... Nike, NASA, Bloomberg, Google, Beyoncé, and The Olympics Position Purpose: Lead a technical ... video, lighting, rigging, and labor. Must be US based. Hybrid work environment; remote for ...
... Nike, NASA, Bloomberg, Google, Beyoncé, and The Olympics Position Purpose: Lead a technical ... video, lighting, rigging, and labor. Must be US based. Hybrid work environment; remote for ...
... Nike, NASA, Bloomberg, Google, Beyoncé, and The Olympics Position Purpose: Lead a technical ... video, lighting, rigging, and labor. Must be US based. Hybrid work environment; remote for ...
... Nike, NASA, Bloomberg, Google, Beyoncé, and The Olympics Position Purpose: Lead a technical ... video, lighting, rigging, and labor. Must be US based. Hybrid work environment; remote for ...
Remote Mode of Interview: Video Qualifications & Experience Summary * 10+ years of Public Sector ... On the federal side, we support agencies like NASA, the Department of State (DOS), the IRS, ACL ...
Remote Mode of Interview: Video Qualifications & Experience Summary * 10+ years of Public Sector ... On the federal side, we support agencies like NASA, the Department of State (DOS), the IRS, ACL ...
Remote Nasa Video information
See salary details
$61.5K - $67.5K
0% of jobs
$67.5K - $73.4K
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$73.4K - $79.4K
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$79.4K - $85.3K
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$85.3K - $91.3K
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$91.3K - $97.2K
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$97.2K - $103.2K
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$103.2K - $109.1K
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$109.1K - $115.1K
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$115.1K - $121K
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$122.5K is the 25th percentile. Wages below this are outliers.
$121K - $127K
100% of jobs
$61.5K
$127K
How much do remote nasa video jobs pay per year?
What is the difference between Remote Nasa Video vs Remote Space Mission Video Editor?
| Aspect | Remote Nasa Video | Remote Space Mission Video Editor |
|---|---|---|
| Required credentials | Typically requires a background in video production, media, or related fields; NASA-specific security clearances are not always necessary | Similar media or video editing background; may require knowledge of space mission content but generally no special security clearance |
| Work environment | Remote, often collaborating with NASA teams or contractors | Remote, working with space agencies, contractors, or media outlets |
| Industry usage | Primarily in aerospace, government, and media sectors | Primarily in aerospace, media, and entertainment sectors |
Both roles involve remote video editing related to space content, but Remote Nasa Video may require familiarity with NASA's branding and content, while Remote Space Mission Video Editor focuses more broadly on space mission footage across various organizations.

Job description
Position Purpose:
Lead a technical production team, contribute to the client relationship, and oversee the planning & execution of events from a technical perspective. Provide excellent customer service, understanding the importance of forging relationships with clients & production partners alike to successfully spearhead a project from beginning to end. Responsible for the "how & why" of all technical operations, including - scenic, staging, audio, video, lighting, rigging, and labor. Must be US based. Hybrid work environment; remote for preproduction and wrap, with on site dates as required by individual projects. Travel: Around 20- 50% of the time, domestic. International possible. (site visits & onsite time- depending on project assignments.)
Responsibilities:
- Work with Producer to manage client relationships - establishing trust & confidence in the technical team's capabilities
- Ensure all technical components of a production are developed & executed flawlessly in keeping with the client's vision, budget requirements, timeline, and safety standards
- Play a key role in projects from conception through pre-production, budgeting, onsite execution, and post-production
- Manage relationships and communications with technical vendors
- Depending on the project, manage budgets & profit margins (or work in tandem with Producer) for assigned productions
- Work with project staffing team to outline staffing needs and fill roles as projected within the budget
- Draft site plans, ground plans, and other layouts as required
- Oversee & participate in developing pitches & expanding service offerings
- Grow event capabilities with existing clients and bring new client opportunities to the company
- Manage expectations (Client, Venue, and Internal), provide feedback, and anticipate challenge before they arise
- Leading by example, clearly setting expectations, communicating processes, setting goals for improvement, and offering support as necessary
- Enforce safety standards, follow policies & procedures, and make recommendations as necessary
- Comfortable working in an office setting, as well as from more rigorous & non-traditional onsite environments
Position Requirements:
- Minimum of 7 years' experience in live events / entertainment / theatre / production (Bachelor's degree preferred)
- Functional competencies in theatrical staging & rigging, sound reinforcement, production lighting, and audio & video production
- Previous supervisory experience
- Experience working with & directing union & non-union stagehands
- Computer skills: Macintosh OS or Windows platform using Microsoft Office
- Familiarity with, or willingness to learn communications and project management tools, such a Slack, Box, Airtable, Concur and Google Docs
- Have excellent interpersonal & communication skills, both verbal & written. Effectively communicate with staff of all experience levels
- Have outstanding organizational skills & great attention to detail
- Take initiative, act responsively, and demonstrate a sense of urgency
- Anticipate & solve problems before they arise - providing viable & cost-effective solutions
- Be collaborative, engaged, curious, and solution-oriented
- Flexibility to work non-traditional hours (nights & weekends) as required
About TAIT
Sourced by ZipRecruiter
Industry
Arts, entertainment, and recreation
Company size
501 - 1,000 Employees
Headquarters location
Lititz, PA, US
Year founded
1978