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Live Audio Engineer Jobs in Colorado (NOW HIRING)

Video & Multimedia Producer

Golden, CO · On-site

$80K - $91K/yr

Capture live events and transform them into year-round storytelling. * Produce promotional videos ... Produce the Cutting Edge podcast and other audio programming. * Record, edit, and publish podcast ...

Technician, Director/TD

Denver, CO · On-site

$52K - $65K/yr

... Live News Production. * Follow station policies and procedures in operating a wide variety of broadcast audio and video equipment: record, segment, trim and playout programming, mix audio, video ...

Technician, Director/TD

Denver, CO · On-site

$52K - $65K/yr

... Live News Production. * Follow station policies and procedures in operating a wide variety of broadcast audio and video equipment: record, segment, trim and playout programming, mix audio, video ...

Technician, Director/TD

Denver, CO · On-site

$52K - $65K/yr

... Live News Production. * Follow station policies and procedures in operating a wide variety of broadcast audio and video equipment: record, segment, trim and playout programming, mix audio, video ...

Senior ML Software Engineer, Watch Software

Boulder, CO · On-site

$127K - $167K/yr

... live in using sensing and machine learning on our devices. Our team works with cross-functional ... motion and audio - to detect user activities and contextual situations that enhance our ...

Chief Programming Officer

Aurora, CO · On-site

$110 - $140/hr

Chief Programming Officer Location: Aurora, CO Job Id: 283 # of Openings: 0 Chief Programming ... audio, live/recorded talent, and promotional resources for all Pillar Media stations. * As the ...

Programming Location: Colorado Category: Full-time, Salary FLSA Status: Exempt Pillar Media, home ... audio, live/recorded talent, and promotional resources for all Pillar Media stations. * As the ...

The audio revolution is here - and iHeart is leading it! iHeartMedia, the number one audio company ... We create and produce some of the most popular and well-known branded live music events in America ...

... live events and daily operations, including troubleshooting audio, video, projection, display ... design/engineering, audiovisual technology, information technology, media production ...

... live events and daily operations, including troubleshooting audio, video, projection, display ... design/engineering, audiovisual technology, information technology, media production ...

The audio revolution is here - and iHeart is leading it! iHeartMedia, the number one audio company ... We create and produce some of the most popular and well-known branded live music events in America ...

The audio revolution is here - and iHeart is leading it! iHeartMedia, the number one audio company ... We create and produce some of the most popular and well-known branded live music events in America ...

Showing results 21-40

Live Audio Engineer information

See Colorado salary details

$31K

$88.8K

$180.3K

How much do live audio engineer jobs pay per year?

As of Aug 22, 2026, the average yearly pay for live audio engineer in Colorado is $88,806.00, according to ZipRecruiter salary data. Most workers in this role earn between $52,600.00 and $118,800.00 per year, depending on experience, location, and employer.

What does a live audio engineer do?

A live audio engineer or sound technician handles sound and music responsibilities related to live broadcasting on TV or radio. You work with the mechanical and technical aspects of audio while using computers, software, and specialized equipment like a mixing board and various A/V applications. Your duties involve recording, reproducing, and blending sounds, as well as collaborating with record producers to line up visual aspects with audio. You set up soundboards, test systems, and ensure the level of sound and mix is correct. A live audio engineer can also work in theater or at a live event.

What does a live audio engineer do?

A Live Audio Engineer is responsible for managing and controlling the sound during live events such as concerts, theater performances, and conferences. They set up, operate, and adjust audio equipment to ensure clear and balanced sound for both performers and audiences. This includes tasks like mixing audio levels, troubleshooting technical issues, and sometimes recording live performances. Their goal is to deliver the best possible sound quality in real time, adapting quickly to any changes or challenges during the event.

What are the key skills and qualifications needed to thrive as a live audio engineer?

To thrive as a Live Audio Engineer, you need expertise in sound mixing, signal flow, and audio equipment setup, often supported by a degree in audio engineering or related certifications. Familiarity with digital and analog mixing consoles, wireless systems, and software like Pro Tools or QLab is typically required. Strong problem-solving abilities, attention to detail, and effective communication are essential soft skills for collaborating with performers and event staff. These skills ensure high-quality sound delivery and seamless live event experiences under pressure.

