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Set Construction Jobs in Indiana (NOW HIRING)

Set Crew

Wakarusa, IN · On-site

$15.25 - $20.25/hr

General construction processes including leveling, blocking, shingling, plumbing, and siding with an eye for detail and customer service mindset. * Ensure quality of each home set, while maintaining ...

Set Crew

Wakarusa, IN · On-site

$15.25 - $20.25/hr

General construction processes including leveling, blocking, shingling, plumbing, and siding with an eye for detail and customer service mindset. * Ensure quality of each home set, while maintaining ...

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Set Construction information

See Indiana salary details

$11

$19

$27

How much do set construction jobs pay per hour?

As of Jun 14, 2026, the average hourly pay for set construction in Indiana is $19.92, according to ZipRecruiter salary data. Most workers in this role earn between $16.25 and $20.82 per hour, depending on experience, location, and employer.

What is set construction?

Set construction is the process of building the physical environments used in film, television, theater, and other productions. This work involves creating backdrops, props, platforms, and structures to match the creative vision of the production's designers and directors. Set construction teams use a variety of materials and tools, working collaboratively to ensure the set is safe, functional, and visually accurate. Their work is essential for creating immersive and believable worlds on stage or screen.

How to get into movie set construction?

To get into movie set construction, start by gaining experience in carpentry, painting, or set building through apprenticeships or entry-level positions. Developing skills with tools and understanding set design principles can improve job prospects; some roles may require a high school diploma or technical training. Building a portfolio or gaining certifications in safety and construction can also be beneficial.

How to get hired on a movie set?

To get hired as a set construction worker, gain experience in carpentry or set building, and develop skills with tools like saws and drills. Networking within the industry, applying for entry-level positions, and being prepared for physically demanding work and irregular hours can improve your chances of employment.

What are some common challenges faced in set construction and how can they be managed?

Set construction professionals often encounter tight deadlines and last-minute design changes, which require adaptability and strong problem-solving skills. Coordinating with designers, directors, and other departments is crucial for ensuring the set meets creative vision while staying within budget and safety requirements. Effective communication, attention to detail, and a collaborative mindset help manage these challenges and contribute to successful production outcomes.

What are set builders called?

Set builders are often referred to as scenic carpenters or set carpenters. They are responsible for constructing, installing, and maintaining the physical elements of a stage or film set, using tools like saws and drills, and often work closely with designers and production teams.

What is the difference between Set Construction vs Scenic Artist?

AspectSet ConstructionScenic Artist
Primary RoleBuilds and assembles physical set pieces and structuresPaints and finishes set pieces to achieve visual effects
Required SkillsCarpentry, woodworking, blueprint readingPainting, color theory, artistic techniques
Work EnvironmentWorkshop, on-site construction areasPaint stations, on-site or studio
Industry UsageTheatrical, film, television productionsTheatrical, film, television productions

While both roles are essential in production design, Set Construction focuses on building the physical structures, whereas Scenic Artists specialize in painting and finishing those structures to create the desired visual effects. Understanding these differences helps productions assemble the right team for each phase of set creation.

How to get into set construction?

To get into set construction, gain experience through apprenticeships or entry-level positions in theater, film, or television production. Developing skills in carpentry, painting, and working with tools is essential, and a high school diploma or equivalent is typically required. Building a portfolio and understanding safety protocols can also improve job prospects.

What are the key skills and qualifications needed to thrive in Set Construction, and why are they important?

