Who We're Looking For You already make compelling DAW content, and you're comfortable in Ableton ... Logistics This is a part-time contract role, and it's remote. We're flexible on cadence and can ...
Who We're Looking For You already make compelling DAW content, and you're comfortable in Ableton ... Logistics This is a part-time contract role, and it's remote. We're flexible on cadence and can ...
Video Editor (Part-Time Contract)
New York, NY · On-site +1
Familiarity with Ableton Live or a similar DAW is a real advantage, since you'll be deciding which ... Logistics This is a part-time contract role, and it's remote. We're flexible on cadence and can ...
Video Editor (Part-Time Contract)
New York, NY · On-site +1
Familiarity with Ableton Live or a similar DAW is a real advantage, since you'll be deciding which ... Logistics This is a part-time contract role, and it's remote. We're flexible on cadence and can ...
AI Music Composer & Editor
Los Angeles, CA · On-site +1
Experience with digital audio workstations such as Ableton Live, Logic Pro, FL Studio, Pro Tools ... Los Angeles preferred (open to remote) To Apply Please send: * Portfolio or relevant work samples
AI Music Composer & Editor
Los Angeles, CA · On-site +1
Experience with digital audio workstations such as Ableton Live, Logic Pro, FL Studio, Pro Tools ... Los Angeles preferred (open to remote) To Apply Please send: * Portfolio or relevant work samples
Remote Ableton information
See salary details
$15.38 - $17.42
5% of jobs
$17.42 - $19.45
10% of jobs
$21.38 is the 25th percentile. Wages below this are outliers.
$19.45 - $21.48
11% of jobs
$21.48 - $23.51
2% of jobs
$23.51 - $25.55
17% of jobs
The median wage is $27.58 / hr.
$25.55 - $27.58
5% of jobs
$27.58 - $29.61
10% of jobs
$29.61 - $31.64
11% of jobs
$32.47 is the 75th percentile. Wages above this are outliers.
$31.64 - $33.68
12% of jobs
$33.68 - $35.71
11% of jobs
$35.71 - $37.74
7% of jobs
$15
$27
$37
How much do remote ableton jobs pay per hour?
As of Jul 22, 2026, the average hourly pay for remote ableton in the United States is $27.67, according to ZipRecruiter salary data. Most workers in this role earn between $21.63 and $33.17 per hour, depending on experience, location, and employer.
How do Remote Ableton Specialists typically collaborate with artists and production teams from a distance?
Remote Ableton Specialists often use video conferencing, screen sharing, and cloud-based project management tools to work closely with artists and production teams. They may participate in real-time collaborative sessions using Ableton Link or by sharing project files through platforms like Dropbox or Google Drive. Clear communication and well-documented project notes are essential to ensure the creative vision is maintained, even when working across different time zones or schedules. This remote workflow allows for flexible hours but requires strong organizational skills and proactive communication to keep projects on track.
What is a Remote Ableton job?
A Remote Ableton job involves working with Ableton Live, a popular digital audio workstation (DAW), from a remote location rather than in a traditional studio setting. Professionals in this field may include music producers, sound designers, mixing engineers, or educators who use Ableton Live to create, edit, and produce music or audio content. Remote Ableton jobs allow for flexible work arrangements, often collaborating with artists or clients online and delivering high-quality audio projects digitally. These roles may require expertise in electronic music production, live performance setups, or teaching others how to use Ableton Live.
What are the key skills and qualifications needed to thrive as a Remote Ableton Producer, and why are they important?
To thrive as a Remote Ableton Producer, you need a strong foundation in music production, sound design, and digital audio editing, typically supported by experience with music theory and audio engineering. Proficiency in Ableton Live software, MIDI controllers, and audio plugins is essential, and certifications like Ableton Certified Trainer can be advantageous. Creativity, time management, and strong communication skills set standout producers apart when collaborating remotely with artists and clients. These skills ensure high-quality music production, efficient workflow, and effective remote collaboration in a competitive industry.
What is the difference between Remote Ableton vs Remote Music Producer?
| Aspect | Remote Ableton | Remote Music Producer |
|---|---|---|
| Credentials | Knowledge of Ableton Live, music production skills | Music production skills, possibly Ableton knowledge |
| Work Environment | Home studio, remote setup | Home studio, remote setup |
| Industry Usage | Used by musicians, DJs, producers for live sets and production | Used by artists, labels, and studios for creating and producing music |
Remote Ableton roles focus specifically on using Ableton Live software for music production, live performances, or editing. Remote Music Producer roles may involve broader tasks, including composing, mixing, and mastering, often using Ableton but not limited to it. Both roles are common in the music industry and typically require similar skills and remote work setups, but the job scope and focus differ slightly.
