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Live Sound Audio Engineer Jobs in Alabama (NOW HIRING)

The Hangout is looking for a hard-working sound engineer who has a passion for live entertainment ... Audio adjustments, maintaining safe levels while providing a professional mix - Audio control ...

... sound engineering, and video systems within a live or broadcast production environment ... Provide technical oversight of A/V equipment operation and requirements in coordination with ...

... sound engineering, and video systems within a live or broadcast production environment ... Provide technical oversight of A/V equipment operation and requirements in coordination with ...

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Live Sound Audio Engineer information

See Alabama salary details

$26.7K

$76.5K

$155.4K

How much do live sound audio engineer jobs pay per year?

As of Jul 27, 2026, the average yearly pay for live sound audio engineer in Alabama is $76,549.00, according to ZipRecruiter salary data. Most workers in this role earn between $45,300.00 and $102,400.00 per year, depending on experience, location, and employer.

Are live sound engineers in demand?

Live sound engineers are in demand due to the ongoing need for audio support at concerts, events, and venues. Employment opportunities often depend on experience, technical skills with mixing consoles and audio equipment, and the ability to work flexible hours in dynamic environments.

What are the key skills and qualifications needed to thrive in the Live Sound Audio Engineer position, and why are they important?

To thrive as a Live Sound Audio Engineer, you need strong knowledge of sound reinforcement principles, audio mixing, signal flow, and troubleshooting, often supported by a degree in audio engineering or related experience. Familiarity with mixing consoles (analog and digital), microphones, outboard gear, audio networking systems, and relevant certifications (such as AVIXA CTS or manufacturer-specific training) is highly advantageous. Excellent communication, problem-solving skills, and the ability to stay calm under pressure are crucial soft skills for managing live events. These competencies ensure seamless event execution and high-quality sound experiences for audiences and performers alike.

What does a Live Sound Audio Engineer do?

A Live Sound Audio Engineer is responsible for setting up, operating, and maintaining audio equipment for live events, such as concerts, theater productions, conferences, and sporting events. They manage sound levels, eliminate feedback, and ensure audio clarity for both performers and audiences. Their duties include mixing audio, troubleshooting technical issues, and coordinating with other production team members. They work in various environments, from small venues to large stadiums, requiring adaptability and technical expertise.

How much do live sound engineers earn?

Live sound engineers typically earn between $15 and $50 per hour, with annual salaries ranging from around $30,000 to $80,000 depending on experience, location, and the size of events they work on. Freelance engineers may have variable income based on gigs, while those working full-time for venues or production companies often receive benefits and steady pay. Skills in audio mixing, equipment operation, and certification can influence earning potential.

How much money do live sound engineers make?

Live sound engineers typically earn between $30,000 and $80,000 annually, depending on experience, location, and the scale of events they work on. Entry-level positions may pay less, while experienced engineers working at large venues or festivals can earn higher salaries or hourly rates. Many also supplement income through freelance work or overtime.

What engineers make $500,000?

In the field of live sound audio engineering, earning $500,000 annually is uncommon and typically associated with highly experienced professionals working in large-scale concert productions, major touring acts, or owning successful audio companies. Such high earnings often require advanced skills, extensive industry connections, and often involve additional revenue streams like consulting or equipment sales.

What are some typical challenges that Live Sound Audio Engineers face during live events?

Live Sound Audio Engineers often encounter unpredictable acoustic environments, last-minute technical issues, or sudden changes in show requirements during live events. Problem-solving quickly under pressure is essential, as is adapting to different venues and collaborating closely with performers, stage managers, and production teams. Engineers may have to address feedback issues, equipment malfunctions, or adapt sound for various crowd sizes rapidly. This dynamic environment keeps the work exciting and rewarding for those who thrive on hands-on, real-time challenge.

What are the most commonly searched types of Live Sound Audio Engineer jobs in Alabama? The most popular types of Live Sound Audio Engineer jobs in Alabama are:
What job categories do people searching Live Sound Audio Engineer jobs in Alabama look for? The top searched job categories for Live Sound Audio Engineer jobs in Alabama are:
What cities in Alabama are hiring for Live Sound Audio Engineer jobs? Cities in Alabama with the most Live Sound Audio Engineer job openings:
Infographic showing various Live Sound Audio Engineer job openings in Alabama as of July 2026, with employment types broken down into 67% Full Time, and 33% Contract. Highlights an 100% In-person job distribution, with an average salary of $76,549 per year, or $36.8 per hour.
Lecturer of Music Industry-Live Sound and Event Production