What are some common challenges faced by live audio engineers during live events, and how can they be managed?

Live audio engineers often encounter challenges such as unexpected feedback, equipment malfunctions, and rapidly changing sound requirements during performances. To manage these, it's important to conduct thorough sound checks, maintain clear communication with performers and technical teams, and stay adaptable to on-the-fly adjustments. Being proactive in troubleshooting and having backup equipment readily accessible can help ensure smooth operation and minimize disruptions during the event.

What is the difference between Live Audio Engineer vs Sound Technician?

AspectLive Audio EngineerSound Technician
CredentialsAudio engineering certification or equivalent experienceAudio or technical certifications often preferred
Work EnvironmentConcerts, live events, festivalsRecording studios, broadcast, events
Job FocusMixing and managing live sound during eventsSetting up, maintaining, and troubleshooting audio equipment

While both roles involve audio setup and equipment, a Live Audio Engineer primarily focuses on mixing and managing sound during live events, ensuring optimal audio quality. A Sound Technician handles equipment setup, maintenance, and troubleshooting, often in studio or broadcast settings. The roles overlap but differ mainly in their focus on live sound management versus technical support and equipment maintenance.

Are live audio engineers in demand?

Live audio engineers are in demand due to the ongoing need for sound reinforcement at concerts, events, and live productions. The profession requires technical skills, familiarity with audio equipment, and adaptability to different environments, which sustain employment opportunities in the entertainment and event industries.

How much do live audio engineers make?

Live audio engineers typically earn between $20 and $50 per hour, with annual salaries ranging from $40,000 to $80,000 depending on experience, location, and the scale of events. Freelance engineers may have variable income based on the number and type of gigs they secure, while those working full-time for organizations often receive benefits and steady pay. Skills in mixing consoles, sound systems, and certifications can influence earning potential.

How to get a job as a live audio engineer?

To become a live audio engineer, gain experience through internships or entry-level positions, develop skills in audio mixing and troubleshooting, and become proficient with industry-standard equipment and software. Obtaining relevant certifications and building a network within the live event industry can also improve job prospects.

What are popular job titles related to Live Audio Engineer jobs in Colorado?

For Live Audio Engineer jobs in Colorado, the most frequently searched job titles are:

What job categories do people searching Live Audio Engineer jobs in Colorado look for?

The top searched job categories for Live Audio Engineer jobs in Colorado are:

What cities in Colorado are hiring for Live Audio Engineer jobs?

Cities in Colorado with the most Live Audio Engineer job openings:

Infographic showing various Live Audio Engineer job openings in Colorado as of August 2026, with employment types broken down into 1% As Needed, 70% Full Time, 26% Part Time, 1% Temporary, and 2% Contract. Highlights an 83% Physical, 2% Hybrid, and 15% Remote job distribution, with an average salary of $88,806 per year, or $42.7 per hour.

Full-time

Medical, Dental, Vision, Life, Retirement, PTO

Posted 23 days ago


Job description

Location: Remote (must be located near a major airport)

Reports To: VP of Media

FLSA Status: Exempt


The American Alpine Club has an extraordinary story to tell, and the Video & Multimedia Producer plays a central role in bringing that story to life. This newly created position will establish and grow the AAC's video and multimedia storytelling capacity, creating compelling content that strengthens member engagement, expands our reach, deepens donor relationships, and highlights the impact of our programs.

Reporting to the Vice President of Media and collaborating across the organization, the Video & Multimedia Producer develops and manages multimedia production products and the production calendar while serving as a creative partner to departments throughout the AAC. This role works closely with the program, advancement (marketing and development), and leadership teams to identify stories, develop creative concepts, and produce content that advances organizational priorities and reinforces the AAC's mission.

The successful candidate is an entrepreneurial storyteller with strong creative instincts, exceptional collaboration skills, and the ability to translate authentic experiences into compelling visual narratives. They are equally comfortable interviewing longtime members, documenting events in the field, producing polished multimedia content, and managing projects from concept through final delivery. A passion for the climbing community, the outdoors, and the human stories that connect them is essential.


