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Animation Script Writing Jobs (NOW HIRING)

Complete a final polished script to act as the backbone for animation production and pre-production ... A strong portfolio of writing that demonstrates impactful storytelling for adult audiences

... video animation, and course visuals, in addition to authoring interactive modules in tools like Articulate Storyline or Rise 360 and writing the scripts, captions, and course copy that tie a ...

New

... video animation, and course visuals, in addition to authoring interactive modules in tools like Articulate Storyline or Rise 360 and writing the scripts, captions, and course copy that tie a ...

New

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ELEARNING Developer

Albany, NY ยท On-site

$40 - $45/hr

... write audio scripts to support technical topics - Implement animation ideas utilizing various techniques - Ability to develop relevant scenarios alongside content owners' knowledge - Ability to ...

New

Housed within our Creative Department alongside art directors, designers, and animators, this role ... Concept and write visual, high-retention video scripts for TikTok, Reels, and YouTube Shorts. You ...

Housed within our Creative Department alongside art directors, designers, and animators, this role ... Concept and write visual, high-retention video scripts for TikTok, Reels, and YouTube Shorts. You ...

Creative Positions (Intern)

Fort Lauderdale, FL ยท On-site

$14.25 - $19/hr

Animator: An individual who creates visual effects, graphics, and animations for various media ... They may also work with clients to develop concepts, scripts, and storyboards, or collaborate with ...

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Animation Script Writing information

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How much do animation script writing jobs pay per hour?

As of Sep 12, 2026, the average hourly pay for animation script writing in the United States is $15.01, according to ZipRecruiter salary data. Most workers in this role earn between $12.98 and $16.35 per hour, depending on experience, location, and employer.

What is animation script writing?

An animation script writing job involves creating scripts for animated films, TV shows, web series, or advertisements. Writers develop compelling stories, dialogue, and scene descriptions that guide animators and voice actors in bringing characters and plots to life. They collaborate with directors, storyboard artists, and producers to ensure the script aligns with the animation style and target audience. Strong storytelling, creativity, and knowledge of animation production are essential for this role.

What does an animation script writer do?

A typical day for an animation script writer often involves brainstorming story ideas, outlining episodes or scenes, and drafting or revising scripts in alignment with creative briefs and production schedules. Writers frequently collaborate with directors, storyboard artists, and fellow writers to ensure scripts are visually engaging and align with the animation style. Meetings for script reads, feedback sessions, and revisions are common parts of the workflow. This role requires balancing creative vision with production constraints and being receptive to input from the broader production team. Working in animation script writing can be both dynamic and rewarding, offering opportunities to see your ideas come to life on screen.

What are the key skills and qualifications needed for animation script writing?

To thrive in Animation Script Writing, you need strong storytelling abilities, creativity, and a solid grasp of script formatting, often supported by a degree in creative writing, screenwriting, or a related field. Familiarity with industry-standard software like Final Draft, Celtx, or Adobe Story, as well as experience writing for animation pipelines, is highly valuable. Collaboration, adaptability, and the ability to accept and apply feedback are crucial soft skills for success in this role. These skills ensure scripts are engaging, meet production needs, and contribute to a cohesive team-driven creative process.

How to become a script writer for animation?

To become an animation script writer, develop strong storytelling and writing skills, often through a degree in screenwriting, film, or related fields. Building a portfolio of scripts, gaining experience through internships or freelance work, and understanding animation production processes are essential steps in entering the field.
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Infographic showing various Animation Script Writing job openings in the United States as of September 2026, with employment types broken down into 1% Internship, 1% As Needed, 76% Full Time, 19% Part Time, 1% Temporary, and 2% Contract. Highlights an 84% Physical, 2% Hybrid, and 14% Remote job distribution, with an average salary of $31,227 per year, or $15 per hour.