Lecturer of Music Industry-Live Sound and Event Production

Troy University

Troy, AL • On-site

Full-time

Posted 16 days ago


Troy University rating

8.6

Company rating: 8.6 out of 10

Based on 6 frontline employees who took The Breakroom Quiz

67th of 612 rated colleges and universities


Job description

Posting Details
Position Information
Posting Number
F1069P
Position Title
Lecturer of Music Industry-Live Sound and Event Production
Position Type
Faculty
Department
Music - Troy
Division
College of Arts and Humanities
Campus
Troy
Faculty Rank
Lecturer
If Faculty position
10 Month
Is this position tenure track or non-tenure track?
Non-Tenure Track
Work Status
Full-Time (FT)
Temporary
No
Location
Troy - T01
Job Summary
Troy University is seeking an energetic and experienced music industry professional to join the faculty of the John M. Long School of Music faculty. The Music Industry program is well-established, and includes multiple, music focused undergraduate majors as well as a graduate degree option through the MBA- Music Industry Emphasis offered in collaboration with the Sorrell College of Business.
The successful candidate will teach courses in live sound, concert production, and related areas while providing technical and production leadership for the American Popular Music Ensemble (POPulus) and other Music Industry program events. This position combines classroom instruction with hands-on experiential learning through real-world concert production and student technical training.
Responsibilities include teaching core undergraduate music industry courses, mentoring student production crews, coordinating production logistics for concerts and recruitment events within the School of Music, and serving as lead audio engineer for POPulus performances and other program concerts including Bands, choirs, Jazz Ensemble, and chamber groups. This role will help ensure that program concerts and events are produced at professional industry standards while serving as meaningful training environments for students preparing for careers in live sound, touring, concert production, and event technology; provide leadership in the planning, coordination, and maintenance of live production systems and infrastructure supporting Music Industry program performances and events; mentor student engineers and technical crews while helping students develop the skills, professionalism, and industry awareness necessary for careers in the live entertainment industry.
Additional responsibilities may include assisting with music industry program development, supporting student recruitment and outreach activities, mentoring student production teams, and contributing to experiential learning opportunities that connect classroom instruction with real world production environments.
The start date for the position is August 1, 2026. Review of applications will begin immediately and will continue until the position is filled.
Required Documents
1. Cover Letter
2. List of three References
3. Curriculum Vitae
4. Unofficial Transcripts
5. A Portfolio including three examples of professional work related to live sound, concert production, or audio engineering. Please upload a text file with links only.
In Class Teaching Percentage
Online Teaching Percentage
Minimum Qualifications
1. Master's degree in music, music technology, audio engineering, or a related field, or
equivalent professional experience.
2. Significant professional experience in three or more of the following areas:
• Live Sound Engineering
• Concert Production
• Lighting Design
• System Tuning and Alignment
• RF Coordination and Wireless System Management
• Network Audio Protocols
• Equipment Repair and Maintenance
• Monitor Engineering
• Backline Technician or Instrument Technology
3. Demonstrated professional experience mixing live concerts using modern digital
console systems in professional performance environments.
4. Experience and/or understanding of current and emerging practices in digital
production technologies and live performance systems.
5. Demonstrated effective written, oral communication, and presentation skills.
Preferred Qualifications
1. Significant professional experience in additional areas such as:
• Video engineering and LED wall systems
• Live streaming and broadcast audio
• Tour management and show advancing
• Production rigging and staging
• Site operations and concert infrastructure
• Integrated control systems
• Health and safety compliance for live event environments
• Music business and copyright
• Career mentorship and student placement
2. Documented successful college or professional teaching experience.
3. Experience mentoring student production teams, technical crews, or interns in live
performance environments.
4. Experience coordinating production logistics for concerts, festivals, touring events, or
venue operations.
5. Experience with community outreach, recruitment performances, or public concert
programming.
6. Engagement in professional, scholarly, or creative activity contributing to the field of
music industry or live production.
Will this position require driving (personal vehicle, university vehicle, utility vehicle, or golf cart) in order to perform the job duties?
No
Work Hours
40 hour work week
List any hazardous conditions or physical demands required by this position
N/A
Does this position have supervisory responsibility?
No
Posting Date
06/11/2026
Closing Date
Open Until Filled
No
Special Instructions to Applicants
Academic Term Position Will Begin
Quick Link
https://www.troyuniversityjobs.com/postings/47629

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