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Part Time Audio Jobs in Washington (NOW HIRING)

... Part-Time | Quantico, VA This position is contingent upon contract award. Position Overview ... Produce broadcast-quality MP3 audio files that meet government quality standards. * Submit voice ...

... Part-Time | Quantico, VA This position is contingent upon contract award. Position Overview ... Produce broadcast-quality MP3 audio files that meet government quality standards. * Submit voice ...

... Part-Time | Quantico, VA This position is contingent upon contract award. Position Overview ... Produce broadcast-quality MP3 audio files that meet government quality standards. * Submit voice ...

Production Coordinator

VA ยท On-site

$20 - $25/hr

Northern Virginia Employment Type: Part-Time | On-site Position Overview: Our client is seeking a ... Knowledge of professional audio, video, lighting, and presentation systems. * Experience with ...

Position Overview: The Broadcast Utility Technician is a part-time, project-based position ... Maintain an understanding of ENG audio. * Set up monitors. * Other duties as assigned. Minimum ...

This position is permanent and part-time. The Interpreter will coordinate with the case managers ... Remain calm during video and audio interpreting sessions in the event that one of the primary ...

Interpreter

Bowie, MD ยท On-site

This position is permanent and part-time. The Interpreter will coordinate with the case managers ... Remain calm during video and audio interpreting sessions in the event that one of the primary ...

Showing results 41-60

Part Time Audio information

See Washington salary details

$33.4K

$95.7K

$194.2K

How much do part time audio jobs pay per year?

As of Sep 7, 2026, the average yearly pay for part time audio in Washington is $95,654.00, according to ZipRecruiter salary data. Most workers in this role earn between $56,600.00 and $128,000.00 per year, depending on experience, location, and employer.

What is a part time audio technician?

Part-time audio jobs involve working with sound in various capacities, such as audio editing, sound engineering, podcast production, or live event support, but on a less-than-full-time basis. These roles can be found in radio stations, music studios, theaters, or even remotely for content creators. Part-time audio professionals are often responsible for setting up audio equipment, mixing and mastering tracks, or troubleshooting sound issues. This flexibility allows individuals to gain industry experience, supplement income, or balance other commitments while working in audio. Qualifications may vary, but technical skills and an ear for detail are generally important.

What skills and qualifications are needed to thrive as a part time audio technician?

To thrive as a Part Time Audio Technician, you need knowledge of sound engineering principles, experience with audio equipment setup, and often a relevant certification or technical training. Familiarity with digital audio workstations (DAWs), mixing consoles, microphones, and live sound systems is typically required. Strong attention to detail, problem-solving skills, and effective communication are important soft skills in this role. These qualifications ensure high-quality audio production, smooth event execution, and efficient troubleshooting during live or recorded sessions.

What are common challenges faced by part time audio technicians, and how can they be addressed?

Part-time audio technicians often juggle varying schedules and work environments, which can make it challenging to maintain consistency in workflow and communication with full-time staff. They may also encounter limited access to ongoing training or be required to quickly adapt to different audio setups and equipment. To address these challenges, it's helpful to establish clear communication channels with the team, proactively seek feedback, and take advantage of online resources or workshops to stay updated on audio technology and best practices.

What is the difference between Part Time Audio vs Part Time Video?

AspectPart Time AudioPart Time Video
CredentialsAudio engineering certifications, basic technical skillsVideo production certifications, editing skills
Work EnvironmentRecording studios, live events, broadcastingFilm sets, event coverage, online content creation
Industry UsageMusic, radio, podcasts, live soundFilm, television, online videos, advertising

Part Time Audio and Part Time Video roles share similar technical skills and industry environments but focus on different media types. Audio roles emphasize sound recording and mixing, while Video roles involve filming and editing. Both are essential in multimedia production and often require related certifications and equipment knowledge.

What are the most commonly searched types of Audio jobs in Washington?

The most popular types of Audio jobs in Washington are:

What cities in Washington are hiring for Part Time Audio jobs?

Cities in Washington with the most Part Time Audio job openings:

Infographic showing various Part Time Audio job openings in Washington as of August 2026, with employment types broken down into 70% Full Time, 26% Part Time, 1% Temporary, and 3% Contract. Highlights an 78% Physical, 2% Hybrid, and 20% Remote job distribution, with an average salary of $95,654 per year, or $46 per hour.

Production Contractor

The Falls Church Anglican

Falls Church, VA โ€ข On-site

$560/day

Part-time

Posted 14 days ago


Job description

Job Type
Part-time, Contract
Description
Overview:
Falls Church Anglican (TFCA) is seeking a skilled Production Contractor to support audio and production needs for worship services, rehearsals, studio work, and ministry events on an as-needed basis. This role supports both traditional and contemporary Anglican worship environments and may include FOH, Broadcast, A2/Stage Tech, and occasional studio engineering or recording responsibilities.
The ideal candidate is a versatile, experienced production technician with strong competency in audio engineering, live sound reinforcement, DAW workflows, and basic AVL systems. This contractor should be proactive, reliable, detail-oriented, and able to collaborate effectively with staff, volunteers, and other contractors to ensure excellent technical execution of services and events.
Key Responsibilities
Live Production
  • Provide FOH, Broadcast, or A2 audio operation for Sunday services and occasional special services or events.
  • Support rehearsals (Wednesday or event-specific) as needed.
  • Troubleshoot live production systems including routing, networking, and signal flow.
  • Ensure high-quality audio mixes appropriate for traditional, contemporary, and broadcast worship environments.

Ministry & Event Support (As Needed)
  • Provide audio/production support for Women's Ministry, Youth events, retreats, classes, funerals, weddings, and other TFCA gatherings.
  • Set up/strike microphones, DI boxes, IEM systems, playback devices, and small PA systems-including basic troubleshooting-for mid-week or evening ministries.

Systems & Technical Support
  • Operate TFCA's PM7 console, LV1 system, Q-SYS, Klang, Dante networks, and related production systems.
  • Identify equipment needing repair or replacement and communicate issues promptly.
  • Contribute to improving documentation, workflows, and system organization over time.

Team Collaboration
  • Work alongside staff and volunteers in a professional, supportive manner.
  • Assist in volunteer development, training, or shadowing opportunities where appropriate.
  • Represent TFCA's Production Team with excellence and reliability.

Compensation
  • Sunday Services: $240 per service (two services currently offered).
  • Weekday/Evening Rehearsals: $120 per rehearsal block (typically 7-9 PM).
  • Special Events (weddings, funerals, ministry events, youth/women's gatherings): Paid per event according to scope; standard service rates generally apply unless otherwise noted.
  • Ad-Hoc Technical Support (equipment staging, loading, prep): $560/280 full day/half day rate

Requirements
Qualifications & Skills
  • 5+ years experience with professional live production or touring-grade AVL systems.
  • 3+ years experience mixing, editing, or engineering in live or studio settings.
  • Strong understanding of FOH mixing, broadcast audio, and contemporary/traditional worship contexts.
  • Proficiency in major DAWs (Reaper, ProTools, Logic Pro, Ableton Live, etc.).
  • Experience with Dante, SoundGrid, and modern digital console ecosystems.
  • Ability to work calmly under pressure and troubleshoot quickly during live events.
  • Strong communication and collaboration skills.

Administrative & Scheduling
  • All event based scheduling will be handled via Planning Center Online (PCO); contractors receive service plans, instrumentation, and team assignments there.
  • Studio/Post Production, Technical Support, and Small Events needs will be scheduled on an ad-hoc basis via email/phone
  • Scheduling is typically planned 1-2 months in advance, with weekly email reminders summarizing upcoming needs.