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Podcast Editing Job Jobs (NOW HIRING)

In just two years from launching the podcast arm of our company, YAP Media has been recognized as ... Content Editing. Own the final content edit in Descript after episodes have been edited and ...

This role owns the complete podcast production lifecycle; from content planning and guest coordination through recording, editing, publishing, and audience optimization. The ideal candidate is equal ...

Edit, or supervise editing, short-form clips from podcasts, YouTube, and other long-form content ... Partner with the podcast team to promote new releases and surface standout moments across social.

Manage and direct a freelance audio editor - briefing edits, maintaining quality standards, hitting turnaround timelines, and serving as the quality control checkpoint before any episode goes live

... editors, and guests to deliver polished, compelling episodes on deadline. The engineer will play a ... Edit and mix podcast episodes for clarity, consistency, and pacing, ensuring professional broadcast ...

... editors, and guests to deliver polished, compelling episodes on deadline. The engineer will play a ... Edit and mix podcast episodes for clarity, consistency, and pacing, ensuring professional broadcast ...

Podcast Manager Full-Time (40 hours/week) | Fully Remote Check out The Global Talent Co.'s talent ... Collaborate with content writers, editors, video producers, and graphic designers to create all ...

... editors, and guests to deliver polished, compelling episodes on deadline. The engineer will play a ... Edit and mix podcast episodes for clarity, consistency, and pacing, ensuring professional broadcast ...

Podcast Interviewer

Mountain View, CA · Remote

$200 - $300/wk

Super Company is seeking a Podcast Interviewer to help shape engaging, high-quality audio ... Coordinate with producers and editors to ensure recordings meet quality and content standards.

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Podcast Editing Job information

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$11

$31

$57

How much do podcast editing job jobs pay per hour?

As of Jun 30, 2026, the average hourly pay for podcast editing job in the United States is $31.60, according to ZipRecruiter salary data. Most workers in this role earn between $21.39 and $39.66 per hour, depending on experience, location, and employer.

How to get podcast editing jobs?

To get podcast editing jobs, build skills in audio editing software like Audacity or Adobe Audition and create a portfolio of sample edits. Apply to freelance platforms, network with podcasters, and consider gaining certifications in audio production to increase credibility and opportunities.

How much do podcast editors get paid?

Podcast editors typically earn between $15 and $50 per hour, depending on experience, project complexity, and whether they work freelance or for a company. Salaries for full-time positions can range from $30,000 to $70,000 annually. Skilled editors with proficiency in editing software like Adobe Audition or Audacity and a strong portfolio tend to command higher rates.

Are podcast editors in demand?

Podcast editors are in increasing demand due to the growing popularity of podcasts and the need for professional audio quality. Skills in audio editing software and familiarity with podcast production are valuable, and many opportunities exist for freelance and full-time roles across various platforms.

What do podcast editors do?

Podcast editors are responsible for reviewing and refining audio recordings by cutting unwanted sections, balancing sound levels, and adding effects or music to improve audio quality. They often use editing software like Adobe Audition or Audacity and ensure the final episode is clear and engaging before publication.

What is the difference between Podcast Editing Job vs Audio Editing Job?

AspectPodcast Editing JobAudio Editing Job
Required SkillsAudio editing, noise reduction, sound balancing, familiarity with podcast formatsAudio editing, sound design, mixing, mastering across various media
Work EnvironmentRemote or studio-based, focused on podcast contentStudio, post-production houses, or remote, across multiple media types
Industry UsagePrimarily in podcasting and digital mediaBroadcast, film, music, and multimedia industries

The main difference between a Podcast Editing Job and an Audio Editing Job lies in their focus and industry application. Podcast editing is specialized for audio content in the podcasting industry, emphasizing clarity and engagement for spoken content. Audio editing covers a broader range of media, including music, film, and broadcast, requiring diverse skills. While both roles involve sound editing, podcast editing is more niche-specific, often with similar skill requirements but tailored to digital audio content creation.

