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Audio Mixing Engineer Jobs in Tennessee (NOW HIRING)

Perform integration, programming and configuration of the equipment: mixers, recording systems processors, computers, etc. * Occasionally make ready all aspects of audio systems prior to client ...

Strong experience in live sound production and mixing is an absolute requirement. Experience in ... Minimum 3-5 years experience in live audio/event production as primary FOH and PM, including ...

Strong experience in live sound production and mixing is an absolute requirement. Experience in ... Minimum 3-5 years experience in live audio/event production as primary FOH and PM, including ...

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Audio Mixing Engineer information

See Tennessee salary details

$26.8K

$76.7K

$155.7K

How much do audio mixing engineer jobs pay per year?

As of Aug 18, 2026, the average yearly pay for audio mixing engineer in Tennessee is $76,653.00, according to ZipRecruiter salary data. Most workers in this role earn between $45,400.00 and $102,600.00 per year, depending on experience, location, and employer.

What does an audio mixing engineer do?

An Audio Mixing Engineer is responsible for blending and balancing the individual tracks of a recording to create a polished final version. This involves adjusting levels, panning, equalization, compression, effects, and other audio processing tools to ensure each element of a song or audio project sounds cohesive and professional. They work closely with producers and artists to achieve the desired sound, and their expertise is crucial for both music production and post-production in film, television, and other media.

What are the key skills and qualifications needed to thrive as an audio mixing engineer?

To thrive as an Audio Mixing Engineer, you need a deep understanding of audio theory, signal flow, and acoustics, often supported by a degree or certification in audio engineering or music production. Proficiency with digital audio workstations (DAWs) like Pro Tools or Logic Pro, as well as familiarity with plugins, hardware consoles, and monitoring systems, is typically required. Strong attention to detail, creativity, and effective communication skills set top professionals apart in this field. These skills are vital to produce high-quality mixes that meet artistic and technical standards, ensuring client satisfaction and successful project outcomes.

What are some common challenges audio mixing engineers face when working with diverse music genres?

Audio Mixing Engineers often encounter the challenge of adapting their techniques to suit different music genres, as each genre has unique expectations for sound balance, effects, and dynamics. For instance, mixing pop may emphasize vocals and clarity, while rock requires attention to powerful drums and guitars, and electronic music leans on precise low-end and synthesized elements. Successfully navigating these differences involves not only technical skill but also strong communication with artists and producers to understand their creative vision. Flexibility and a continuous learning mindset are key to excelling in this role.

What is the difference between Audio Mixing Engineer vs Sound Designer?

AspectAudio Mixing EngineerSound Designer
Primary RoleBalancing and blending audio tracks for final productionCreating and designing sound effects and audio elements
Skills & CertificationsProficiency in mixing software, audio engineering certificationsSound design skills, creativity, audio editing expertise
Work EnvironmentRecording studios, post-production facilitiesFilm, video game, theater, and multimedia projects
Industry UsageMusic, film, TV, broadcastingFilm, video games, multimedia, advertising

While both roles involve audio work, an Audio Mixing Engineer focuses on balancing and blending audio tracks to achieve a polished sound, often in post-production. A Sound Designer creates unique sound effects and audio elements to enhance storytelling or user experience. Both roles require technical skills and industry knowledge but serve different creative and technical purposes.

Are audio mixing engineers in demand?

Audio mixing engineers are in steady demand across the music, film, television, and gaming industries, especially as content creation continues to grow. Skills in digital audio workstations and familiarity with industry-standard tools increase employability, with opportunities available in studios, post-production houses, and freelance work.

How much money do audio mixing engineers make?

Audio mixing engineers' salaries vary based on experience, location, and industry, but the median annual income in the United States is around $50,000 to $70,000. Experienced engineers working in major markets or with high-profile clients can earn significantly more, often exceeding $100,000 annually. Many also supplement income through freelance work, royalties, or additional audio services.

Is there a demand for audio mixing engineers?

The demand for audio mixing engineers remains steady due to the growth of music production, film, television, and streaming media industries. Skilled engineers with proficiency in digital audio workstations and mixing techniques are sought after, especially in professional studio environments and live sound settings.

What are popular job titles related to Audio Mixing Engineer jobs in Tennessee?

