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Sports Production Jobs in Indiana (NOW HIRING)

Ensures that all sports content meets company standards for journalistic integrity and production quality * Writes and delivers sports stories in a clear and concise manner * Assists in writing, copy ...

Sports Reporter The Times of Northwest Indiana in Munster, Indiana, is seeking a curious, driven ... products serving 114 markets across 25 states. Our core commitment is to provide valuable ...

Escalade Sports is a publicly traded leader in sports and recreation, with over 100 years of innovation. As the Product Manager - Stiga, you'll own the strategy, growth, and success for this brand ...

Exempt ESCALADE Escalade is a publicly traded leader in sports and recreation, with over 100 years of innovation across iconic brands like Goalrilla, STIGA, Bear Archery, ONIX, Brunswick Billiards ...

Description Production Artist About Our Company At Lids Sports Group, we don't just sell hats - we ... As the largest licensed sports retailer in North America, we bring sports, fashion, and culture ...

Production Associate - 1st Shift

Indianapolis, IN · On-site

$14.25 - $18.25/hr

BSN SPORTS, A VARSITY BRANDS COMPANY - THE RECOGNIZED LEADER IN TEAM ATHLETIC GEAR For over 50 ... The Production Associate responds to work orders, set up, troubleshoots missing items and performs ...

Production Associate - 2nd Shift

Indianapolis, IN · On-site

$14.25 - $18.25/hr

BSN SPORTS, A VARSITY BRANDS COMPANY - THE RECOGNIZED LEADER IN TEAM ATHLETIC GEAR For over 50 ... The Production Associate responds to work orders, set up, troubleshoots missing items and performs ...

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Sports Production information

See Indiana salary details

$9

$16

$21

How much do sports production jobs pay per hour?

As of Jul 26, 2026, the average hourly pay for sports production in Indiana is $16.01, according to ZipRecruiter salary data. Most workers in this role earn between $13.70 and $17.40 per hour, depending on experience, location, and employer.

What Are the Qualifications to Get a Sports Production Job?

The qualifications to get a sports production job vary depending on your responsibilities. Entry-level engineers and technicians need to have at least an associate degree in TV or radio production, and larger markets or studios may require a bachelor’s degree. To become a producer, you need to have a bachelor’s degree and several years of experience in the field. You typically start as a production assistant or associate producer position, in which your duties are to assist more senior producers. Producers should also have strong financial skills and the ability to multitask and coordinate many different aspects of production.

What is sports production?

Sports production refers to the process of planning, coordinating, and executing the broadcast or recording of live sports events for television, radio, or digital platforms. This involves a team of professionals, such as producers, directors, camera operators, and audio technicians, who work together to capture the action, provide commentary, and deliver a seamless viewing experience. Sports production covers everything from pre-game setup and live event coverage to post-production editing and highlights creation. It requires strong technical skills, teamwork, and the ability to work under tight deadlines.

What is the difference between Sports Production vs Sports Broadcasting?

AspectSports ProductionSports Broadcasting
CredentialsRelevant production certifications, media production skillsBroadcast journalism, media certifications
Work EnvironmentOn-site at events, studio productionOn-air, in-studio or remote broadcasting
Employer & IndustrySports networks, production companiesTV/radio networks, sports channels
Common Search IntentCreating and managing sports contentDelivering live sports coverage to viewers

Sports Production involves creating, filming, and editing sports content, focusing on the behind-the-scenes aspects. Sports Broadcasting centers on delivering live or recorded sports events to audiences through various media channels. While both roles require media skills and work in the sports industry, production emphasizes content creation, whereas broadcasting emphasizes live delivery and presentation.

What are some common challenges faced by professionals in sports production, and how can they be managed effectively?

Professionals in sports production often face challenges such as tight deadlines, rapidly changing live event conditions, and technical issues with equipment. Effective management involves strong communication with team members, meticulous pre-event planning, and the ability to adapt quickly to unexpected changes during broadcasts. Building a cohesive team and staying up-to-date with the latest production technologies also help ensure smooth operations and high-quality results.

What kind of jobs in media bring in $150,000 a year?

In sports production, high-paying roles such as senior broadcast producer, director, or technical director can earn $150,000 or more annually, especially with extensive experience and working for major networks or large events. These positions often require advanced technical skills, leadership abilities, and sometimes certifications in broadcasting or production technology.

What are the key skills and qualifications needed to thrive in Sports Production, and why are they important?

To thrive in Sports Production, you need a strong understanding of live event coordination, camera operation, and media production, often supported by a degree in broadcasting, communications, or a related field. Familiarity with editing software (such as Adobe Premiere or Avid), broadcast equipment, and live production systems is typically required. Excellent teamwork, quick decision-making, and strong communication skills help professionals excel in fast-paced, high-pressure environments. These skills ensure seamless event coverage, timely content delivery, and engaging viewer experiences.

What jobs make $3,000 a day?

