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Audio Operator Jobs (NOW HIRING)

C-SPAN

Studio Technician

Washington, DC · On-site

Operates multiple production control room positions, including Director/Technical Director, Audio Operator and robotic camera systems. * Supports live and pre‑recorded studio productions with a ...

C-SPAN

Studio Technician

Washington, DC · On-site

Operates multiple production control room positions, including Director/Technical Director, Audio Operator and robotic camera systems. * Supports live and prerecorded studio productions with a high ...

Tribune Media

Technician I, Operations

Fresno, CA · On-site

$16.90/hr

Newscast Directing, Newscast Audio Operator, News Graphic Operator and News Studio Camera Operator * Operates studio cameras and field cameras for live and taped events * Composes and frames shots ...

OCVIBE

Audio Engineer

Anaheim, CA · On-site

$38 - $44/hr

Audio Engineer Pay Details: The starting hourly rate range for this position is $38.00 to $44.00 ... This position serves as the primary mix board operator for the majority of sports and other events ...

OCVIBE

Audio Engineer

Anaheim, CA

$38 - $44/hr

Audio Engineer Pay Details: The starting hourly rate range for this position is $38.00 to $44.00 ... This position serves as the primary mix board operator for the majority of sports and other events ...

Anaheimducks

Audio Engineer

Anaheim, CA

$38 - $44/hr

Audio Engineer Pay Details: The starting hourly rate range for this position is $38.00 to $44.00 ... This position serves as the primary mix board operator for the majority of sports and other events ...

Honda Center

Audio Engineer

Anaheim, CA · On-site

$38 - $44/hr

Audio Engineer Pay Details: The starting hourly rate range for this position is $38.00 to $44.00 ... This position serves as the primary mix board operator for the majority of sports and other events ...

Honda Center

Audio Engineer

Anaheim, CA

$38 - $44/hr

Audio Engineer Pay Details: The starting hourly rate range for this position is $38.00 to $44.00 ... This position serves as the primary mix board operator for the majority of sports and other events ...

OC Sports and Entertainment

Audio Engineer

Anaheim, CA

$38 - $44/hr

Audio Engineer Pay Details: The starting hourly rate range for this position is $38.00 to $44.00 ... This position serves as the primary mix board operator for the majority of sports and other events ...

OC Sports and Entertainment

Audio Engineer

Anaheim, CA · On-site

$38 - $44/hr

Audio Engineer Pay Details: The starting hourly rate range for this position is $38.00 to $44.00 ... This position serves as the primary mix board operator for the majority of sports and other events ...

Nexstar Media Group

Technician I, Operations

Fresno, CA · On-site

$16.90/hr

Newscast Directing, Newscast Audio Operator, News Graphic Operator and News Studio Camera Operator * Operates studio cameras and field cameras for live and taped events * Composes and frames shots ...

WOWK-TV

Technician I, Operations

Fresno, CA · On-site

$16.90/hr

Newscast Directing, Newscast Audio Operator, News Graphic Operator and News Studio Camera Operator * Operates studio cameras and field cameras for live and taped events * Composes and frames shots ...

Edge Media Group LLC

Audio Technician

Hyattsville, MD · On-site

$18 - $40/hr

You will be responsible for setting up, operating, and maintaining audio systems to ensure clarity, balance, and consistency across a variety of environments. This role requires both technical ...

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All JobsAudio Operator Jobs

Audio Operator information

See salary details

$5

$33

$54

How much do audio operator jobs pay per hour?

As of Jun 22, 2026, the average hourly pay for audio operator in the United States is $33.65, according to ZipRecruiter salary data. Most workers in this role earn between $19.23 and $53.85 per hour, depending on experience, location, and employer.

What jobs pay $400 an hour?

Audio operators working in high-end live event production, film, or television with specialized skills and extensive experience can sometimes earn $400 an hour or more. Such roles often require advanced technical knowledge, certifications, and the ability to work in demanding environments. These high rates are typically associated with freelance or contract work for large-scale productions or events.

What does an audio operator do?

An audio operator is responsible for setting up, operating, and maintaining audio equipment during live events, recordings, or broadcasts. They ensure sound quality, manage audio levels, and troubleshoot technical issues using tools like mixing consoles and microphones. Strong technical skills and attention to detail are essential for this role.

What jobs make $500,000 a year?

In California, high-paying jobs that can reach or exceed $500,000 annually include specialized roles such as senior executives, surgeons, anesthesiologists, and certain technology entrepreneurs. These positions often require advanced degrees, extensive experience, or ownership of successful businesses, and may involve high levels of responsibility and skill in their respective fields.