For Audio Mixing Engineer jobs in Tennessee, the most frequently searched job titles are:

What job categories do people searching Audio Mixing Engineer jobs in Tennessee look for?

The top searched job categories for Audio Mixing Engineer jobs in Tennessee are:

What cities in Tennessee are hiring for Audio Mixing Engineer jobs?

Cities in Tennessee with the most Audio Mixing Engineer job openings:

Infographic showing various Audio Mixing Engineer job openings in Tennessee as of August 2026, with employment types broken down into 68% Full Time, 16% Part Time, and 16% Contract. Highlights an 92% In-person, and 8% Remote job distribution, with an average salary of $76,653 per year, or $36.9 per hour.

Full-time

Posted 4 days ago


Job description

  1. Summary

Title: Audio Engineer

Reports to: Director of Production

Employment Status: Full-Time Salaried, Exempt

Overview: As the primary executor of both live and recorded audio for the Nashville Symphony and at the Schermerhorn Symphony Center (SSC), the Audio Engineer helps the Director of Production manage and supervise part-time audio staff and audio production equipment/infrastructure at SSC. This role also works in conjunction with external venues and engineers to ensure the sonic quality of the Nashville Symphony is preserved regardless of the performance context.

  1. Primary Duties and Responsibilities
  1. Collaborate with Director of Production, Artistic Operations staff, orchestra musicians, and conductors to establish and execute audio standards and best-practices consistent with the Nashville Symphony and SSC’s reputation of excellence.
    1. Operate and/or supervise the operation of SSC audio equipment.
    2. Maintain audio equipment, communicating effectively about any repair or replacement needs to the Director of Production in a timely fashion.
    3. Provide audio support for non-orchestral events and concerts at SSC.
  2. Coordinate with other venues, arts organizations, engineers, and artists to cultivate and maintain a high standard of auditory excellence for the Nashville Symphony outside of SSC.
  3. Operate and/or supervise the operation, maintenance, and purchase & installation of SSC audio equipment for the Nashville Symphony, visiting artists/tours, and venue rental clients.
  4. Interpret technical riders and advance audio production for visiting artists and tours congruent with symphony CBA regulations and SSC best practices.
  5. Coordinate with Director of Production and Orchestra Production Manager to complete administrative work related to audio production including coding invoices, scheduling audio labor, and coordinating audio equipment rentals as needed.
  6. Ensure safety of Production Department equipment.
  7. Supervise and direct stagehands for “floor flips” in Laura Turner Concert Hall, as well as other production and maintenance tasks as assigned.

The duties listed above are not all inclusive.  The person in this position is expected to perform other work-related duties as assigned even though they may not be considered primary duties.

  1. Supervisory Responsibilities

Supervision of audio staff, contracted free-lancers, and venders. Carry out supervisory responsibilities in accordance with the organization's policies and applicable laws.

  1. Work Requirements
  1. Education / Experience:
    1. Bachelor’s degree or higher in Audio Engineering or related; or
    2. High School diploma or GED equivalent; and
    3. 5 years of experience mixing and recording in professional settings
  2. Required Soft Skills:
    1. Ability to lead, contribute, and thrive in a team environment.
    2. Strong analytical, organizational, and project management skills and a helpful attitude in developing creative responses and solutions to needs and issues.
    3. Ability to read, analyze, and interpret complex technical manuals and specifications and translate technical terminology to lay terms.
    4. Strong interpersonal skills for balancing the needs of various stakeholders.
    5. Ability to work independently and use independent judgment while keeping supervisor informed of work activity and issues.
    6. Ability to coordinate multiple projects and effectively prioritize tasks while maintaining a calm and professional demeanor.
    7. Ability to work flexible hours, including nights and weekends.
  3. Required Technical Skills:
    1. Familiarity with a variety of analog and digital audio equipment including: consoles, microphones, speakers, amplifiers, wireless systems, AoIP protocols, etc.
    2. Familiarity with Digital Audio Workstations.
    3. Excellent computer and Audio over IP networking skills.
    4. Advanced audio mixing and recording proficiency.
    5. Proficiency with soldering iron and heat gun.

The Nashville Symphony Association reserves the right to revise this job description at any time.  This job description is not a contract for employment. All employees are expected to adhere to all terms and conditions of the Association’s Personnel Policies and Employment Manuals and other Association policies and procedures which may be promulgated and published from time to time.