To thrive in Set Construction, you need strong carpentry, basic electrical, and construction skills, often supported by relevant experience or vocational training. Familiarity with tools such as saws, drills, and set design software, as well as knowledge of safety regulations, is crucial. Attention to detail, teamwork, and problem-solving abilities are vital soft skills for this role. These competencies ensure sets are built safely, efficiently, and creatively to meet production needs and deadlines.
What are popular job titles related to Set Construction jobs in Indiana? For Set Construction jobs in Indiana, the most frequently searched job titles are:

Other

Posted 16 days ago


Job description

Middle School Set Director Middle School Winter Season
QUALIFICATIONS: 
1. Has the ability to organize and supervise a middle school theatre program, specifically the building and moving of sets within a full-length production. 
2. Serves as an appropriate role model for students through his/her instructions and actions. 
3. Has some broad general knowledge of theatrical processes, including both performance and technical theatre. Must have specific and extensive knowledge in set design, set construction, and stagehand knowledge.
REPORTS TO: The middle school theatre director, who provides overall criteria and feedback.
JOB GOAL: To instruct students in the fundamental skills, strategy and training necessary for them to realize a degree of individual and group success. At the same time, the director must instruct and demonstrate behaviors that lead to socially acceptable character development, self-discipline, self-confidence, and pride of accomplishment in the student. To upgrade his/her knowledge and skills through the rehearsal process, observations, consultation, etc. 
DUTIES AND RESPONSIBILITIES: 
1. Has a thorough knowledge of all the school policies approved by the Griffith Public Schools' Board of Education and is responsible for their implementation by the entire staff of the season. 
2. Has knowledge of and interprets existing system, state and league regulations.
3. Understands the proper administrative line of command and refers all requests or grievances through proper channels. Will be aware of all public/staff/departmental meetings that require attendance. 
4. Supervises students from start of rehearsal until the end of rehearsal and will supervise until the last student has left.
STAFF RESPONSIBILITIES: 
1. Establishes the fundamental philosophy, skills and techniques to be taught by staff.
2. Maintains discipline, adjusts grievances and works to increase morale and cooperation. 
3. Performs such other duties that may be assigned by the middle school director/principal. 
ADMINISTRATIVE DUTIES: 
1 Assists in the necessary preparation to hold scheduled performances or rehearsals and adheres to scheduled facility times. Coordinates program(s) with maintenance and school employees. 
2. Provides documentation to fulfill system requirements concerning cautionary statements, parental consent and eligibility. 
3. Provides proper safeguards for maintenance and protection of assigned equipment sites. 
4. Advises the middle director and recommends policy, method or procedural changes. 
RESPONSIBILITIES TO STUDENTS: 
1. Serves as a mentor to each student to promote the development and demonstration in students' character traits of trustworthiness, respect, responsibility, fairness, caring, and citizenship. 
2. Gives constant attention to a student's grades and conduct. 
3. Provides assistance, guidance and safeguards for each participant. 
4. Completes paperwork on all disabling injuries on proper forms and submits to high school office within 24 hours. 
5. Directs student managers, assistants and crew members.
6. Determines discipline, delineates procedures concerning due process when the enforcement of discipline is necessary, and contacts parents when a student is dropped or becomes ineligible. 
FINANCE AND EQUIPMENT: 
1.  Recommends equipment guidelines as to type, style, color or technical specifications.  Responsible for operating within budget appropriations. 
2. Collects the cost of any equipment lost or not returned. Is accountable for arranges, issuing, storing and reconditioning of equipment and submits annual inventory for current records.
3. Properly marks and identifies all equipment before issuing or storing. 
4. Monitors equipment rooms including the prop loft, sound booth, light room, and all areas designated within the auditorium and performance spaces. Authorizes who may enter, issue or requisition equipment. Specifically ensures safety when working with students and power tools in the building of sets.  
5. Permits the students to only be in authorized areas of the building at appropriate times. 
6. Examines auditorium areas and other performance facilities before and after rehearsals and performances, checking on general cleanliness of the facility.  Supervises cleanliness and maintenance of specific equipment. 
7. Secures all doors, lights, windows and locks before leaving building if custodians are not on duty. 
8. Instills in each student a respect for equipment and school property, its care and proper use. 
PUBLIC RELATIONS: 
1. Organizes parents, directors, students, and guests for preseason meetings. 
2. Promotes the season within the school through recruiting students who are not in another program and promotes the season outside the school through news media, social media, or in any other feasible manner. 
3. Prepares a quality, effective and valid communication through oral or written releases to local media. 
4. Maintains good public relations with news media, parents, officials, volunteers and patrons. Â