Senior Video Journalist, International

New York, NY โ€ข On-site

Full-time

Medical, Dental, Vision, Retirement, PTO

Re-posted 5 days ago


Job description

The mission of The New York Times is to seek the truth and help people understand the world. That means independent journalism is at the heart of all we do as a company. It's why we have a world-renowned newsroom that sends journalists to report on the ground from nearly 160 countries. It's why we focus deeply on how our readers will experience our journalism, from print to audio to a world-class digital and app destination. And it's why our business strategy centers on making journalism so good that it's worth paying for.
The New York Times International desk is looking for a Senior Video Journalist to produce and edit stories with multimedia correspondents. You will join a team tasked with creating new approaches to our international reporting in video, working with a growing group of foreign correspondents who work in video as well as text.
The goal is to help readers understand the world through powerful video stories, reaching our core audience as well as new viewers who increasingly consume journalism in video. We will experiment with a mix of direct, immersive vertical video forms that can bring our audience with us on the ground.
You will join a multi-disciplinary team of video journalists that will shape this work. This role is based in our New York office, working remotely with correspondents in the field to produce, edit and publish stories. You should have a refined understanding of video production and storytelling, including video editing, shooting and writing for narration, with a clear sense for how to creatively use graphics and animation to illustrate complex ideas.
Your news judgement about what makes a good story in video will be crucial, as will creative ideas for how to reenvision the basic elements of foreign correspondence, across news, features and analysis. You must be an effective collaborator and a strong communicator who can work closely with regional editors and video colleagues to shape our approach to this coverage. You are capable of working independently and decisively.
This position is based in New York and includes regular attendance in the office four days each week.
Responsibilities:
  • Write, produce, edit and publish videos with hybrid correspondents, in close partnership with regional editors.
  • Devise new approaches to digital video storytelling both on and off platform.
  • Work with correspondents to create a playbook for how to cover a region or beat in video.
  • Collaborate closely with International editors, correspondents and video colleagues.
  • Guide the work of cinematographers, editors and other collaborators.
  • Demonstrate support and understanding of our value of journalistic independence and a strong commitment to our mission to seek the truth and help people understand the world.
  • The role reports to the Senior Producer, International in New York.

Basic Qualifications:
  • 8+ years experience producing news video journalism for digital or broadcast news.
  • A strong portfolio, preferably of inventive short-form video.
  • High-level editorial judgement, and excellent writing, editing and communication skills.
  • Proven ability to work independently to lead production on complicated projects.
  • Demonstrated broad knowledge of current events and news.
  • Deep curiosity about video habits and users and platforms.
  • Strong organizational skills, including the ability to manage field crews and hire and manage freelancers when necessary.
  • Hands-on experience in the trenches of production, including editing, shooting and field production.
  • The ability to edit quickly and accurately with Adobe Premiere.

Preferred Qualifications:
  • Experience covering international news.
  • Foreign language fluency.
  • Strong experience with archival research, including sourcing and clearing user-generated video content.
  • Fluency with animation and motion graphics as an integral part of your script writing process.
  • Proven ability to meet deadlines and adapt to change within an unpredictable news and production environment.
  • Strong time management skills and the ability to juggle multiple assignments at a time.
  • A record of deploying teams of journalists in difficult field assignments.
  • High creative standards and a drive to push work to its best possible form.

This position is represented by the NewsGuild of NY.
In order to be considered for this role, please submit your resume, cover letter and link to your portfolio.
REQ-020293
Additional Compensation and Benefits
For roles in the U.S., dependent on your role, you may be eligible for variable pay, such as an annual bonus and restricted stock. Benefits may include medical, dental and vision benefits, Flexible Spending Accounts (F.S.A.s), a company-matching 401(k) plan, employee stock purchase plan, paid vacation, paid sick days, paid parental leave, tuition reimbursement and professional development programs.
For roles outside of the U.S., information on benefits will be provided during the interview process.
The annual base pay range for this role is between:
$124,980-$152,000 USD
Candidate Use of GenAI Tools:
We're excited to learn more about you and your experience. To keep our hiring process as fair and authentic as possible, we ask that you submit your own work and not use GenAI tools to generate substantive content during the application and interview process.
If you're an engineering candidate, we'll let you know what specific GenAI tools you are permitted to use for your technical assessment.
The New York Times Company is committed to being the world's best source of independent, reliable and quality journalism. To do so, we embrace a diverse workforce that has a broad range of backgrounds and experiences across our ranks, at all levels of the organization. We encourage people from all backgrounds to apply.
We are an Equal Opportunity Employer and do not discriminate on the basis of an individual's sex, age, race, color, creed, national origin, alienage, religion, marital status, pregnancy, sexual orientation or affectional preference, gender identity and expression, disability, genetic trait or predisposition, carrier status, citizenship, veteran or military status and other personal characteristics protected by law. All applications will receive consideration for employment without regard to legally protected characteristics. The U.S. Equal Employment Opportunity Commission (EEOC)'s Know Your Rights Poster is available here.
The New York Times Company will provide reasonable accommodations as required by applicable federal, state, and/or local laws. Individuals seeking an accommodation for the application or interview process should email reasonable.accommodations@nytimes.com. Emails sent for unrelated issues, such as following up on an application, will not receive a response.
For information about The New York Times' privacy practices for job applicants, click here.
Please beware of fraudulent job postings. Scammers may post fraudulent job opportunities, and they may even make fraudulent employment offers. This is done by bad actors to collect personal information and money from victims. All legitimate job opportunities from The New York Times will be accessible through The New York Times careers site. The New York Times will not ask job applicants for financial information or for payment, and will not refer you to a third party to do so. You should never send money to anyone who suggests they can provide employment with The New York Times.
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