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Studio Camera Operator Jobs in Austin, TX (NOW HIRING)

Broadcast Engineer III

Austin, TX · On-site

$80K - $95K/yr

These systems include all broadcast equipment including but are not limited to studio camera and ... Operating machinery and/or power tools. * Operating motor vehicles or heavy equipment. EDUCATION:

Broadcast Engineer III

Austin, TX · On-site

$85K - $95K/yr

These systems include all broadcast equipment including but are not limited to studio camera and ... Operating motor vehicles or heavy equipment. EDUCATION Preferred: Technical school, community ...

Broadcast Engineer III

Austin, TX · On-site

$85K - $95K/yr

These systems include all broadcast equipment including but are not limited to studio camera and ... Operating motor vehicles or heavy equipment. EDUCATION Preferred: Technical school, community ...

Maintain studio lighting, cameras, and production equipment. * Maintain accurate documentation ... Fundamental knowledge of computer hardware and Windows operating systems. * Basic networking ...

Studios is a full-service creative and marketing agency that creates unique, high-impact content ... Proficiency in operating DSLR/cinema cameras, along with expertise in sound, lighting, and grip ...

Operating a variety of video studio equipment safely and competently. * Assessing and prioritizing ... Proficiency using digital video cameras of varying formats. * Proficiency using motion graphics ...

Studio Camera Operator information

See Austin, TX salary details

$13

$27

$61

How much do studio camera operator jobs pay per hour?

As of Jul 29, 2026, the average hourly pay for studio camera operator in Austin, TX is $27.92, according to ZipRecruiter salary data. Most workers in this role earn between $17.16 and $30.24 per hour, depending on experience, location, and employer.

How much do camera operators earn?

Studio camera operators typically earn between $30,000 and $70,000 annually, depending on experience, location, and the complexity of the productions they work on. Entry-level positions may start lower, while experienced operators working on high-profile projects can earn higher salaries. Certifications and proficiency with broadcast equipment can also influence earnings.

What does a studio camera operator do?

A studio camera operator is responsible for operating cameras during live broadcasts or recordings, ensuring proper framing, focus, and camera movements. They work closely with directors and technical staff, often using video switchers and other equipment to capture the desired shots in a studio environment. Attention to detail and knowledge of camera equipment are essential for this role.

What are the key skills and qualifications needed to thrive as a Studio Camera Operator, and why are they important?

To thrive as a Studio Camera Operator, you need a solid understanding of camera operation, lighting, and shot composition, often supported by a degree in film, broadcasting, or related experience. Familiarity with broadcast cameras, video switchers, and sometimes certification in camera operation or broadcast technology is typical. Attention to detail, teamwork, and the ability to follow direction under pressure are essential soft skills in this role. These skills ensure precise visual storytelling and smooth production flow in high-pressure, live studio environments.

Do camera operators make good money?

Studio camera operators typically earn a median annual salary that varies by experience, location, and employer, with entry-level positions paying less and experienced operators earning more. They often work in broadcast or production environments, requiring technical skills and familiarity with camera equipment. Salaries can range from around $30,000 to over $70,000 per year depending on these factors.

How do I get into the camera operator?

To become a studio camera operator, you typically need a high school diploma or equivalent, along with training or experience in operating video cameras and related equipment. Many start with internships or entry-level positions to gain hands-on experience, and proficiency with camera systems, framing, and lighting is essential. Certification or technical training in broadcasting or media production can also improve job prospects.

What is the difference between Studio Camera Operator vs Camera Assistant?

AspectStudio Camera OperatorCamera Assistant
CredentialsRelevant camera operation certifications, technical trainingBasic technical knowledge, sometimes certifications
Work EnvironmentTelevision studios, live broadcasts, production setsOn-set support, assisting camera operators, equipment prep
Employer & IndustryTV stations, production companies, broadcasting industryTV studios, film sets, live event productions
Search & Comparison IntentUnderstanding roles, job requirements, career pathEntry-level support, learning camera operation

The Studio Camera Operator and Camera Assistant roles are closely related in the broadcasting industry. The Camera Assistant typically supports the camera team by handling equipment setup and maintenance, while the Studio Camera Operator is responsible for operating the camera during broadcasts. Both roles require technical knowledge and work in similar environments, but the Camera Operator has more direct responsibility for capturing footage. Understanding these differences helps job seekers identify the right position for their skills and career goals.

What are studio camera operators?

Studio camera operators are professionals responsible for operating cameras during television, film, or live broadcast productions within a studio environment. They work closely with directors and other production staff to capture the desired shots, angles, and movements according to the script or production plan. Their duties may also include setting up equipment, adjusting camera settings, and ensuring smooth transitions between scenes. Attention to detail, technical expertise, and good communication skills are essential for this role. Studio camera operators play a key part in delivering high-quality visual content to audiences.

What are some common challenges Studio Camera Operators face during live broadcasts, and how can they be managed?