What cities are hiring for Remote Ableton jobs? Cities with the most Remote Ableton job openings:
What are the most commonly searched types of Ableton jobs? The most popular types of Ableton jobs are:
What states have the most Remote Ableton jobs? States with the most job openings for Remote Ableton jobs include:
What job categories do people searching Remote Ableton jobs look for? The top searched job categories for Remote Ableton jobs are:
Part-time
Posted 8 days ago
Job description
About Daydream
Music is inherently real-time, but today's generative audio tools aren't: you prompt, wait, listen, change a few keywords, repeat. It's difficult to achieve a flow state or do anything improvisational or long-running. We wanted more from our technology, and we asked ourselves "what would the synthesizer look like if it were invented in 2026?"
Our answer is Daydream, a live remixing engine for your DAW. The Daydream VST lets you play, perform, and shape AI-remixed audio in real time right in your DAW of choice. The engine underneath it, DEMON, is open source, and we're early in our journey to bring it to market.
The Role
We're looking to hire someone to make genuinely great educational content for musicians and producers that helps them understand just how powerful Daydream's tools can be. Some of this content will be straightforward: loading the VST or M4L device, mapping the model's latent space to your faders and knobs, building a live remix, scheduling parameter curves on a timeline, etc. You'll also be able to make aspirational content that shows what's possible when you play an AI model like an instrument, the kind of video that makes a producer want to stop scrolling and fire up an Ableton session right then and there.
You'll own a mix of formats: longer tutorials that teach a real workflow, short social-first clips for X, Instagram, and TikTok, and aspirational Ableton pieces that are closer to a performance than a lesson. We care more about whether the content is interesting than whether it follows a template.
Who We're Looking For
You already make compelling DAW content, and you're comfortable in Ableton Live, Cubase, Pro Tools, or a similar DAW. You understand MIDI mapping and performance workflows, and you have a body of work we can watch; this isn't a role for someone learning to make content on the job.
A few things that matter to us:
Logistics
This is a part-time contract role, and it's remote. We're flexible on cadence and can shape the arrangement around the right person. You'll work closely with our team, get early access to features before they ship, and have a direct line to the people building this product.
Music is inherently real-time, but today's generative audio tools aren't: you prompt, wait, listen, change a few keywords, repeat. It's difficult to achieve a flow state or do anything improvisational or long-running. We wanted more from our technology, and we asked ourselves "what would the synthesizer look like if it were invented in 2026?"
Our answer is Daydream, a live remixing engine for your DAW. The Daydream VST lets you play, perform, and shape AI-remixed audio in real time right in your DAW of choice. The engine underneath it, DEMON, is open source, and we're early in our journey to bring it to market.
The Role
We're looking to hire someone to make genuinely great educational content for musicians and producers that helps them understand just how powerful Daydream's tools can be. Some of this content will be straightforward: loading the VST or M4L device, mapping the model's latent space to your faders and knobs, building a live remix, scheduling parameter curves on a timeline, etc. You'll also be able to make aspirational content that shows what's possible when you play an AI model like an instrument, the kind of video that makes a producer want to stop scrolling and fire up an Ableton session right then and there.
You'll own a mix of formats: longer tutorials that teach a real workflow, short social-first clips for X, Instagram, and TikTok, and aspirational Ableton pieces that are closer to a performance than a lesson. We care more about whether the content is interesting than whether it follows a template.
Who We're Looking For
You already make compelling DAW content, and you're comfortable in Ableton Live, Cubase, Pro Tools, or a similar DAW. You understand MIDI mapping and performance workflows, and you have a body of work we can watch; this isn't a role for someone learning to make content on the job.
A few things that matter to us:
- You should be the kind of musician or producer who views AI as a resource, a sounding board, and a creative partner rather than as a threat.
- You should be a natural teacher, able to explain difficult concepts in clear and plain English.
- You should have taste and a clear artistic direction.
- You should be comfortable producing high-quality edited video content at scale.
- You should have experience with the VST and M4L formats as well as MIDI and other hardware controllers.
- It helps if you have an existing audience, but a great body of work matters more than follower count.
- Live performance experience is welcome but not required.
Logistics
This is a part-time contract role, and it's remote. We're flexible on cadence and can shape the arrangement around the right person. You'll work closely with our team, get early access to features before they ship, and have a direct line to the people building this product.