2

Remote Contract Video Editor Jobs in Colorado (NOW HIRING)

Editor

Niwot, CO ยท On-site +1

$350 - $450/day

As a Fact & Fiction Editor, you live in the cut and you care about every frame. You're a ... Contract terms are competitive and based on experience, with remote eligibility during the ...

Direct Response Copywriter - REMOTE

Denver, CO ยท On-site +1

$75K - $105K/yr

Take ad concepts from idea to execution - writing the copy, briefing designers and video editors ... S. business hours; this is a remote role, but it is not open to candidates located outside the U.S.

New

Take ad concepts from idea to execution - writing the copy, briefing designers and video editors ... S. business hours; this is a remote role, but it is not open to candidates located outside the U.S.

New

Brief management and execution oversight - Brief designers, video editors, copywriters, and UGC ... Comfortable in a remote, fast-moving agency environment managing multiple client accounts and ...

$14.75 - $19.75/hr

Video editing skills * Experience with motion graphics or animation * Understanding of design ... Remote Duration: 10-12 weeks (Summer 2025)

New

$14.50 - $19.25/hr

Video editing skills * Experience with motion graphics or animation * Understanding of design ... Remote Duration: 10-12 weeks (Summer 2025)

New

$15.25 - $20.50/hr

Video editing skills * Experience with motion graphics or animation * Understanding of design ... Remote Duration: 10-12 weeks (Summer 2025)

New

$15.25 - $20.50/hr

Video editing skills * Experience with motion graphics or animation * Understanding of design ... Remote Duration: 10-12 weeks (Summer 2025)

New

Commission-only/Contract Compensation: Agents who follow our proven system have earned up to $100k ... Remote, with meetings conducted via video conferencing or phone No cold calling: Warm leads ...

next page

Showing results 1-20

Remote Contract Video Editor information

What is the difference between Remote Contract Video Editor vs Remote Freelance Video Editor?

AspectRemote Contract Video EditorRemote Freelance Video Editor
CredentialsTypically requires a portfolio, editing software skills, and sometimes specific certificationsSimilar credentials; portfolio and software proficiency are essential
Work EnvironmentWorks on a contract basis for a specific company or project, often with set deadlinesOperates independently, managing multiple clients and projects simultaneously
Employer & Industry UsageHired by companies or agencies for specific projects, common in media and marketing industriesSelf-employed, serving various clients across industries like advertising, film, and online content

While both roles involve editing videos remotely, a Remote Contract Video Editor typically works for a single employer on a fixed-term contract, focusing on specific projects. In contrast, a Remote Freelance Video Editor manages multiple clients independently, offering flexible services across various industries.

What are some common challenges faced by remote contract video editors, and how can they be managed?

Remote contract video editors often encounter challenges such as managing communication across time zones, ensuring seamless file sharing, and maintaining consistent project feedback with clients or teams. These challenges can be managed by setting clear expectations for deadlines, using collaborative tools like cloud storage and project management software, and scheduling regular check-ins to review edits and address questions promptly. Staying organized and proactive in communication helps ensure smooth workflows and successful project delivery.

What are the key skills and qualifications needed to thrive as a Remote Contract Video Editor, and why are they important?

To thrive as a Remote Contract Video Editor, you need strong video editing skills, a keen eye for visual storytelling, and proficiency with industry-standard software, typically backed by a relevant portfolio or degree. Familiarity with tools such as Adobe Premiere Pro, Final Cut Pro, After Effects, and cloud-based collaboration platforms is essential. Attention to detail, time management, and clear communication are crucial soft skills for meeting client expectations and working independently. These abilities ensure high-quality content delivery, effective remote collaboration, and the ability to meet deadlines in a competitive, fast-paced industry.

What does a Remote Contract Video Editor do?

A Remote Contract Video Editor is a professional who edits and assembles video footage from a remote location, typically working on a freelance or contract basis. They are responsible for creating polished video content by cutting scenes, adding effects, and ensuring the final product meets the client's requirements. Communication with clients and project managers is often done via email or video calls. These editors may work for various industries, including marketing, entertainment, education, and social media, and must be proficient in video editing software such as Adobe Premiere Pro or Final Cut Pro.
What are the most commonly searched types of Remote Video Editor jobs in Colorado? The most popular types of Remote Video Editor jobs in Colorado are:
What job categories do people searching Remote Contract Video Editor jobs in Colorado look for? The top searched job categories for Remote Contract Video Editor jobs in Colorado are:
What cities in Colorado are hiring for Remote Contract Video Editor jobs? Cities in Colorado with the most Remote Contract Video Editor job openings:

Editor

Fact and Fiction

Niwot, CO โ€ข On-site, Remote

$350 - $450/day

Contractor

Medical, Dental, Vision, Life, Retirement, PTO

Posted 23 days ago


Job description

As a Fact & Fiction Editor, you live in the cut and you care about every frame. You're a craftsperson who can take a project from string-out to final master, shaping story in the edit and carrying it through color, mix, graphics, and online finishing. You'll work closely with Creatives, Producers, and our wider post team to turn footage into work that stands out.


