production and Orchestra Production Manager to complete administrative work related to audio production including coding invoices, scheduling audio labor, and coordinating audio equipment rentals as needed.
  6. Ensure safety of Production Department equipment.
  7. Supervise and direct stagehands for “floor flips” in Laura Turner Concert Hall, as well as other production and maintenance tasks as assigned.

The duties listed above are not all inclusive.  The person in this position is expected to perform other work-related duties as assigned even though they may not be considered primary duties.

  1. Supervisory Responsibilities

Supervision of audio staff, contracted free-lancers, and venders. Carry out supervisory responsibilities in accordance with the organization's policies and applicable laws.

  1. Work Requirements
  1. Education / Experience:
    1. Bachelor’s degree or higher in Audio Engineering or related; or
    2. High School diploma or GED equivalent; and
    3. 5 years of experience mixing and recording in professional settings
  2. Required Soft Skills:
    1. Ability to lead, contribute, and thrive in a team environment.
    2. Strong analytical, organizational, and project management skills and a helpful attitude in developing creative responses and solutions to needs and issues.
    3. Ability to read, analyze, and interpret complex technical manuals and specifications and translate technical terminology to lay terms.
    4. Strong interpersonal skills for balancing the needs of various stakeholders.
    5. Ability to work independently and use independent judgment while keeping supervisor informed of work activity and issues.
    6. Ability to coordinate multiple projects and effectively prioritize tasks while maintaining a calm and professional demeanor.
    7. Ability to work flexible hours, including nights and weekends.
  3. Required Technical Skills:
    1. Familiarity with a variety of analog and digital audio equipment including: consoles, microphones, speakers, amplifiers, wireless systems, AoIP protocols, etc.
    2. Familiarity with Digital Audio Workstations.
    3. Excellent computer and Audio over IP networking skills.
    4. Advanced audio mixing and recording proficiency.
    5. Proficiency with soldering iron and heat gun.

The Nashville Symphony Association reserves the right to revise this job description at any time.  This job description is not a contract for employment. All employees are expected to adhere to all terms and conditions of the Association’s Personnel Policies and Employment Manuals and other Association policies and procedures which may be promulgated and published from time to time.