Key Responsibilities


1. Video Production & Storytelling

Produce compelling visual stories that communicate the impact of the American Alpine Club and support organizational priorities.

  • Concept, film, edit, and deliver video content across short-form, long-form, educational, documentary, and social media formats.
  • Produce documentary-style stories highlighting AAC programs.
  • Capture and produce long-form interviews and oral histories featuring significant AAC members, leaders, and contributors.
  • Capture live events and transform them into year-round storytelling.
  • Produce promotional videos supporting AAC marketing and communications efforts.
  • Ensure all video content meets AAC standards for storytelling, technical quality, accessibility, and brand consistency.

2. Podcast & Multimedia Production

Support the growth of AAC multimedia programming through high-quality audio and video production.

  • Produce the Cutting Edge podcast and other audio programming.
  • Record, edit, and publish podcast episodes and companion video content for social media and digital platforms.
  • Develop multimedia assets that extend the reach of AAC stories across digital channels.
  • Coordinate production schedules, recording logistics, and post-production workflows for multimedia projects.

3. Organizational Storytelling & Program Support

Produce story-driven multimedia content that advances the American Alpine Club's mission by supporting organizational priorities.

  • Produce multimedia stories that communicate the impact of AAC programs, initiatives, and member experiences.
  • Create fundraising and donor stewardship content that demonstrates the impact of philanthropic support, including annual and planned giving initiatives.
  • Produce membership and marketing assets that communicate the value of joining, participating in, and supporting the AAC.
  • Develop multimedia content supporting events, educational programs, lodging, and other organizational initiatives.
  • Integrate recognition, including donor and corporate sponsors, into storytelling while maintaining the integrity of the AAC's mission, voice, and brand.
  • Collaborate with staff across the organization to identify upcoming storytelling opportunities and produce content that supports organizational priorities.

4. Content Distribution & Platform Optimization

Prepare and optimize multimedia content for distribution across AAC's digital channels.

  • Adapt video and multimedia content for YouTube, Instagram, Facebook, TikTok, LinkedIn, email marketing, AAC website, and other platforms as needed.
  • Optimize content length, format, captions, and technical specifications for each platform.
  • Collaborate with the Marketing team to support campaigns, website content, and digital communications.
  • Repurpose existing content across platforms to maximize reach, engagement, and organizational value.

5. Production Planning & Asset Management

Coordinate multimedia production across the organization while maintaining efficient workflows and production standards.

  • Maintain the video production calendar, balancing organizational priorities established by the VP of Media and coordinating production schedules across departments.
  • Determine equipment, production resources, travel, and project requirements in partnership with the VP of Media.
  • Maintain organized project files, raw footage libraries, source files, b-roll catalogs, version control, and music and talent usage documentation.
  • Communicate project timelines, production capacity, and project status to internal stakeholders.
  • Identify opportunities for batch production, repurpose content, and improve production efficiency across the organization.

Additional Responsibilities

  • Compliance with all laws, rules, and regulations as they pertain to job duties, including workplace safety, field safety, and permitting.
  • Travel as needed to capture stories, programs, events, expeditions, and member experiences across the American Alpine Club.
  • Perform other duties as assigned by the VP of Media.


Qualifications

  • Demonstrated portfolio of video and multimedia content - excellent cinematography and editing skills (a keen eye for framing, pacing, and audio composition)
  • 3+ years of demonstrated experience with project management and working cross-functionally, with the ability to own a complex, multi-stakeholder production calendar and manage multiple projects to deadline and budget
  • Proficiency with industry-standard editing and post-production software such as Adobe Premiere Pro (preferred) and After Effects, DaVinci Resolve, or equivalent
  • Comfortable as a solo producer - operating independently in the field, problem-solving production challenges, and managing the full production cycle from concept through delivery
  • Genuine love of the outdoors and climbing - you know the difference between sport and alpine, and you can hold a real conversation with a longtime mountaineer and a newer climber equally well
  • Committed to the AAC mission and modeling our core values

Preferred

  • Degree in film, video production, or visual communications
  • Photography skills as a complement to primary video work
  • Ability to draw compelling stories out of people who are not media-trained - members, grantees, donors, and program participants
  • Experience with a nonprofit organization, particularly in membership or donor storytelling
  • