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Assistant Remote Podcast Audio Editing Jobs (NOW HIRING)

Managing Editor

Washington, DC · On-site +1

$93K - $100K/yr

Remote candidates will not be considered. WHAT YOU WILL DO Publications Strategy * Report to the ... Explore and implement new formats (audio, video, digital-first) to engage broader audiences.

Managing Editor

Washington, DC · On-site +1

$93K - $100K/yr

Remote candidates will not be considered. WHAT YOU WILL DO Publications Strategy * Report to the ... Explore and implement new formats (audio, video, digital-first) to engage broader audiences.

Short Form Editor (Remote)

Austin, TX · Remote

$1.0K - $1.7K/yr

... editing viral content. This job is to edit short form content for Codie Sanchez youtube channel We ... Apply color grading, sync audio, and smooth transitions with keen detail. * Stay updated on short ...

Remote Commitment: 5-10 hours/week Role Responsibilities * Record high-quality voice samples across ... Familiarity with audio editing tools (e.g., Audacity , Adobe Audition , Reaper ). * Ability to ...

Shoot our video podcast. * Assist with podcast production, lighting, sound, camera setup, and live ... Manage video equipment, lighting kits, audio gear, editing workflows, file organization, and ...

Video Editor (Social Media + Marketing Content) - Remote Position Type: Full-Time, Remote Working ... Clean and balance audio: * Dialogue clarity * Noise reduction * Leveling * Add music + SFX ...

General Virtual Assistant (US)

Columbus, OH · Remote

$21.75 - $29.25/hr

General Virtual Assistant (Remote) Wing is on the exciting mission of redefining the future of work ... audio recordings, prepare payroll information, and organize research notes. 3. Research products ...

General Virtual Assistant (US)

Columbus, OH · On-site +1

$20.50 - $27.50/hr

General Virtual Assistant (Remote) Wing is on the exciting mission of redefining the future of work ... audio recordings, prepare payroll information, and organize research notes. 3. Research products ...

As a fully remote organization with 100+ staff across the globe, we collaborate across borders and ... This position is primarily focused on post-production editing, and creative ideation, with ...

Executive Assistant (Remote) Wing is on the exciting mission of redefining the future of work for ... audio recordings, prepare payroll information, and organize research notes. 5. Research products ...

Executive Assistant (Remote) Wing is on the exciting mission of redefining the future of work for ... audio recordings, prepare payroll information, and organize research notes. 5. Research products ...

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Assistant Remote Podcast Audio Editing information

See salary details

$29.5K

$46.7K

$119.5K

How much do assistant remote podcast audio editing jobs pay per year?

As of Jun 25, 2026, the average yearly pay for assistant remote podcast audio editing in the United States is $46,661.00, according to ZipRecruiter salary data. Most workers in this role earn between $37,500.00 and $47,500.00 per year, depending on experience, location, and employer.

What does an Assistant Remote Podcast Audio Editor do?

An Assistant Remote Podcast Audio Editor helps in editing, mixing, and enhancing podcast audio files from a remote location. Their tasks often include removing background noise, adjusting volume levels, cutting out mistakes or unwanted sections, and adding music or sound effects as needed. They collaborate with podcast hosts and producers to ensure the final audio meets quality standards. This role requires proficiency in audio editing software and an understanding of podcast production workflows.

What are some common challenges faced by Assistant Remote Podcast Audio Editors, and how can they be managed?

Assistant Remote Podcast Audio Editors often encounter challenges such as inconsistent audio quality from different recording sources, tight deadlines for episode releases, and the need to collaborate effectively with hosts and producers across time zones. Managing these challenges involves using industry-standard editing software to enhance audio files, setting up clear communication channels with the podcast team, and practicing strong time management to meet publishing schedules. Being proactive in addressing technical issues and maintaining organized project files can also help streamline the editing process and ensure a high-quality final product.

How much does a remote editor make?

A remote assistant podcast audio editor typically earns between $15 and $40 per hour, depending on experience, skill level, and the complexity of editing tasks. Some may work on a project basis, with rates ranging from $50 to several hundred dollars per episode. Compensation can also vary based on the employer or platform used for freelance work.

How to become a podcast assistant?

