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Remote Audio Production Teacher Jobs (NOW HIRING)

Music Production Expert - Vietnamese Mercor is hiring experienced music producers and audio ... This is a fully remote role that can be completed on your own schedule. * Projects can be extended ...

Podcast Producer

Chattanooga, TN ยท Remote

$126K - $129K/yr

Do you have at least 5 years of experience in narrative audio production? * The preferred location for this job is in Chattanooga, TN, but an exception may be made for the right remote applicant. Are ...

AGBO is currently in production with Netflix on Tygo and Mercenary, both part of the Extraction ... AGBO is looking for an Audio Director to set the creative and technical bar for audio across games ...

... as productive tools. Providing unmatched service and support before, during and after the ... Our Charlotte, NC office is looking for a Project Manage r to manage local and remote audio visual ...

$42 - $55.50/hr

This primarily remote role involves close collaboration with the Technical Team to design ... Senior Director, Technical Product Management - Audio Systems What we offer: Ross offers ...

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Remote Audio Production Teacher information

See salary details

$11K

$48.3K

$126.5K

How much do remote audio production teacher jobs pay per year?

As of Aug 24, 2026, the average yearly pay for remote audio production teacher in the United States is $48,339.00, according to ZipRecruiter salary data. Most workers in this role earn between $26,500.00 and $61,000.00 per year, depending on experience, location, and employer.

What does a remote audio production teacher do?

A Remote Audio Production Teacher instructs students in the principles and techniques of audio recording, mixing, editing, and production, all through online platforms. They develop lesson plans, teach both theoretical and practical aspects of audio production, and provide feedback on student projects. Using digital tools and virtual classrooms, they guide learners in mastering industry-standard software and equipment, ensuring students gain hands-on skills despite the remote format.

How does a remote audio production teacher typically collaborate with students and colleagues in a virtual setting?

As a Remote Audio Production Teacher, you'll rely on digital platforms to connect with students and fellow instructors. Collaboration often involves using video conferencing tools for live lessons, cloud-based audio workstations for project sharing, and messaging apps for real-time feedback. You'll guide students through practical assignments, provide detailed critiques, and may coordinate with other teachers to align curriculum or host virtual workshops. Building a supportive online classroom environment is key to student success and engagement.

What are the key skills and qualifications needed to thrive as a remote audio production teacher, and why are they important?

To thrive as a Remote Audio Production Teacher, you need a solid background in audio engineering or music production, often supported by a relevant degree and teaching experience. Familiarity with digital audio workstations (DAWs) like Pro Tools, Logic Pro, or Ableton Live, as well as online teaching platforms, is essential. Strong communication, patience, and adaptability help you engage students effectively and address diverse learning needs in a virtual environment. These skills and qualities are important to ensure students gain practical audio production skills and remain motivated in a remote learning setting.

What is the difference between Remote Audio Production Teacher vs Remote Audio Engineer?

AspectRemote Audio Production TeacherRemote Audio Engineer
CredentialsTypically requires a degree in audio production, education certification, or related fieldRequires a degree or certification in audio engineering or related technical skills
Work EnvironmentPrimarily online teaching, creating course content, and student interactionRemote technical work, mixing, editing, and sound design for clients or projects
Employer & Industry UsageEducational institutions, online course platforms, training companiesMusic, film, broadcasting, and media production companies

While both roles involve audio skills, a Remote Audio Production Teacher focuses on educating students remotely about audio production techniques, whereas a Remote Audio Engineer applies technical skills to produce and refine audio content for various media remotely.

More about Remote Audio Production Teacher jobs

What cities are hiring for Remote Audio Production Teacher jobs?

Cities with the most Remote Audio Production Teacher job openings:

What are the most commonly searched types of Audio Production Teacher jobs?

The most popular types of Audio Production Teacher jobs are:

What states have the most Remote Audio Production Teacher jobs?

States with the most job openings for Remote Audio Production Teacher jobs include:

Infographic showing various Remote Audio Production Teacher job openings in the United States as of August 2026, with employment types broken down into 52% Full Time, 37% Part Time, and 11% Contract. Highlights an 100% Remote job distribution, with an average salary of $48,339 per year, or $23.2 per hour.