We're looking for an editor who can own a job end to end and move comfortably between long-form storytelling and quick-turn social cutdowns. The kind of editor who quietly handles the whole pipeline, the cut, the color, the mix, the graphics, the finish, and treats that as just doing the job. Creative, collaborative, detail-obsessed, and able to keep high-quality work moving on time in a fast-paced environment. If this sounds like you, read on.

Day in the Life

  • Take projects from raw footage to final delivery: assembly, story edit, picture lock, color, mix, graphics, and online finishing
  • Cut across formats and lengths, from broadcast and brand films to social cutdowns, product videos, and quick-turn content
  • Collaborate with Creatives and Producers to understand the vision, then bring your own instincts to make the work better, not just execute the boards
  • Manage your own media: organized projects, clean bins, reliable backups, and version control that someone else could pick up without a treasure hunt
  • Handle color grading and audio mixing to a broadcast-ready standard, or know when to hand off to a specialist and prep cleanly for them
  • Build and animate graphics and titles as the job calls for, from lower thirds to light motion design
  • Deliver to spec across platforms and clients, managing the details of codecs, frame rates, aspect ratios, and platform requirements
  • Keep work moving on tight timelines without sacrificing craft, flagging risks early and offering solutions
  • Maintain the standards and best practices that keep our post pipeline efficient and consistent
  • Contribute to a collaborative post culture where the instinct is to make the work better, together

Here's what you need to get our attention:

  • 3+ years of professional editing experience at an agency, production company, post house, or in-house creative team
  • A reel or portfolio link showing range and craft across formats (required - applications without one won't be reviewed)
  • Strong command of Adobe Premiere Pro


Here's what will make us call you for sure:

  • An editor who can take a job all the way: edit, color, mix, graphics, and online finishing, without needing to hand it off at every stage
  • Strong story instincts and the ability to find the cut that elevates the creative
  • Color grading skills in Premiere or DaVinci Resolve
  • Audio mixing and sweetening chops, with an ear for clean, polished sound
  • Motion and graphics ability in After Effects, from titles and lower thirds through light motion design
  • Fluency in the rest of the Adobe Creative Suite (Photoshop, Illustrator, Audition)
  • Rock-solid media management, project organization, and version control
  • Working knowledge of delivery specs across broadcast, digital, and social platforms
  • Comfortable taking creative direction and running with it independently, without hand-holding
  • Calm under tight timelines, with a track record of delivering on time and on spec
  • Exceptional communication and collaboration skills

Not required, but it'll give you an edge

  • An interest in post-producing your own work: scoping, scheduling, and managing post jobs from intake to delivery
  • Familiarity with VFX, compositing, or more advanced motion design
  • Experience with DaVinci Resolve for finishing and color
  • Knowledge of usage and licensing as it touches stock, music, and footage
  • Experience mentoring or directing junior editors and assistants


This role starts as a contract-to-hire engagement, with a clear path to full-time for the right fit.


We use the initial contract period as a working try-out on both sides. You get a real look at how we operate, the kinds of projects you'll be working on, and the team you'll be working on them with. We get to see your craft in motion, how you navigate a fast-paced post pipeline, and how you show up day to day. When it's working, and we expect it to, we move to a full-time conversation.


Contract terms are competitive and based on experience, with remote eligibility during the engagement. Full-time conversion is hybrid out of our Niwot, CO office and includes the full benefits package below.


Day rate: $350-$450/day DOE, remote eligible.

Full-time conversion (for the right fit): $70-$85K DOE, hybrid out of our Niwot, CO office, plus full benefits below.

What full-time at Fact & Fiction looks like:

    • A clear path from permalancer to full-time for the right person.
    • A killer culture with team members who have your back!
    • Flex PTO plan for work-life balance with supplemental family leave.
    • Generous holidays including a reduced schedule between Christmas and New Years.
    • Strong health plans - We even cover our employees' dental and vision premiums.
    • Long-term and short-term disability.
    • Access to Flexible Spending Accounts Plan.
    • 401(k) with company match (up to 4%), fully vested from day one.
    • Employee Assistance Program.
    • Life Insurance.


COME AS YOU ARE: your gender, your gods, who you love, what you look like, where you came from, or who you know don't make a difference here. Fact & Fiction is an open-minded meritocracy built on good work and good people. If you're smart, kind, and great at what you do, come as you are.