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Music Event Production Jobs (NOW HIRING)

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DJ and Music Production Instructor Reports to: B2R School Director Position Purpose: To work ... Move, set up, and break down equipment at the school and events * Assist with moving furniture ...

Be Seen First

DJ and Music Production Instructor Reports to: B2R School Director Position Purpose: To work ... Move, set up, and break down equipment at the school and events * Assist with moving furniture ...

From weddings and private events to large-scale productions, we create seamless, memorable moments through music, lighting, and expert execution--and it all starts with a strong team behind the ...

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Music Event Production information

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How much do music event production jobs pay per hour?

As of Jul 15, 2026, the average hourly pay for music event production in the United States is $18.86, according to ZipRecruiter salary data. Most workers in this role earn between $15.38 and $19.95 per hour, depending on experience, location, and employer.

What is the job of an event producer?

An event producer is responsible for planning, coordinating, and overseeing all aspects of a live event, such as a music concert or festival. They manage logistics, budgets, vendor relationships, and team coordination to ensure the event runs smoothly from setup to completion.

How to get into music event production?

To get into music event production, gaining experience through internships, volunteering at events, or working in related roles such as stagehand or technician is helpful. Developing skills in project management, audio-visual equipment, and logistics, along with familiarity with event planning software, can improve job prospects. Entry-level positions often require strong organizational skills and the ability to work flexible hours, including evenings and weekends.

What jobs can you do with music production?

With music production skills, you can pursue roles such as music producer, sound engineer, recording engineer, mixing engineer, mastering engineer, or studio technician. These jobs involve creating, recording, editing, and mixing music using digital audio workstations and audio equipment, often requiring technical knowledge and creativity.

What is the highest salary for an event planner?

The highest salaries for event planners can exceed $80,000 annually, especially for those with extensive experience, specialized skills, or working in high-demand industries. Senior or corporate event planners often earn higher compensation, and additional income may come from bonuses or commissions for large-scale or high-profile events.

What are the key skills and qualifications needed to thrive as a Music Event Producer, and why are they important?

To thrive as a Music Event Producer, you need expertise in event planning, sound and stage management, and a solid understanding of logistics, often backed by a degree in event management or relevant experience. Familiarity with industry-standard audio/visual equipment, event management software, and health and safety regulations is essential. Strong communication, leadership, and problem-solving skills help you collaborate with artists, vendors, and teams under tight deadlines. These competencies ensure seamless event execution, audience satisfaction, and successful outcomes for all stakeholders.

What are some common challenges faced in music event production, and how can professionals effectively address them?

Music event production professionals often encounter challenges such as last-minute technical issues, tight timelines, and coordinating between multiple teams (artists, vendors, and venue staff). Effective communication, thorough planning, and contingency strategies are crucial to overcoming these obstacles. Building strong relationships with reliable suppliers and staying adaptable under pressure help ensure events run smoothly. Regular debriefs after events also support continuous improvement and professional growth in this fast-paced field.

What is music event production?

Music event production refers to the planning, coordination, and execution of live music events such as concerts, festivals, and performances. It involves tasks like booking artists, arranging sound and lighting, managing logistics, and ensuring the smooth running of the event from start to finish. Producers work behind the scenes to create memorable experiences for both performers and audiences, often collaborating with venues, technical crews, and promoters. Strong organizational skills, attention to detail, and a passion for live music are important in this field.
More about Music Event Production jobs
What cities are hiring for Music Event Production jobs? Cities with the most Music Event Production job openings:
What states have the most Music Event Production jobs? States with the most job openings for Music Event Production jobs include:
Infographic showing various Music Event Production job openings in the United States as of July 2026, with employment types broken down into 1% Internship, 1% As Needed, 71% Full Time, 24% Part Time, 1% Temporary, and 2% Contract. Highlights an 94% Physical, 1% Hybrid, and 5% Remote job distribution, with an average salary of $39,233 per year, or $18.9 per hour.
Director of Production

Director of Production

St. Louis Symphony Orchestra

Saint Louis, MO โ€ข On-site

Full-time

Re-posted 20 days ago


Job description


REPORTS TO: Vice President of Operations

DIRECT REPORTS: Production Manager, Production Coordinator, Stage Crew (3 FT plus extras as needed)