More about Podcast Editing Job jobs
What cities are hiring for Podcast Editing Job jobs? Cities with the most Podcast Editing Job job openings:
What states have the most Podcast Editing Job jobs? States with the most job openings for Podcast Editing Job jobs include:
Infographic showing various Podcast Editing Job job openings in the United States as of June 2026, with employment types broken down into 13% Locum Tenens, 24% As Needed, 25% Full Time, 25% Temporary, and 13% Nights. Highlights an 89% Physical, 2% Hybrid, and 9% Remote job distribution, with an average salary of $65,728 per year, or $31.6 per hour.
Podcast Producer - Freelance

Other

Posted 27 days ago


Key responsibilities

  • Create weekly rundowns with a mix of topical tennis content, debate-driven segments, and YouTube growth strategies.

  • Manage all aspects of pre-production including show concepts, rundowns, shot lists, sales deliverables, storyboards, and talent scheduling.

  • Track show analytics and audience trends using data to shape future editorial decisions.


Job description

THE ROLE

We're hiring a Producer to help grow the Big T - Tennis Channel's tennis sport and culture focused podcast. This is the role that turns the creative vision into a thriving, multi-platform show with pivotal contribution from ideation through execution, post, distribution, and measurement. This person will play a pivotal role in supporting all aspects of content development, editing, publishing and promotion-with a mandate to make a measurable impact on how Big T shows up across podcast platforms, YouTube, social, and Tennis Channel's broader ecosystem. Preferred candidates bring experience in sports media, radio, or television production, along with strong connections within the tennis community and familiarity with modern content creation tools such as Adobe Premiere and CapCut. Experience growing podcasts or YouTube channels and developing creative branded content, sponsorship integrations, and custom sales-driven programming is highly valued.

ABOUT THE PODCAST

The Big T is Tennis Channel's flagship podcast - sitting at the intersection of the game, the players, and the lifestyle around it. Hosted by Brad Gilbert, Andrea Petkovic, and Tennis Channel's vast roster of experts and legends, The Big T brings fans inside the personalities, storylines, and cultural moments that define tennis on and off the court.

This freelance role is onsite in our Santa Monica, CA office and is expected to be approximately 8 hours per day, Monday-Thursday. This freelance engagement is anticipated to run through early December 2026.

In this role, you will...

Create weekly rundowns with a strong mix of topical tennis content, debate-driven segments, and YouTube-skewing growth strategies - without compromising the audio version

In collaboration with senior leadership, develop and execute long-term creative and content strategies, ensuring each episode aligns with the show's North Star and Tennis Channel's broader editorial voice

Liaise with Executive Producer/Department lead to provide show updates, feedback, and growth plans

Create and manage a content roadmap that aligns with overall show strategy and audience growth tactics across podcast, YouTube, and social platforms

Manage all aspects of pre-production, including show concepts and content, creating rundowns and shot lists, sales deliverables, building storyboards, and talent scheduling

Navigate ASANA daily as the primary content scheduling and tracking system, managing projects at various stages simultaneously

Collaborate with internal teams to execute an effective promotional strategy across a variety of mediums, including Tennis Channel's linear, digital, and social platforms

Drive social content strategy - developing platform-specific clips, thumbnails, hooks, and short-form packages optimized for YouTube Shorts, Instagram Reels, TikTok, and X

Deep expertise in YouTube Shorts and social clip best practices, including understanding of the algorithm, what makes a Short go wide, and why a thumbnail matters as much as the content itself

Liaise directly with podcast editors, social coordinators, and the graphics team to create consistency throughout The Big T brand and episodic deliverables

Ensure all sponsorship requirements are completed and QC'd, including host-read ads, sponsored segments, and video/social integrations

Track show analytics and audience trends - completion rates, click-through rates, and YouTube analytics - using data as a creative tool to shape future editorial decisions

Work with key stakeholders across the company to distribute podcast assets and keep all cross-functional teams aligned on assets, deliverables, and timelines

Keep up with news and trends in tennis, sports, and culture to develop programming based on what is resonating with audiences

Qualifications

3-5+ years of experience in podcast production, digital content production, or sports media - ideally producing compelling long-form talk content in a digital space (podcasts, YouTube, etc.)

