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Manager Live Sound Audio Engineer Jobs in Kentucky

$55 - $75/hr

Coordinate and manage wireless microphone and in-ear monitor systems, including frequency ... Knowledge of live sound reinforcement principles, digital audio consoles and the workflow of ...

New

$55 - $90/hr

... the project managers and clients in the latest wireless technology and audio networking. You ... Minimum of 5 years' experience working in the field of live sound, engineering, production

New

$65 - $90/hr

... live sound reinforcement, and sound design for television, film, and live theatre. Students track, mix, and master their own audio projects for multi-track studio albums, EPK's, live performance ...

New

$120 - $180/hr

About the role Productions is the 'done for you' managed services wing of ElevenLabs made for ... engineer for their workflows Requirements * 10+ years experience in audio engineering, sound design ...

$160 - $190/hr

JOB OVERVIEW In the Audio and Acoustic Systems Integration Engineer role, you will support the lead ... Independently manage multiple workstreams and prioritize critical activities. * Requires 15% travel ...

$80 - $110/hr

The primary purpose of the Manager of Live Events, Operations is to oversee the planning ... Ancillary Events: Plan and execute secondary event programming within the larger tournament ...

New

Minimum of 2 years of experience in sound design, audio engineering, or voice synthesis. Candidates should be prepared to share examples of projects where they used AI or audio technologies to create ...

New

Minimum of 2 years of experience in sound design, audio engineering, or voice synthesis. Candidates should be prepared to share examples of projects where they used AI or audio technologies to create ...

New

Minimum of 2 years of experience in sound design, audio engineering, or voice synthesis. Candidates should be prepared to share examples of projects where they used AI or audio technologies to create ...

New

Minimum of 2 years of experience in sound design, audio engineering, or voice synthesis. Candidates should be prepared to share examples of projects where they used AI or audio technologies to create ...

New

Minimum of 2 years of experience in sound design, audio engineering, or voice synthesis. Candidates should be prepared to share examples of projects where they used AI or audio technologies to create ...

New

$45 - $75/hr

This includes all lighting, sound, video, rigging and all other miscellaneous equipment. * Ensure ... Experience working as an audio engineer in arenas and concert environments. * Understanding of ...

New

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Manager Live Sound Audio Engineer information

What does a manager live sound audio engineer do?

A Manager Live Sound Audio Engineer oversees the technical aspects of live sound production at events, concerts, and venues. They are responsible for setting up, operating, and maintaining audio equipment, as well as managing sound quality during live performances. In addition to technical duties, they often supervise a team of audio engineers and coordinate with performers, event staff, and other technical crews to ensure a seamless sound experience for the audience.

What are the key skills and qualifications needed to thrive as a manager live sound audio engineer?

To thrive as a Manager Live Sound Audio Engineer, you need deep expertise in audio engineering, acoustics, and live sound mixing, often supported by a degree in audio production or related certification. Familiarity with digital mixing consoles, signal processing software, wireless microphone systems, and industry-standard sound reinforcement equipment is essential. Strong leadership, problem-solving, and communication skills help manage teams and respond effectively to high-pressure, live-event situations. These skills ensure seamless audio experiences, technical excellence, and successful event execution.

How does a manager live sound audio engineer typically collaborate with artists and event organizers during live performances?

As a Manager Live Sound Audio Engineer, you are the primary point of contact between the technical audio team, artists, and event organizers. You'll attend pre-event meetings to understand artistic requirements, coordinate with performers about their sound preferences, and ensure the audio setup aligns with the event's goals. During live performances, you need to communicate swiftly with both the stage crew and talent to troubleshoot issues and make real-time adjustments. Building strong relationships and maintaining clear communication are critical for delivering a seamless live sound experience.

What is the difference between Manager Live Sound Audio Engineer vs Live Sound Technician?

AspectManager Live Sound Audio EngineerLive Sound Technician
CredentialsAudio engineering certifications, experience in live sound managementAudio or sound technician certifications, hands-on training
Work EnvironmentOversees entire live sound operations, manages teamSets up, operates, and maintains sound equipment during events
ResponsibilitiesPlanning, coordination, troubleshooting, team supervisionSound checks, equipment setup, live mixing

The Manager Live Sound Audio Engineer typically handles the overall sound management, team supervision, and event coordination, while the Live Sound Technician focuses on technical setup and live mixing during events. Both roles require sound engineering knowledge, but the manager role involves leadership and planning responsibilities.

