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Tv Finance Jobs (NOW HIRING)

Senior PMT - Fire TV, Fire TV Devices

Sunnyvale, CA · On-site

$148K - $196K/yr

... finance, marketing, customer service, and Amazon leadership, and ship devices to customers globally. You will lead large teams of 50+ team members through high complexity and high ambiguity product ...

Fire TV is reshaping the way millions of people discover, engage with, and enjoy entertainment ... Product, Finance, Marketing, Advertising, and Engineering teams to make high-quality business ...

Fire TV is reshaping the way millions of people discover, engage with, and enjoy entertainment ... Product, Finance, Marketing, Advertising, and Engineering teams to make high-quality business ...

Are you interested in shaping the future of movies and television. Do you want to define the next ... We are seeking a candidate who has a strong analytical and financial skillset and a demonstrated ...

Are you interested in shaping the future of movies and television. Do you want to define the next ... We are seeking a candidate who has a strong analytical and financial skillset and a demonstrated ...

Apple TV is the home of award-winning originals, live sports, and exclusive programming reaching ... Proven cross-functional effectiveness across Biz Dev, Product, Engineering, and Finance * BA/BS ...

Apple TV is the home of award-winning originals, live sports, and exclusive programming reaching ... Finance, and Partner Ops/Marketing. Minimum Qualifications 5+ years in subscription strategy ...

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Tv Finance information

See salary details

$25K

$92.6K

$135.5K

How much do tv finance jobs pay per year?

As of Sep 4, 2026, the average yearly pay for tv finance in the United States is $92,631.00, according to ZipRecruiter salary data. Most workers in this role earn between $75,000.00 and $109,000.00 per year, depending on experience, location, and employer.

What is TV finance?

TV finance refers to the specialized financial management, budgeting, and accounting processes involved in the production, distribution, and broadcasting of television content. Professionals in TV finance handle the allocation of funds, cost tracking, revenue forecasting, and financial reporting for TV shows and networks. Their work ensures that productions stay within budget, comply with industry regulations, and maximize profitability. TV finance experts often work closely with producers, studios, and networks to ensure financial efficiency throughout the lifecycle of a TV project.

What are the key skills and qualifications needed to thrive in TV finance?

To thrive in TV Finance, you need strong analytical abilities, financial modeling skills, and a background in accounting or finance, often supported by a relevant degree. Familiarity with industry-specific software such as SAP, Excel, and entertainment production budgeting tools is typically required. Excellent communication, attention to detail, and the ability to work collaboratively under tight deadlines are valuable soft skills in this field. These competencies ensure accurate financial management, support informed decision-making, and help maintain the fiscal health of television productions.

What are some common challenges faced by professionals working in TV finance, and how can they be managed?

Professionals in TV finance often face the challenge of balancing tight production budgets with creative demands and rapidly changing project scopes. They must work closely with production teams, network executives, and external partners to ensure financial compliance while maintaining flexibility for unexpected costs. Managing cash flow, tracking expenses in real time, and adapting to last-minute changes are key parts of the role. Building strong communication channels and utilizing robust budgeting software can help mitigate these challenges and support successful project delivery.

What is the difference between Tv Finance vs Tv Production Coordinator?

AspectTv FinanceTv Production Coordinator
Required CredentialsFinance or accounting degree, budgeting experienceProduction experience, organizational skills
Work EnvironmentOffice setting, finance departmentsOn-set or production sites, coordinating schedules
Employer & Industry UsageTV networks, production companiesProduction companies, broadcasters
Common Search & ComparisonYesNo

Tv Finance professionals focus on budgeting, financial planning, and cost management within TV productions, working mainly in office environments. In contrast, Tv Production Coordinators handle scheduling, logistics, and on-set coordination to ensure smooth production flow. While both roles are essential in the TV industry, they require different skill sets and focus areas, making them distinct career paths.

More about Tv Finance jobs

What cities are hiring for Tv Finance jobs?

Cities with the most Tv Finance job openings:

Infographic showing various Tv Finance job openings in the United States as of August 2026, with employment types broken down into 89% Full Time, and 11% Contract. Highlights an 78% In-person, and 22% Remote job distribution, with an average salary of $92,631 per year, or $44.5 per hour.