Seasonal Part-Time Broadcast Audio 1

Inglewood, CA โ€ข Remote

The National Football League
Performing Arts, Spectator Sports and Event Promotionย โ€ขย 1 - 5K employees

Full-time, Part-time

Re-posted 16 days ago


Job description

NFL Media Technical Operations is seeking an experiencedย Audio 1 (A1)ย to lead audio production for live and recorded programming across NFL Media platforms. This position serves as the primary audio lead responsible for the planning, execution, mixing, and overall quality of audio elements supporting studio, remote, and special event productions.ย 

The ideal candidateย possessesย extensive live broadcast audio experience, strong technicalย expertiseย in modern IP-based audio environments, and a proven ability to perform in fast-paced, high-profile sports production settings. Production services will be based at NFL Media'sย state-of-the-artย broadcast facility in Inglewood, California.ย 

Responsibilities

  • Serve as the lead audio mixer for live and recorded productions, ensuring the highest level of audio quality and operational excellence.
  • Design, configure, and execute complex audio workflows for studio shows, remote broadcasts, special events, and digital productions.
  • Operate and mix live productions utilizing broadcast audio consoles, playback systems, communication systems, and IP-based audio infrastructure.
  • Collaborate closely with producers, directors, technical directors, engineering teams, and production personnel to deliver consistent and impactful audio experiences.
  • Develop and maintain show-specific audio configurations, routing strategies, and operational workflows.
  • Lead audio planning for remote productions, transmission paths, venue integration, and signal management.
  • Troubleshoot and resolve technical audio issues in real time while maintaining on-air continuity.
  • Oversee proper setup, operation, and optimization of communications systems, including Riedel intercom platforms.
  • Ensure compliance with broadcast audio standards and best practices across stereo, surround sound, and emerging audio formats.
  • Provide guidance, mentorship, and operational direction to A2 and A3 personnel and freelance audio staff as needed.
  • Maintain proficiency in emerging broadcast technologies, IP networking standards, and audio production workflows.
  • Perform other duties as assigned.ย 

Required Qualifications

  • 7+ years of professional broadcast audio experience, includingย significant experienceย mixing live sports and studio productions.
  • Proven experience serving as an Audio 1 (A1) or senior-level broadcast audio mixer in a professional television, streaming, or live event environment.
  • Advanced experience operating SSL audio consoles; experience with SSL System T and S500 platforms stronglyย preferred.
  • Demonstrated expertiseย in stereo, 5.1 surround, and multi-channel broadcast audio mixing.
  • Extensive knowledge of IP-based audio infrastructures, including AES67, Dante, SMPTE 2110, and related broadcast networking technologies.
  • Experience supporting complex remote productions, transmission workflows, and large-scale live event broadcasts.
  • Strong understanding of broadcast signal flow, routing, communications systems, and troubleshooting methodologies.
  • Proficiencyย with playback systems, audio servers, and broadcast production technologies.
  • Experience working with Riedel communications systems and networked intercom environments preferred.ย 

Qualifications

  • Experience supporting national sports broadcasts and large-scale live events.
  • Dante Certification or equivalent IP audio networking credentials.
  • Experience with EVS audio workflows and replay systems.
  • Familiarity with cloud-based or remote production environments.
  • CTS, Dante, or other relevant industry certifications.ย 

Other Key Attributes / Characteristics

  • Exceptional leadership, communication, and collaboration skills.
  • Ability to remain calm and make sound decisions in high-pressure live production environments.
  • Demonstrated attention to detail and commitment to operational excellence.
  • Strong troubleshooting and problem-solving capabilities.
  • Ability to prioritize multiple competing demands while maintaining production quality.
  • Strong technical proficiency with broadcast systems, production software, and collaboration tools.ย 

Terms / Expected Hours of Work

  • Availability toย workย flexible schedules, including evenings, weekends, holidays, andย special events.
  • Ability to support remote productions and occasional travel as business needs require.
  • Seasonal employment up to 7 months.ย 

Salary / Pay Range

This job posting contains a pay range, which represents the range of salaries or hourly rates that the NFL believes, in good faith, at the time of this posting that it might be willing to pay for the posted job in the location(s) specified. The NFL expects to hire for this position near the middle of the range. Only in truly rare and exceptional circumstances, where an external candidate has experience, credentials or expertise that far exceed those required or expected for the position, would the NFL consider paying a salary or rate near the higher end of the range.