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Live Sound Jobs in Ohio (NOW HIRING)

Stadionwelt

... Live-Sound nicht das letzte Wort ist," erklärt Markus Zimehl. "Ich freue mich darauf, zusammen mit den hochmotivierten und erfahrenen Mitgliedern des DACH-Teams die Segel in Richtung Zukunft zu ...

Stadionwelt

... Live-Sound nicht das letzte Wort ist," erklärt Markus Zimehl. "Ich freue mich darauf, zusammen mit den hochmotivierten und erfahrenen Mitgliedern des DACH-Teams die Segel in Richtung Zukunft zu ...

AT Hospitality

Audio Visual Technician

Cincinnati, OH

$20 - $22/hr

General knowledge of live sound production, mixing consoles, wireless microphone systems, sound reinforcement, and event production workflows. * Experience supporting conferences, concerts, social ...

Green Circle Growers

YP Live Goods Specialist

Oberlin, OH · On-site

$15 - $19.25/hr

As a Live Good Receiving team member you will be responsible for ensuring the product received ... Sound judgement and decision-making skills * Must be a self-starter, energetic, and results ...

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All JobsLive Sound JobsLive Sound Jobs in Ohio

Live Sound information

See Ohio salary details

$10.5K

$46K

$120.3K

How much do live sound jobs pay per year?

As of Aug 25, 2026, the average yearly pay for live sound in Ohio is $45,955.00, according to ZipRecruiter salary data. Most workers in this role earn between $25,200.00 and $58,000.00 per year, depending on experience, location, and employer.

What is live sound engineering?

Live sound engineering is the process of managing and adjusting audio during live events, such as concerts, theater performances, or conferences. Live sound engineers set up microphones, speakers, and mixing consoles to ensure that the sound is balanced and clear for both the audience and performers. They troubleshoot technical issues in real time and may also handle recording or broadcast mixes. This job requires a strong understanding of acoustics, audio equipment, and quick problem-solving skills.

What are the key skills and qualifications needed to thrive as a live sound engineer?

To thrive as a Live Sound Engineer, you need a solid understanding of audio engineering principles, acoustics, and signal flow, often supported by a degree or diploma in audio technology or related experience. Familiarity with mixing consoles, digital audio workstations (DAWs), microphones, and audio processing equipment is vital, and certifications like AVIXA CTS can be advantageous. Strong problem-solving skills, communication, and the ability to stay calm under pressure help you adapt to the fast-paced and unpredictable nature of live events. These skills ensure high-quality sound production, smooth event execution, and a positive experience for both performers and audiences.

What are some typical challenges a live sound engineer faces during live events, and how can they prepare for them?

Live Sound Engineers often encounter challenges such as unexpected technical issues, last-minute changes in performer requirements, and varying acoustics at different venues. To prepare, it's important to conduct thorough sound checks, have backup equipment ready, and communicate proactively with performers and event staff. Effective troubleshooting skills and staying calm under pressure are essential for delivering high-quality audio throughout the event.

What is the difference between Live Sound vs Audio Engineer?

AspectLive SoundAudio Engineer
CredentialsAudio production certifications, technical trainingAudio engineering degrees, certifications
Work EnvironmentConcerts, events, live venuesRecording studios, broadcast, post-production
Industry UsageMusic concerts, festivals, live eventsStudio recordings, film, TV, radio
Common Search/ComparisonLive SoundAudio Engineer

Live Sound professionals focus on setting up and operating sound equipment during live events, ensuring optimal audio quality for audiences. Audio Engineers often work in studios or post-production settings, handling recording, mixing, and editing audio. While both roles require technical skills and audio knowledge, Live Sound is specifically tailored to real-time sound reinforcement at events, whereas Audio Engineers may work on recorded projects. Understanding these differences helps job seekers find the right career path in the audio industry.

Do live sound engineers make good money?

Live sound engineers typically earn an average salary that varies based on experience, location, and the scale of events they work on. Entry-level positions may pay hourly or flat rates, while experienced engineers working at large events or for touring acts can earn higher wages, often supplemented by tips or overtime pay. Certification in audio technology and proficiency with mixing consoles can also influence earning potential.

How to get into the live sound industry?

To enter the live sound industry, gain experience by volunteering or working as a stagehand or audio assistant, and learn to operate sound equipment such as mixers and speakers. Developing technical skills, understanding acoustics, and obtaining certifications like the ESTA Certified Audio Engineer can improve job prospects. Entry-level positions often require flexibility with schedules and a willingness to learn on the job.

What are popular job titles related to Live Sound jobs in Ohio?

For Live Sound jobs in Ohio, the most frequently searched job titles are:

What job categories do people searching Live Sound jobs in Ohio look for?

The top searched job categories for Live Sound jobs in Ohio are:

What cities in Ohio are hiring for Live Sound jobs?

Cities in Ohio with the most Live Sound job openings:

Live Sound jobs near you
Infographic showing various Live Sound job openings in Ohio as of August 2026, with employment types broken down into 1% As Needed, 64% Full Time, 30% Part Time, and 5% Contract. Highlights an 80% Physical, 2% Hybrid, and 18% Remote job distribution, with an average salary of $45,955 per year, or $22.1 per hour.

Audio-Hersteller verpflichtet Branchenexperten

On-site

Stadionwelt
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Other

Posted 7 days ago

Job description

Audio-Hersteller verpflichtet Branchenexperten

d&b audiotechnik hat Markus Zimehl zum 1. August 2025 als Commercial Director fĂĽr Deutschland, Ă–sterreich und die Schweiz berufen. In dieser SchlĂĽsselrolle wird er das Wachstum in der strategisch wichtigen DACH-Region vorantreiben.

Dazu wird er die Go-to-Market-Modelle weiterentwickeln, Partnerprogramme aufbauen und Teamstrukturen stärken. Mit mehr als zehnjähriger Erfahrung in der Pro-Audio-Branche verfügt Zimehl über strategische Führungskompetenz und eine Erfolgsbilanz bei der Gewinnung neuer Märkte. Zuletzt war er als Area Manager DACH & North Europe bei Adam Hall für zehn Vertriebsregionen in den DACH-, Benelux- und skandinavischen Ländern verantwortlich. Davor war Markus im weltweiten Vertriebsinnendienst und Export tätig und hat einschlägige Erfahrungen im Musikfachhandel und als FOH-Techniker gesammelt.

Markus Zimehl, Commercial Director DACH bei d&b audiotechnik, soll das Wachstum in der DACH-Region vorantreiben. Bild: d&b audiotechnik

„Für mich ist d&b die absolute Referenz in Sachen Sound – ob bei großen Festivals oder in einem Restaurant. Man kann sich jedes Mal auf hervorragenden Klang und eine gleichmäßige Abdeckung der Location bis in den letzten Winkel verlassen. Ich hatte schon immer den Eindruck, dass d&b eine erstaunliche Entwicklungsgeschichte verkörpert und nach wie vor Grenzen verschiebt, besonders mit immersiven Lösungen wie d&b Soundscape. d&b erbringt den Beweis, dass Stereo beim Live-Sound nicht das letzte Wort ist,“ erklärt Markus Zimehl. „Ich freue mich darauf, zusammen mit den hochmotivierten und erfahrenen Mitgliedern des DACH-Teams die Segel in Richtung Zukunft zu setzen.“

„Markus in dieser Schlüsselposition in unserem DACH-Team an Bord zu haben ist ganz entscheidend für den weiteren Geschäftsausbau in der Region,“ erläutert Christian Orcin, Territory Manager EMEA bei d&b audiotechnik. Mit seiner Branchenerfahrung und Führungskompetenz können wir unser Partner-Netzwerk schlagkräftiger unterstützen und neue Marktnischen besetzen. Dazu kommt das ungebrochene Engagement unseres DACH-Teams, und ich bin sicher, dass wir unsere Dynamik so optimal nutzen und noch stärkeres Wachstum erzielen werden.“

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