To become a podcast assistant, develop skills in audio editing software such as Audacity or Adobe Audition and gain experience with audio production. Familiarity with podcast hosting platforms and strong organizational skills are also important, and some roles may require basic knowledge of sound engineering or editing certifications. Building a portfolio or offering freelance services can help establish credibility in this field.

What are the key skills and qualifications needed to thrive as an Assistant Remote Podcast Audio Editor, and why are they important?

To thrive as an Assistant Remote Podcast Audio Editor, you need a solid understanding of audio editing principles, familiarity with podcast production workflows, and often a background in audio engineering or related experience. Proficiency in digital audio workstations (DAWs) such as Adobe Audition, Audacity, or Pro Tools, as well as knowledge of file formats and remote collaboration tools, is typically required. Attention to detail, time management, and clear communication are crucial soft skills for meeting deadlines and maintaining audio quality. These skills ensure that podcast episodes are professionally edited, delivered on time, and meet the creative vision and technical standards of producers.

How much do podcast audio editors make?

Podcast audio editors typically earn between $15 and $50 per hour, depending on experience, skill level, and whether they work freelance or for a company. Salaries can also vary based on the complexity of editing tasks and the length of episodes.

How to become a podcast audio editor?

To become a podcast audio editor, develop skills in audio editing software such as Audacity or Adobe Audition, and gain experience with sound editing, mixing, and noise reduction. Building a portfolio of editing projects and understanding podcast production workflows can help you secure freelance or full-time roles in this field.

What is the difference between Assistant Remote Podcast Audio Editing vs Remote Audio Editor?

AspectAssistant Remote Podcast Audio EditingRemote Audio Editor
CredentialsBasic audio editing skills, familiarity with editing softwareAdvanced audio editing, sound design, and mastering skills
Work EnvironmentRemote, often part-time or freelanceRemote, project-based or ongoing
Industry UsagePodcast production, media, entertainmentMusic, film, broadcasting, podcasting

Assistant Remote Podcast Audio Editing typically involves basic editing tasks for podcasts, focusing on trimming, noise reduction, and adding simple effects. Remote Audio Editors often handle more complex sound design, mixing, and mastering across various media. While both roles work remotely and require audio editing skills, the Remote Audio Editor generally possesses more advanced technical expertise and handles a broader range of audio projects.

More about Assistant Remote Podcast Audio Editing jobs
What cities are hiring for Assistant Remote Podcast Audio Editing jobs? Cities with the most Assistant Remote Podcast Audio Editing job openings:
What are the most commonly searched types of Remote Podcast Audio Editing jobs? The most popular types of Remote Podcast Audio Editing jobs are:
What states have the most Assistant Remote Podcast Audio Editing jobs? States with the most job openings for Assistant Remote Podcast Audio Editing jobs include:
Infographic showing various Assistant Remote Podcast Audio Editing job openings in the United States as of June 2026, with employment types broken down into 67% Full Time, and 33% Part Time. Highlights an 100% Remote job distribution, with an average salary of $46,661 per year, or $22.4 per hour.

Assistant Editor / Junior Video Editor

Random Golf Club

Austin, TX • Remote

Other

Posted 8 days ago


Job description

Assistant Editor / Junior Video Editor
Role Overview

We are looking for a highly organized and capable Assistant Editor to support our long-form YouTube and documentary-style golf content.
This role goes beyond media management. The ideal candidate can organize footage, sync external audio when needed, build timelines, make editorial decisions, and create strong rough cuts that can be handed off to a Senior Editor for finishing.
Most projects involve long-form golf content, with source footage typically ranging from 3–6 hours across multiple cameras and audio sources. The Assistant Editor will be responsible for organizing this footage and building a coherent rough cut, often in the 60–90 minute range, that can then be refined by a Senior Editor.
Final published videos typically range from 20–50 minutes in length, depending on the project.
The goal is to reduce the time spent on project setup and first-pass editing while maintaining the storytelling style and pacing our audience expects.
Why This Role Exists
Our goal is to increase the volume and consistency of our long-form content without sacrificing quality.
By bringing on an Assistant Editor, we aim to reduce the amount of time spent on footage review, syncing, organization, timeline assembly, and first-pass editing so that the Senior Editor can focus on storytelling, pacing, graphics, music, and final polish.
Success in this role is not measured by how many clips are organized or how quickly footage is synced. Success is measured by how much meaningful editing time is saved and how effectively projects move through post-production.
The ideal outcome is a workflow that allows us to increase our publishing cadence while maintaining the quality and storytelling standards our audience expects.
Core Responsibilities
Project Preparation
  • Download and organize source media
  • Create project structures and folder hierarchies
  • Sync external audio when applicable
  • Organize and synchronize footage from multiple cameras
  • Label and organize footage
  • Prepare project files for editorial