What Does an Audio Operator Do?

The responsibilities of an audio operator involve operating a soundboard for live or recorded television, radio, or other media programs. They set up and test microphones and interruptible foldback (IFB) as needed, as well as other equipment. An audio operator utilizes their knowledge of sound and audio mixing techniques, sometimes assisting in the production of commercial or promotional material. Other common duties include collaborating with another audio engineer to determine technical details. They may also handle administrative duties such as filing paperwork and ordering supplies. The qualifications you need to become an audio operator or engineer vary, but many employers prefer candidates with postsecondary education or experience in a similar position.

What job makes $10,000 a month without a degree?

An audio operator typically does not earn $10,000 a month without specialized experience or certifications. High earnings in audio roles are usually associated with senior positions, freelance work, or working on large-scale productions, which often require technical skills, industry connections, and a strong portfolio. Most entry-level audio operator jobs pay significantly less, and reaching such high income levels generally involves years of experience and additional skills.

What are the key skills and qualifications needed to thrive as an Audio Operator, and why are they important?

To thrive as an Audio Operator, you need a solid understanding of sound engineering principles, audio signal flow, and typically a relevant degree or equivalent experience in audio production. Familiarity with digital audio consoles, microphones, audio editing software, and industry-standard systems like Pro Tools or Dante is essential. Attention to detail, effective communication, and the ability to stay calm under pressure are standout soft skills for this role. These skills and qualities are crucial for ensuring high-quality, reliable audio in live or recorded environments, directly impacting the overall production value.

What are some common challenges Audio Operators face when working on live events, and how can they prepare for them?

Audio Operators working on live events often encounter challenges such as unexpected equipment malfunctions, feedback issues, and last-minute changes to event schedules or speaker lineups. To prepare, it’s essential to conduct thorough sound checks, keep backup equipment readily available, and maintain clear communication with the production team. Staying calm under pressure and being able to troubleshoot quickly are crucial skills, as live events often require immediate solutions to ensure audio quality is maintained throughout the show.

What are Audio Operators?

Audio Operators, sometimes called sound technicians or audio engineers, are professionals responsible for setting up, operating, and maintaining audio equipment for events, broadcasts, recordings, or live performances. They ensure that microphones, speakers, and other sound equipment function properly and that sound quality is clear and balanced. Their duties can include mixing audio, troubleshooting technical issues, and collaborating with other production staff to create the best possible audio experience. Audio Operators work in a variety of settings such as television studios, radio stations, theaters, and concert venues.
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Audio Operator jobs near you

Studio Technician

C-SPAN

Washington, DC • On-site

Full-time

Posted 14 days ago

Job description

Must be available for all shifts, including early mornings, evenings and weekends.

C‑SPAN is seeking a multi‑skilled Studio Technician to join our team in a new, state‑of‑the‑art production facility. This is a hands‑on, fast‑paced role supporting live and recorded programming central to C‑SPAN's public‑service mission. The ideal candidate is versatile, calm under pressure and experienced in modern control room operations.

GENERAL FUNCTION:
Responsible for the successful execution of live and taped studio productions including operation of camera and audio, camera and audio setup, set lighting and directing. Trains other Studio Technicians in studio procedures. Provides leadership of the crew with regards to following the C-SPAN mission, corporate values and technical standards.

RESPONSIBILITIES:

  • Operates multiple production control room positions, including Director/Technical Director, Audio Operator and robotic camera systems.
  • Supports live and pre‑recorded studio productions with a high level of technical accuracy.
  • Collaborates with Producers, Directors, and Engineering staff to ensure smooth execution of broadcasts.
  • Troubleshoots technical issues quickly and effectively during live operations.
  • Maintains studio equipment and upholds C‑SPAN's production values.
  • Adapts to evolving workflows and new technologies.

BACKGROUND/SKILLS:

  • Three years of experience working in a professional production control room.
  • Strong understanding of live broadcast operations and studio workflows.
  • Ability to perform effectively in multiple technical roles.
  • Flexibility to work early mornings, evenings and weekends.
  • Strong communication and teamwork skills.
  • Ability to remain composed in high‑pressure, live broadcast environments.
  • Technical troubleshooting and problem‑solving abilities.
  • Adaptability and eagerness to learn new systems.

PREFERRED BACKGROUND/SKILLS:

  • Experience with Ross Carbonite/HyperMax switchers.
  • Familiarity with Lawo audio consoles.
  • Background in live news, government or public affairs programming.