Are live sound engineers in demand?

Live sound engineers are in demand due to the ongoing need for audio support at concerts, events, and productions. Employment opportunities often depend on experience, technical skills with mixing consoles and audio equipment, and the ability to work flexible hours in dynamic environments.

How much do manager live sound audio engineers make?

Manager live sound audio engineers typically earn between $50,000 and $100,000 annually, depending on experience, location, and the size of the events they manage. Salaries can be higher for those working with large productions or touring acts, and many also earn additional income through overtime or freelance work.

What are the most commonly searched types of Live Sound Audio Engineer jobs in Kentucky?

The most popular types of Live Sound Audio Engineer jobs in Kentucky are:

What are popular job titles related to Manager Live Sound Audio Engineer jobs in Kentucky?

For Manager Live Sound Audio Engineer jobs in Kentucky, the most frequently searched job titles are:

What job categories do people searching Manager Live Sound Audio Engineer jobs in Kentucky look for?

The top searched job categories for Manager Live Sound Audio Engineer jobs in Kentucky are:

What cities in Kentucky are hiring for Manager Live Sound Audio Engineer jobs?

Cities in Kentucky with the most Manager Live Sound Audio Engineer job openings:

$55 - $75/hr

Other

Medical, Dental, Life, Retirement, PTO

Posted 2 days ago

New


Job description

Make a difference with us! At Alliance Defending Freedom, we believe God has brought you here for His purpose—to stand for truth and defend the God-given right to live and speak it. Together, we protect religious freedom, free speech, the sanctity of life, marriage and family, and parental rights. Review our Statement of Faith to ensure we’re a fit for you.

Locations: Scottdale, AZ

Team Overview

As the Audio Engineer, you will serve as the lead audio engineer for ADF's live and virtual events—conferences, seminars, galas, and webinars—owning front-of-house, monitor, and broadcast mixes so that every speaker and program element is heard clearly. Between events, you serve as the primary audio engineer for ADF's Arizona studio and media hit studio, capturing and mixing audio for video productions, podcasts, and live national media appearances.