Genuine passion for tennis and working knowledge of the ATP and WTA tours, Grand Slams, and the sport's biggest personalities, storylines, and history

YouTube native - you understand how the algorithm works, what makes a Short go wide, and why a thumbnail matters as much as the content itself

Social-first mindset - skilled in audience growth strategies and best practices across YouTube, podcast, and social media platforms, with a creative point of view on what content resonates across each channel

Highly organized and able to manage projects at various stages simultaneously in a fast-paced, deadline-driven environment

Hands-on experience with ASANA or a comparable project management platform

Strong communicator - comfortable presenting ideas to hosts, executives, and cross-functional teams, and able to both give and take direction/feedback

Audio-first AND video-first fluency - you understand the difference and know how to serve both simultaneously

Data-driven - you look at completion rates, click-through rates, and YouTube analytics as a creative tool

A creative outside-the-box thinker, ideating new ways to engage tennis and culture audiences across YouTube and social-first platforms

Comfortable working directly with high-profile talent - including players, broadcasters, and cultural figures - while maintaining a professional demeanor

Flexibility to work mornings, nights, and/or weekends as projects and the tennis calendar (including Grand Slams and major tournaments

Tennis Channel is proud to be equal opportunity employer and a drug free workplace. Employment practices will not be influenced or affected by virtue of an applicant's or employee's race, color, religion, sex (including pregnancy, gender identity, and sexual orientation), national origin, age, disability, genetic information, military or veteran status or any other characteristic protected by law.

About Tennis Channel
 

Tennis Channel is the only multiplatform destination dedicated solely to tennis year-round. Together, the Tennis Channel flagship network, Tennis Channel 2, and the Tennis Channel app (tennischannel.com) deliver the most accessible and concentrated single-sport coverage anywhere. As the exclusive U.S. home of the ATP Tour and WTA Tour, Tennis Channel features live coverage of every Masters 1000 tournament - including Indian Wells, the Miami Open, Madrid, Rome, Cincinnati, and more - alongside live studio programming including its premier series, TC Live. Tennis Channel 2, a free FAST channel available in over 100 million homes, brings fans matches from across the globe at every level of the game. The Tennis Channel app brings it all together in one place, delivering live and on-demand matches, original content, and a personalized multi-view experience for fans, available on mobile and connected TV devices. Owned by Sinclair, Tennis Channel is also a co-owner of PickleballTV (pickleballtv.com), a joint venture with the Professional Pickleball Association.


About Sinclair
Sinclair, Inc. (Nasdaq: SBGI) is a diversified media company and a leading provider of local news and sports. The Company owns, operates and/or provides services to 177 television stations in 79 markets affiliated with all major broadcast networks; owns Tennis Channel, the premium destination for tennis enthusiasts; and multicast networks CHARGE, Comet, ROAR and The Nest. Sinclair's AMP Media produces a growing portfolio of digital content and original podcasts. Additional information about Sinclair can be found at www.sbgi.net.


About the Team
The life-blood of our organization is our people. We have a compelling story, a goal-oriented culture, and we take really good care of people. How good? Here is a glimpse: great benefits, open-door policy, upward mobility and a strong desire to see you succeed. Ready to be part of a winning team? Let's talk.

The base salary compensation range for this role is $90,000-$110,000 annually. Final compensation for this role will be determined by various factors such as a candidates' relevant work experience, skills, certifications, and geographic location. This is a six-month term from date of hire through December 15, 2026, with potential for full-time employment in 2027 or beyond.

#tennis


Nebraska Broadcasters Association logo

About Nebraska Broadcasters Association

Sourced by ZipRecruiter

The Nebraska Broadcasters Association (NBA) is a key player in the communications industry located in Omaha, NE, US. Officially established in 1934, it was founded with the mission of fostering effective cooperation among broadcasters in Nebraska, advocating for their rights and promoting the highest standards of broadcasting. NBA is the voice for Nebraska’s free over-the-air radio and television broadcasters, serving the public interest since 1934. As a non-profit association, it relies on dues from member broadcasting stations to fulfill its purpose. Among its notable achievements, the association has played a major role in supporting broadcasters and ensuring they maintain adherence to regulations.

Industry

Media and telecom

Company size

1 - 10 Employees

Headquarters location

Omaha, NE, US

Year founded

1934

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