Rough Cut Assembly
  • Review footage and identify usable moments
  • Assemble story beats from outlines, scripts, or production notes
  • Create rough cuts from interviews, on-course footage, and b-roll
  • Remove obvious mistakes, dead space, and unusable takes
  • Organize selects and alternate takes
  • Flag sections that feel repetitive, confusing, unnecessary, or off-topic
  • Prepare projects for final edit

Timeline Organization
  • Maintain clean timelines
  • Label tracks consistently
  • Organize graphics placeholders
  • Add markers and editor notes
  • Flag missing footage, pickups, story gaps, or technical issues

Editorial Support
  • Assist with transcripts and paper edits
  • Pull archival footage references when needed
  • Add temporary music to establish pacing and tone where appropriate
  • Build timelines from scripts, outlines, and production notes

Desired Skills
Required
  • Strong Adobe Premiere Pro experience
  • Proficient in Adobe After Effects
  • Experience organizing and editing footage from multiple cameras
  • Understanding of documentary and YouTube storytelling
  • Strong organizational skills
  • Ability to work independently
  • Excellent communication

Strongly Preferred
  • Experience with golf content
  • Familiarity with golf terminology and tournament coverage
  • Experience working with long-form YouTube content
  • Familiarity with Frame.io

Golf Content Experience
Many of our productions involve multiple cameras following different golfers throughout a round.
The ideal candidate is comfortable working with footage that may include:
  • One camera dedicated to a primary host
  • Additional cameras following other players
  • Separate audio sources recorded throughout the day
  • Long-form golf rounds requiring footage synchronization and timeline organization
Depending on the project, footage may be synchronized using tools such as Syncaila, timecode, audio waveforms, or manual syncing methods.
Editors should be comfortable building organized timelines that keep multiple players, cameras, and storylines easy to follow throughout a round.
What Success Looks Like
By the time a project reaches the Senior Editor:
  • All media is downloaded and organized
  • Audio and footage are synchronized where applicable
  • Multiple camera angles and player storylines are organized and easy to follow
  • Story structure is assembled
  • Major selects are identified
  • A coherent rough cut has been created
  • Timelines are clean and easy to navigate
  • Missing assets, story gaps, or technical issues have been flagged
A typical project may begin with 3–6 hours of source footage and be reduced to a structured 60–90 minute rough cut that clearly communicates the story and intent of the final piece.
The Senior Editor should be focused on:
  • Story refinement
  • Pacing
  • Music selection
  • Graphics
  • Visual polish
  • Final delivery
—not project setup or initial assembly.
Growth Opportunities
This role is designed to grow with the right candidate.
As trust and responsibility increase, there will be opportunities to take on more editorial ownership and contribute to larger portions of the final edit.
Over time, the Assistant Editor may be trained to assist with advanced post-production tasks including:
  • Golf shot tracing and ball-flight graphics
  • Motion graphics and animation in After Effects
  • Visual storytelling enhancements
  • Graphic package implementation
  • Additional finishing and polish work
Candidates with a strong interest in developing both editorial and motion graphics skills are encouraged to apply.
Ideal Candidate
We’re looking for someone who genuinely understands storytelling, not just software.
A great candidate can watch hours of footage and identify:
  • The strongest story beats
  • Repetitive sections
  • Emotional moments
  • Good transitions
  • Potential cold opens
  • Opportunities to tighten pacing
They should be able to take a collection of footage and create a coherent rough cut that makes editorial sense before handing it off for finishing.
The best candidates will not simply organize footage—they will save meaningful time in the editing process and help increase the overall output of the channel.
Application Requirements
Please include:
  • Resume
  • Portfolio or editing reel
  • 2–3 examples of long-form editing work
  • A brief note outlining your editing experience and interest in this role

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