Studio Camera Operators often encounter challenges such as adapting to last-minute production changes, maintaining smooth camera movements under pressure, and ensuring precise framing during live broadcasts. Managing these challenges requires strong communication with directors and other crew members, quick problem-solving skills, and the ability to stay focused in fast-paced environments. Regular practice, familiarity with equipment, and attentiveness to cues help operators deliver high-quality visual content consistently.
What are popular job titles related to Studio Camera Operator jobs in Austin, TX? For Studio Camera Operator jobs in Austin, TX, the most frequently searched job titles are:
What job categories do people searching Studio Camera Operator jobs in Austin, TX look for? The top searched job categories for Studio Camera Operator jobs in Austin, TX are:
Infographic showing various Studio Camera Operator job openings in Austin, TX as of July 2026, with employment types broken down into 1% As Needed, 67% Full Time, 20% Part Time, and 12% Contract. Highlights an 81% Physical, 1% Hybrid, and 18% Remote job distribution, with an average salary of $58,068 per year, or $27.9 per hour.
Broadcast Engineer III

Broadcast Engineer III

Shop LC

Austin, TX • On-site

$80K - $95K/yr

Full-time

Posted 14 days ago


Job description

Broadcast Engineer III

JOB DESCRIPTION:
The Broadcast Engineer III works under the direction of the Broadcast Engineering Manager/Director, assisting with all aspects of the technical operation. This position also has direct involvement in all aspects of supporting the live production including set up, operation, and maintaining a wide variety of electrical and electronic equipment involved in the television broadcast and postproduction, musical recording or television show. This is a Full-Time position where the candidate must have the ability to work flexible schedules including weekends and Holidays.
 
JOB RESPONSIBILITIES:
  • Install and/or modify technical equipment and systems.
  • Develop and maintain system documentation for operational and troubleshooting purposes.
  • Design and manufacture hardware and systems.
  • Responsible for preventative maintenance and emergency repairs of video, audio and radio frequency (RF) systems, including satellite and wireless equipment.
  • Work closely with production staff and other resource departments to ensure that operational and other production needs are effectively and efficiently met.
  • Identify and implement alternative ways of meeting program output and other requirements to cover equipment failures with minimum loss of services.
  • Handling all auction software. Highlight problems and identify areas of possible future improvement of possible problems.
  • Provide user support and maintain desktop editing systems, technical desktop systems, and IT infrastructure as related to the live broadcast environment.
  • Maintain the smooth running of the operation in the studio, covering program and maintenance needs.
  • Install and maintain video, audio, RF and computer equipment. These systems include all broadcast equipment including but are not limited to studio camera and switching systems, video monitors and technical measurement devices, videotape machines and systems, disc-based video file servers and automation systems, as well as electronic graphic systems and internal auction management system.
  • Maintain and change studio lights when necessary.
  • Advise operational and production staff on the technical capabilities of broadcast engineering systems and equipment to assist them to achieve particular results.
  • Cover technical operations crew brakes and absences.
  • Must be proficient with and have a good understanding of satellite and headend signal distribution to affiliates in order to achieve quick response time when troubleshooting transmission outages.
  • Respond to outage calls from operations team 24/7.
  • Record all visual output for FCC regulations.
  • Act as a subject matter expert for all technology within the broadcast facility.
  • Lead initial response to any technical issues.
  
SKILLS OR EXPERIENCE:
  • Minimum two-year program; formally certified or degreed training in electronics, RF, with computer technology, through college, university, accredited technical school, or military training.
  • Minimum Five years of experience in the broadcast/Production engineering field with a working knowledge of digital/analog studio, remote, and transmission equipment and related facilities.
  • Must have a practical knowledge of hazardous voltages, towers, ground system, generators, and hazardous fuel storage.
  • Ability to multi-task and work long hours and able to respond in a timely “on-call” capacity.
  • Dependable and flexible, ability to work in 24/7 environment.
 
PHYSICAL REQUIREMENTS:
  • Ascending or descending ladders, stairs, scaffolding, ramps, poles and the like.
  • Moving self in different positions to accomplish tasks in various environments including tight and confined spaces.
  • Remaining in a stationary position, often standing or sitting for prolonged periods.
  • Moving about to accomplish tasks or moving from one worksite to another.
  • Adjusting or moving objects up to 40 pounds in all directions.
  • Repeating motions that may include the wrists, hands and/or fingers.
  • Operating machinery and/or power tools.
  • Operating motor vehicles or heavy equipment.

EDUCATION:
  • Preferred: Technical school, community college, or college training in electronics, computer networking, or broadcast technology, certified or degreed training in electronics, RF, computer technology, through college, university, accredited technical school, or military training.
 
PREFERRED QUALIFICATIONS:
  • FCC General Radiotelephone, SBE Broadcast Certification, CET Certifications, and MCSE.
 
SPECIAL INSTRUCTIONS TO APPLICANTS:
Please note that if we decide to extend an offer to you Shop LC conducts a thorough background check and requires a drug test. Texas law requires that males, age 18 through 25, be properly registered with the Selective Service System in order to be eligible for employment.

ABOUT SHOP LC:
We are an electronic retailer of jewelry and lifestyle products headquartered in Austin, Texas with a team of approximately 450 people. Our products are sold through TV (Cable, satellite, Telco’s and OTA’s), our website, OTT, marketplaces, and social media.
 
We are the US retailing unit and subsidiary of Vaibhav Global Limited (VGL)- a publicly listed company in India. The other retailing units of VGL Group are in the UK (Shop TJC) and Germany (Shop LC, Germany). VGL Group is a vertical business, having its own manufacturing and sourcing units in India, China, Indonesia, and Thailand.
 
We believe in supporting our community and protecting the environment with the purpose of Delivering Joy
 
Our service to the community is run through our Your Purchase Feeds… program under which each retailing unit donates one nutritious meal to a school-going child in India, the US, the UK, and the Germany for each item sold through all its platforms. Your Purchase Feeds… has current run rate of over 54,000 meals per school day and has provided over 50 million meals to kids in need in US, UK and India until now. Our mission statement embraces the ambitious goal of distributing one million meals each school day to children in need by 2040. We believe that Your Purchase Feeds… provides more than just a meal: it feeds the hearts, minds, and futures of children.
 
We are committed to protecting the environment by constantly working on reducing our carbon footprint and becoming net zero by 2030. Our factories in India fully functions on solar power and has Platinum level LEEDS certified factory.  Our US buildings are Gold level LEEDS certified.