Sr. Director, TV Business Affairs (Scripted)

Lionsgate

Santa Monica, CA • On-site

$160 - $190/hr

Other

Medical, Dental, Vision, Retirement, PTO

Re-posted 23 days ago


Lionsgate rating

6.9

Company rating: 6.9 out of 10

Based on 5 frontline employees who took The Breakroom Quiz


Job description

Job Title: Sr. Director, TV Business Affairs (Scripted)

Department: Business and Legal Affairs

Location: Santa Monica, CA, US, 90404

Summary of Position

Lionsgate Television is seeking a Sr. Director, Television Business Affairs to support the development, production, financing, and exploitation of scripted television programming for a leading independent television studio. Reporting to senior business affairs leadership, this role serves as a key legal and commercial partner to Creative, Production, Finance, and Distribution teams, with primary responsibility for negotiating and drafting agreements across the full lifecycle of scripted television projects—from development through distribution.

The ideal candidate will bring strong negotiation skills, sound legal judgment, and the ability to manage complex deal flows independently in a fast paced, entrepreneurial environment.

Responsibilities

Deal Negotiation & Structuring

  • Negotiate, draft, and interpret a wide range of scripted television agreements, including:
  • Writer, producer, director, and showrunner agreements

Test deals and options

  • Series, pilot, episodic, and development agreements
  • Talent agreements and underlying rights option/purchase agreements
  • Co‑production, financing, and deficit arrangements
  • Advise internal stakeholders on deal structure, compensation models, back‑end participation, and guild compliance.
  • Exercise independent judgment while escalating material or high‑risk issues as appropriate.

Development & Production Support

  • Work on current productions with higher level BA leadership through prep, principal photography, and post, addressing deal‑related and contractual issues as they arise.
  • Serve as the primary business affairs contact for assigned scripted television projects from early development through production and delivery.
  • Partner closely with Creative executives on development strategies, test scenarios, and talent engagement models.
  • Review and advise on scripts, outlines, and other development materials for contractual, legal, and rights implications.

Rights Management & Distribution

  • Advise on rights, clearances, chain‑of‑title, and restrictions in connection with domestic and international exploitation.
  • Support distribution, licensing, and ancillary arrangements across linear, SVOD, AVOD, and emerging platforms.
  • Interpret and advise on existing agreements in response to internal inquiries and downstream distribution needs.

Cross‑Functional Collaboration & Advisory

  • Act as a trusted business affairs advisor to Creative, Production, Finance, Legal, and Distribution teams.
  • Provide clear, pragmatic guidance that balances creative goals, legal risk, schedule, and budget considerations.
  • Monitor and stay current on industry trends, guild agreements (WGA, DGA, SAG‑AFTRA), and evolving scripted television business models.
Qualifications and Skills
  • Juris Doctor (J.D.) required; membership in at least one U.S. state bar (California preferred).
  • 6–10 years of experience in television business affairs or entertainment law, with a focus on scripted television, at a studio, network, production company, or major law firm.
  • Direct experience negotiating test deals, test options, and scripted development agreements.
  • Strong working knowledge of guild agreements and scripted television deal structures.
  • Excellent drafting, negotiation, and issue‑spotting skills.
  • Proven ability to manage multiple projects simultaneously with strong attention to detail.
  • Collaborative, flexible, and solutions‑oriented with the confidence to operate independently.
Additional Requirements

This position requires five (5) days per week in office.

Compensation

$160,000 - $190,000

Benefits
  • Full Coverage – Medical, Vision, and Dental
  • Work/Life Balance – generous sick days, vacation days, holidays, and Impact Day
  • 401(k) company matching
EEO Statement

Lionsgate is an equal employment opportunity employer. All employees and applicants are evaluated on the basis of their qualifications, consistent with applicable state and federal laws. In addition, Lionsgate will provide reasonable accommodations for qualified individuals with disabilities. Lionsgate will consider for employment qualified applicants with criminal histories in a manner consistent with the requirements of applicable state and federal law.

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