POSITION SUMMARY: With the organizationโ€™s return to Powell Hall at the newly renovated and expanded Jack C. Taylor Music Center, the Director of Production presents a new opportunity to help shape the next chapter of the St. Louis Symphony Orchestraโ€™s performances and events for the SLSO, its ensembles, and external clients. This key member of the Artistic Operations team has a forward focus on the use of technology and production elements to consistently deliver exceptional experiences for artists, audiences and partners. The role demands a deep understanding of music and event production, including familiarity with classical music, expertise in technical concert production, and the ability to lead and collaborate effectively in a union environment. As a fast-paced, high-impact contributor, the Director of Production has outstanding planning and organizational skills, the ability to manage multiple complex projects simultaneously, and exceptional attention to detail. Success in this role is built on a foundation of strong leadership, teamwork, and communication skills that foster a positive and productive environment through close collaboration with musicians, guest artists, colleagues, supervisors, clients, and vendors.

RESPONSIBILITIES:

  • Manage the production details of events, including activities of the SLSOโ€™s resident ensembles (St. Louis Symphony Orchestra, St. Louis Symphony Chorus, St. Louis Symphony IN UNISON Chorus, St. Louis Symphony Youth Orchestra), other internal constituent groups, non-orchestra presentations and hall rentals. Manage events outside of the Jack. C Taylor Music Center, such as local concerts, select Education/Community Partnerships and philanthropy events, ensuring the consistent implementation of SLSO production standards across events both internal and external.
  • Supervise and lead the stage crew, including hiring, scheduling, training, performance evaluations, and ensuring adherence to collective-bargaining agreements with IATSE Local 6.
  • In coordination with Production Team and Stage Manager, determine stagehand requirements for each event and relevant maintenance. Approve and submit weekly timesheets.
  • Cultivate a positive and professional work environment among the stage crew and in all interactions with musicians, guest artists, co-workers, supervisors, customers, and vendors.
  • Manage production needs and technical aspects of guest artist contracts and riders for non-classical projects.
  • With support from the Production Coordinator, serve as the primary technical contact for external clients, ensuring their needs are met and technical and production requirements are fulfilled. Prepare expense estimates for rental contracts and final billing.
  • In coordination with Vice President of Operations and Operations Manager, manage stage and equipment logistics for runouts and tours, including engaging coordinated equipment transportation. Staff runouts and tours as needed.
  • Participate in a duty manager rotation, providing on-site and off-site support for rehearsals and concerts with other members of Production and Operations staff. Participate in and lead production-related meetings.
  • In coordination with Production Manager and Opera Theatre of St. Louis (OTSL) production staff, determine SLSO stagehand requirements for OTSL services and ensure successful execution of these requirements.
  • Maintain meticulous records of equipment inventories, venue technical specifications, stage layouts, and other essential production information including creating and distributing stage plots using AutoCAD.
  • Coordinate with Director of Media Production on projects, including audio and video capture.
  • Create and administer technical production and relevant operational budgets, reviewing expenditures and providing updates for forecasting. Perform research for project-specific and operational budget preparation.
  • Perform other duties as needed.

REQUIREMENTS:

Knowledge: A strong musical background with the ability to read and understand music as it relates to event production. Familiarity with classical music is essential. Extensive knowledge of technical concert production and stagecraft, including sound, video, lighting, stage carpentry, rigging, and union regulations. Knowledge of PC network environment using Microsoft Office applications is also required, knowledge of Mac environment a strong plus.

Experience: 5+ years of technical concert production experience with musical, stage and event production. 2+ years of supervisory experience.

Skills and Abilities:

  • Maintain a high level of professionalism and represent the SLSO with integrity. Highly developed interpersonal skills with an emphasis on communication and customer service. Ability to maintain a high level of professionalism at all times.
  • Maintain fiscal responsibility and integrity in all budgeting and financial matters. Ability to work within budgetary constraints.
  • Strong critical thinking skills. Ability to develop plans for the team and ensure execution of all needed deliverables (after developing an understanding of organizational direction and strategy).
  • Self-starting with a drive to seek improvements in areas of direct responsibility and department processes.
  • Excellent troubleshooting and problem-solving skills.
  • Highly reliable and dependable.
  • Proficiency in the use of Microsoft Office including Word, Excel, Outlook and Access. Aptitude for technology and IT systems such as ArtsVision.
  • Valid Missouri Class E (for hire) driverโ€™s license or other state equivalent with driving record acceptable by SLSO insurance company required.