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Outside Broadcasting Jobs in Indiana (NOW HIRING)

U.S. Navy

$18.50 - $25.50/hr

We're looking for Sailors with talent and originality, who aren't afraid to think outside the box ... broadcast station at a stateside command. Your workplace is as diverse as they come. While there ...

U.S. Navy

$18.50 - $25.50/hr

We're looking for Sailors with talent and originality, who aren't afraid to think outside the box ... broadcast station at a stateside command. Your workplace is as diverse as they come. While there ...

U.S. Navy

$19.25 - $26.50/hr

We're looking for Sailors with talent and originality, who aren't afraid to think outside the box ... broadcast station at a stateside command. Your workplace is as diverse as they come. While there ...

U.S. Navy

$18.75 - $25.50/hr

We're looking for Sailors with talent and originality, who aren't afraid to think outside the box ... broadcast station at a stateside command. Your workplace is as diverse as they come. While there ...

U.S. Navy

$19.50 - $26.50/hr

We're looking for Sailors with talent and originality, who aren't afraid to think outside the box ... broadcast station at a stateside command. Your workplace is as diverse as they come. While there ...

U.S. Navy

$19 - $26.25/hr

We're looking for Sailors with talent and originality, who aren't afraid to think outside the box ... broadcast station at a stateside command. Your workplace is as diverse as they come. While there ...

U.S. Navy

$18.75 - $25.75/hr

We're looking for Sailors with talent and originality, who aren't afraid to think outside the box ... broadcast station at a stateside command. Your workplace is as diverse as they come. While there ...

U.S. Navy

Graphic Designer & Communication Specialist

Gary, IN · On-site

$19.50 - $26.50/hr

We're looking for Sailors with talent and originality, who aren't afraid to think outside the box ... broadcast station at a stateside command. Your workplace is as diverse as they come. While there ...

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Outside Broadcasting information

What is outside broadcasting?

Outside broadcasting (OB) refers to the production and transmission of live or recorded television and radio programs from locations outside of a traditional studio. This often involves covering live events such as sports, concerts, and news stories using specialized OB vehicles equipped with production and transmission equipment. OB teams handle complex logistics to ensure high-quality audio and video signals are captured and broadcasted to audiences in real time. The process requires collaboration among engineers, producers, camera operators, and other crew members. Outside broadcasting is essential for bringing dynamic, on-location coverage to viewers around the world.

What are the key skills and qualifications needed to thrive in Outside Broadcasting, and why are they important?

To thrive in Outside Broadcasting, you need expertise in live production techniques, audiovisual equipment operation, and broadcast engineering, typically supported by a relevant degree or technical diploma. Familiarity with broadcast-specific tools such as vision mixers, audio consoles, satellite uplinks, and industry-standard software is essential. Strong problem-solving skills, teamwork, and the ability to stay calm under pressure are crucial soft skills in this fast-paced environment. These skills and qualities ensure seamless live event coverage, minimize technical disruption, and enable effective collaboration during high-stress broadcasts.

What are some common challenges faced by professionals working in Outside Broadcasting, and how can they be managed?

Professionals in Outside Broadcasting often encounter challenges such as unpredictable weather, technical issues with transmission equipment, and rapidly changing event schedules. Managing these requires strong problem-solving skills, adaptability, and effective communication within the team. Working closely with engineers, producers, and on-site crew ensures quick resolution of issues and smooth coordination during live events. Building experience in troubleshooting and pre-event planning can also help minimize disruptions and ensure successful broadcasts.

What is the difference between Outside Broadcasting vs Camera Operator?

AspectOutside BroadcastingCamera Operator
Required CredentialsTechnical certifications, broadcast trainingCamera operation training, sometimes certifications
Work EnvironmentOn-location, live events, sports, concertsStudio or on-location, various productions
Employer & IndustryBroadcast networks, production companiesTV stations, production crews

Outside Broadcasting involves managing entire live broadcast setups on location, including multiple cameras and technical equipment. Camera Operators focus on operating cameras during productions. While both roles require technical skills and work in broadcast environments, Outside Broadcasting covers a broader scope of technical coordination, whereas Camera Operators specialize in camera operation.