In sports production, high-paying roles such as senior producers, executive producers, or specialized technical directors can earn around $3,000 or more per day, especially for large-scale events like major sports broadcasts. These positions typically require extensive experience, advanced skills in broadcasting technology, and often involve long hours during live events.

How to get a job in sports production?

To get a job in sports production, candidates typically need relevant experience in media or broadcasting, strong technical skills with equipment like cameras and editing software, and often a degree in communications, journalism, or a related field. Internships and entry-level positions can provide valuable hands-on experience, and networking within the industry can help identify opportunities.

What does a producer do in sports?

A sports producer oversees the planning, coordination, and execution of sports broadcasts, ensuring content is delivered smoothly and on time. They manage production teams, coordinate with commentators and technical staff, and handle scheduling and logistics to produce high-quality live or recorded sports coverage.
What are the most commonly searched types of Sports Production jobs in Indiana? The most popular types of Sports Production jobs in Indiana are:
What are popular job titles related to Sports Production jobs in Indiana? For Sports Production jobs in Indiana, the most frequently searched job titles are:
What job categories do people searching Sports Production jobs in Indiana look for? The top searched job categories for Sports Production jobs in Indiana are:
What cities in Indiana are hiring for Sports Production jobs? Cities in Indiana with the most Sports Production job openings:
Infographic showing various Sports Production job openings in Indiana as of July 2026, with employment types broken down into 79% Full Time, and 21% Part Time. Highlights an 84% In-person, and 16% Remote job distribution, with an average salary of $33,301 per year, or $16 per hour.
Broadcast Engineering Season Associate

Broadcast Engineering Season Associate

Pacers Sports & Entertainment

Indianapolis, IN

Full-time

Posted 13 days ago


Job description

Season Associate Start Date: September 2026

Season Associate End Date: June 2027

Location: on-site in Indianapolis, IN

Anticipated Time Commitment: approximately 25+ hours per week

Summary

The Broadcast Engineering Season Associate is an entry-level role that supports the AVP of Broadcast Engineering and Operations, broadcast engineering staff, and production teams with the setup, operation, and maintenance of television production equipment and event broadcast infrastructure. This position provides hands-on assistance for Indiana Pacers, Indiana Fever, and Noblesville Boom games, as well as other events at Gainbridge Fieldhouse that utilize PSE production services.

Evening and weekend availability is required. Under the direction of full-time broadcast engineering staff, the associate will help configure, install, operate, and maintain broadcast equipment such as cameras, cables, audio boards, intercoms, microphones, routers, monitors, and related production systems. This role is intended for someone seeking practical experience in live sports and event production while supporting smooth technical execution before, during, and after events.

Essential Duties and Responsibilities

· Maintain consistent evening and weekend availability for Pacers, Fever, Boom, and other events supported by PSE production services.

· Assist with setup, strike, and configuration of broadcast equipment for live games and events, including cameras, cables, audio boards, intercoms, microphones, routers, video monitors, audio monitors, and related production equipment.

· Support basic maintenance and organization of editing and production systems, including PC-based editors, servers, archive systems, and related equipment, under staff supervision.

· Help install, configure, label, test, and troubleshoot new or temporary equipment, including assisting with copper and fiber optic cabling for event needs.

· Collaborate with broadcast engineering staff, production teams, facility partners, and outside broadcast partners to support proper deployment of equipment and personnel for games and events.

· Assist with the operation, upkeep, and basic troubleshooting of video coaching facilities and related event production systems as needed.

· Support freelance staff and game day crew by helping with equipment preparation, setup instructions, and event-day technical needs under supervision.

· Serve as an entry-level technical support resource by helping answer basic equipment questions, escalating issues when needed, and relaying information to broadcast engineering staff.

· Help prepare, deploy, test, and collect in-arena production equipment on game days and assist with communicating equipment-use instructions to game day staff.

· Identify and report production issues, equipment concerns, damaged gear, or operational needs to the AVP of Broadcast Engineering & Operations or designated broadcast engineering staff.

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Note: This seasonal, entry-level role is designed for individuals seeking hands-on experience in broadcast engineering, live sports production, and event operations. Responsibilities may be adjusted based on event needs and may include Pacers, Fever, Boom, and other events at Gainbridge Fieldhouse or other PSE-supported venues.

PHYSICAL & ENVIRONMENTAL DEMANDS:

The physical demands described here are representative of those that must be met by an employee to successfully perform the essential functions of this job. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.

While performing the duties of this job, the employee is regularly required to sit, stand, walk, use a telephone, use a computer, speak, hear, and write.

The noise level in the office work environment is usually moderate. The noise level in the Fieldhouse / game environment is usually loud. The stress level may become high during certain times of the year.

We are an equal opportunity employer, and all qualified applicants will receive consideration for employment without regard to race, color, religion, national origin, sex, sexual orientation, age, gender identity, marital status, disability status, protected veteran status, or any other characteristic protected by law.