Key Responsibilities Live Event Audio
  • Serve as the A1 for assigned ADF events, designing and operating the audio system - front of house, monitors, and broadcast/stream mixes to a high standard of clarity, intelligibility, and consistency.
  • Design system and loudspeaker configurations for each room, tune and align systems to the space, and adapt to venue acoustics and house infrastructure.
  • Coordinate and manage wireless microphone and in-ear monitor systems, including frequency coordination, RF scanning, antenna distribution, and battery management, to keep channels clean in congested environments.
  • Prepare input lists, patch sheets, stage plots, and console show files in advance of load-in, and communicate audio requirements to the producer, venue, and crew.
  • Mic, sound check, and support presenters, panelists, and musicians, briefing them on microphone technique and monitoring so they are comfortable on stage.
  • Load in, set up, operate, strike, and load out audio systems, including consoles, amplification, loudspeakers, cabling, playback, and production intercom.
  • Coordinate audio with video switching, lighting, and show control cues so that the program runs as a single, rehearsed production.
  • Diagnose and resolve audio problems in real time during live events, applying redundancy and backup plans to minimize disruption to attendees and stream audiences.
  • Serve as the primary audio engineer for ADF's Arizona studio and media hit studio, setting up and operating microphones, mixers, and monitoring for video shoots, podcasts, and interviews.
  • Provide audio for live media hits with national broadcast outlets, including IFB, mix-minus, and clean feeds to remote networks, and confirm signal quality and levels before air.
  • Record, edit, mix, and master audio for produced content, including dialogue cleanup, noise reduction, loudness normalization, and delivery to broadcast and web specifications.
  • Maintain and improve studio acoustics, signal flow, and routing, including audio-over-IP networks (e.g., Dante) where deployed.
  • Deliver finished audio assets to the standards required by ADF's post-production and communications teams, and archive session files and raw audio for reuse.
Systems, Maintenance & Readiness
  • Maintain, test, and repair audio equipment and inventory, including consoles, wireless systems, microphones, and cabling, and keep firmware and show files current.
  • Prepare and pack audio packages for travel, tracking equipment out and back and confirming everything returns in working order.
  • Recommend equipment purchases, upgrades, and standardization to the Production Manager, Arizona, including specifications and cost estimates.
  • Maintain safe working conditions during load-in, show, and load-out, including safe electrical loading, rigging of loudspeaker arrays where applicable, and cable management.
  • Observe hearing conservation and sound level practices appropriate to each venue, program, and audience.
  • Partner with the Live Event Producer, video and lighting technicians, and freelance crew to deliver a unified production, and serve as the audio point of contact for presenters, communications staff, and event owners.
  • Train and support other AV team members on basic audio operation so that events the A1 cannot cover are still well served.
  • Conduct post-event review of audio performance and apply lessons learned to future events and studio work.
  • Research developments in audio technology and recommend adoption where they would strengthen ADF’s events and studio capabilities.
Minimum Qualifications
  • Bachelor’s degree in audio engineering, music production, media production, or a related field, or equivalent experience.
  • 3+ years of professional audio experience in live event production, studio recording, and post-production audio settings, including primary A1 responsibility for events using professional-grade systems.
  • Demonstrated experience with mixing front of house and monitors live, for spoken word and music, in rooms of varying size and acoustics.
  • Ability to manage multiple events, studio sessions, and competing deadlines simultaneously, delivering consistent audio quality with sometimes limited crew, taking a show from load-in through load-out independently when required.
  • Knowledge of live sound reinforcement principles, digital audio consoles and the workflow of building, saving, and recalling show files (Yamaha, DiGiCo, Allen & Heath, Avid).
  • Knowledge of RF and wireless microphone systems, audio-over-IP and digital audio networking as applied to production (Dante, AES67), and the networking fundamentals that support it.
  • Knowledge of broadcast and steaming audio requirements, studio recording and post-production practices.
  • Ability to lift, carry, and set up audio equipment and road cases, and work from ladders or lifts where loudspeaker deployment requires it.
  • Ability to travel to and work on-site at event venues, including some evenings and weekends as events require—approximately 20% travel (85% domestic, 15% international; the ability to obtain a valid passport is required for international travel).
Preferred Qualifications
  • Dante certification, AVIXA CTS (Certified Technology Specialist) or similar industry certifications.

At Alliance Defending Freedom, we offer a competitive compensation and benefits package to support your well-being and growth. While we do not disclose specific salary ranges, our compensation is competitive with top non-profit law firms. Our benefits include 100% covered medical and dental insurance, medical and dependent care reimbursement, paid disability, long-term care, life insurance, and a 401(k) plan with a 4% company match. We prioritize work-life balance with paid time off and 12 paid holidays each year.

Want to Know More About ADF? Statement of Faith

Based on our adherence to the inspired, infallible, inerrant, and authoritative Word of God in Scripture, we profess with the Christian Church throughout time and around the world the faith expressed in the Apostles' Creed:

I believe in God, the Father almighty, creator of heaven and earth.
I believe in Jesus Christ, his only Son, our Lord,
who was conceived by the Holy Spirit,
born of the Virgin Mary,
suffered under Pontius Pilate,
was crucified, died, and was buried;
On the third day he rose again; he ascended into heaven,
he is seated at the right hand of the Father,
and he will come to judge the living and the dead.
I believe in the Holy Spirit,
the holy catholic Church,
the communion of saints,
the forgiveness of sins,
the resurrection of the body,
and the life everlasting.
Amen.

Doctrinal Distinctives
  • We believe in the spiritual unity and equality of believers in our Lord Jesus Christ.
  • We believe that the Lordship of Christ requires us as disciples to seek to conform our actions, thoughts, and desires in obedience to Him.
  • We believe God creates each person with an immutable biological sex — male or female — that reflects the image and likeness of God.
  • We believe God designed marriage as a unique conjugal relationship joining one man and one woman in a single, exclusive, life-long union, and God intends sexual intimacy only to occur within that relationship.
  • We believe God endows all human life with inherent dignity, and it must be respected and protected from conception to natural death.
  • We believe that God has endowed all humans with the natural, and inalienable right of religious freedom to believe, pursue truth, and live within ordered liberty such that no civil government may justly infringe upon it.
  • We believe that God, through His Son, Jesus Christ, calls all of us to deny ourselves, take up our cross, and follow Him, knowing that He promises us abundant and eternal life.
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