What job categories do people searching Outside Broadcasting jobs in Indiana look for? The top searched job categories for Outside Broadcasting jobs in Indiana are:
Outside Broadcasting jobs near you
Infographic showing various Outside Broadcasting job openings in Indiana as of July 2026, with employment types broken down into 2% Locum Tenens, 41% As Needed, 44% Full Time, 11% Part Time, 1% Contract, and 1% Summer. Highlights an 96% Physical, 2% Hybrid, and 2% Remote job distribution.
Broadcast Engineering Season Associate

Broadcast Engineering Season Associate

Pacers Sports & Entertainment

Indianapolis, IN • On-site

Full-time

Posted 18 days ago

Job description

Season Associate Start Date: September 2026
Season Associate End Date: June 2027
Location: on-site in Indianapolis, IN
Anticipated Time Commitment: approximately 25+ hours per week
Summary
The Broadcast Engineering Season Associate is an entry-level role that supports the AVP of Broadcast Engineering and Operations, broadcast engineering staff, and production teams with the setup, operation, and maintenance of television production equipment and event broadcast infrastructure. This position provides hands-on assistance for Indiana Pacers, Indiana Fever, and Noblesville Boom games, as well as other events at Gainbridge Fieldhouse that utilize PSE production services.
Evening and weekend availability is required. Under the direction of full-time broadcast engineering staff, the associate will help configure, install, operate, and maintain broadcast equipment such as cameras, cables, audio boards, intercoms, microphones, routers, monitors, and related production systems. This role is intended for someone seeking practical experience in live sports and event production while supporting smooth technical execution before, during, and after events.
Essential Duties and Responsibilities
• Maintain consistent evening and weekend availability for Pacers, Fever, Boom, and other events supported by PSE production services.
• Assist with setup, strike, and configuration of broadcast equipment for live games and events, including cameras, cables, audio boards, intercoms, microphones, routers, video monitors, audio monitors, and related production equipment.
• Support basic maintenance and organization of editing and production systems, including PC-based editors, servers, archive systems, and related equipment, under staff supervision.
• Help install, configure, label, test, and troubleshoot new or temporary equipment, including assisting with copper and fiber optic cabling for event needs.
• Collaborate with broadcast engineering staff, production teams, facility partners, and outside broadcast partners to support proper deployment of equipment and personnel for games and events.
• Assist with the operation, upkeep, and basic troubleshooting of video coaching facilities and related event production systems as needed.
• Support freelance staff and game day crew by helping with equipment preparation, setup instructions, and event-day technical needs under supervision.
• Serve as an entry-level technical support resource by helping answer basic equipment questions, escalating issues when needed, and relaying information to broadcast engineering staff.
• Help prepare, deploy, test, and collect in-arena production equipment on game days and assist with communicating equipment-use instructions to game day staff.
• Identify and report production issues, equipment concerns, damaged gear, or operational needs to the AVP of Broadcast Engineering & Operations or designated broadcast engineering staff.
Note: This seasonal, entry-level role is designed for individuals seeking hands-on experience in broadcast engineering, live sports production, and event operations. Responsibilities may be adjusted based on event needs and may include Pacers, Fever, Boom, and other events at Gainbridge Fieldhouse or other PSE-supported venues.
PHYSICAL & ENVIRONMENTAL DEMANDS:
The physical demands described here are representative of those that must be met by an employee to successfully perform the essential functions of this job. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.
While performing the duties of this job, the employee is regularly required to sit, stand, walk, use a telephone, use a computer, speak, hear, and write.
The noise level in the office work environment is usually moderate. The noise level in the Fieldhouse / game environment is usually loud. The stress level may become high during certain times of the year.
We are an equal opportunity employer, and all qualified applicants will receive consideration for employment without regard to race, color, religion, national origin, sex, sexual orientation, age, gender identity, marital status, disability status, protected veteran status, or any other characteristic protected by law.

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