1

Music Score Editing Jobs (NOW HIRING)

Faculty Assistant

Albuquerque, NM · On-site

$18 - $20.50/hr

... music scores preparations, and audio recording, including scheduling sessions, managing performers and equipment, and editing final materials. Application Instructions Only applications submitted ...

... scoring, and closing shows on deadline. * Expertise in audio editing (ideally Pro Tools); strong ear for pacing, levels and music; ability to guide mixes even when not doing the hands-on engineering.

... score replacement, stems for dubbing stages, and the high-pressure turnaround times typical of ... A network of highly-skilled freelance music professionals (composers, musicians, engineers, editors ...

Previous experience running a studio board, editing play-by-play highlights and interviews using a ... your favorite music across 220+ radio stations, premium podcasts, live events and digital ...

Previous experience running a studio board, editing play-by-play highlights and interviews using a ... your favorite music across 220+ radio stations, premium podcasts, live events and digital ...

Previous experience running a studio board, editing play-by-play highlights and interviews using a ... your favorite music across 220+ radio stations, premium podcasts, live events and digital ...

next page

Showing results 1-20

Music Score Editing information

What is the difference between Music Score Editing vs Music Composition?

AspectMusic Score EditingMusic Composition
Primary FocusRefining and preparing scores for publication or performanceCreating original music and melodies
Required SkillsMusic notation, attention to detail, knowledge of music softwareMusic theory, creativity, songwriting skills
Work EnvironmentMusic studios, publishing houses, freelanceComposing studios, personal studios, freelance
Common Industry UsagePublishing, film, theater, orchestrasFilm scoring, songwriting, concert music

Music Score Editing involves refining existing scores for clarity and accuracy, while Music Composition focuses on creating new musical works. Both roles require a strong understanding of music theory and notation, but differ in their core tasks—editing versus creating. Understanding these differences helps clarify career paths and job expectations in the music industry.

What are the key skills and qualifications needed to thrive as a Music Score Editor, and why are they important?

To thrive as a Music Score Editor, you need a thorough understanding of music theory, notation, and editorial practices, often supported by a degree in music or equivalent experience. Proficiency in music notation software such as Sibelius, Finale, or Dorico is typically required, along with familiarity with digital audio workstations. Strong attention to detail, communication, and collaboration skills help ensure accuracy and smooth interactions with composers and publishers. These skills are crucial for producing clear, accurate, and professional-quality scores that meet industry standards and facilitate successful performances.

What is music score editing?

Music score editing is the process of reviewing, correcting, and preparing sheet music or digital music notation for publication or performance. Editors ensure that the music is accurate, consistent, and clear for musicians to read. This involves checking for errors in notes, rhythms, dynamics, articulations, and formatting. Music score editors may also adapt music for different instruments or ensembles and work closely with composers and publishers to produce high-quality scores.

What are some common challenges faced by professionals in music score editing and how can they be addressed?

Music score editors often face challenges such as ensuring accuracy in complex arrangements, meeting tight publication deadlines, and adapting scores for different ensembles or instruments. Attention to detail is crucial to catch notation errors and inconsistencies, while strong communication with composers, arrangers, and performers helps clarify artistic intent and resolve ambiguities. Familiarity with industry-standard notation software and continuous collaboration with the editorial team can significantly improve workflow efficiency and final product quality.
More about Music Score Editing jobs
Infographic showing various Music Score Editing job openings in the United States as of May 2026, with employment types broken down into 1% Internship, 1% As Needed, 77% Full Time, 19% Part Time, 1% Temporary, and 1% Contract. Highlights an 75% Physical, 5% Hybrid, and 20% Remote job distribution.
Berklee Theater Arts Collaborative (BTAC) Arranger/Copyist

Berklee Theater Arts Collaborative (BTAC) Arranger/Copyist

Berklee College of Music

Boston, MA • On-site

$17.51/hr

Part-time

Posted 18 days ago


Berklee College Of Music rating

7.1

Company rating: 7.1 out of 10

Based on 8 frontline employees who took The Breakroom Quiz

345th of 532 rated colleges and universities


Job description

In order to participate in Berklee Student Employment, a student must fulfill the following requirements:
  • Current student at Berklee College of Music or Boston Conservatory at Berklee.
  • Enrolled at least half-time in a degree, diploma, or certificate-seeking undergraduate or graduate program. Summer is the only semester in which a student can maintain employment without being enrolled. In this case, the student must be pre-registered for the upcoming fall semester. This exception does not apply to fall or spring semesters.
  • Have a valid United States Social Security Number (SSN).
  • Remain in "valid" Visa status as applicable.
  • A minimum 2.0 cumulative GPA. Students in their first semester can work, even though they do not have an official GPA until the completion of their first semester.
  • Federal Work Study student may apply.
  • In good disciplinary standing.
  • Must be located in the U.S.

For complete program details, please go to our website: www.berklee.edu/se.
Musical Theater for Young Audiences and BTAC New Works Arranger/Copyist will work closely on new musical projects with the composer and directors each term and be an integral part of the new arrangement/orchestration process. Works will be performed by the musical theater for young audiences and new works ensemble. The Arranger/Copyist will look for discrepancies in the scores as well by visiting rehearsals and meeting with the composer and the music director.
Essential Duties and Responsibilities:
  • Assist with arranging/orchestration of original musical
  • Coordinate with Assistant Director on compositional material
  • Catalog and organize musical score and parts
  • Assist Artistic Director with other project-specific tasks
  • Editing scores for new works
  • Attending rehearsals/listening to recorded rehearsals to find errors in materials
  • Printing and/or making digital copies of scores
  • Organizing band parts
  • Meeting with composers and MDs as needed to discuss organizational score needs
  • Other duties as assigned

Required Skills and Knowledge:
  • Strong knowledge of Musical Theater Arranging and Orchestration
  • Strong knowledge of one or more of the following:
    • Finale
    • Sibelius

Hourly Rate: $17.51/hour, Student Worker 3
Hiring Manager: Rene Pfister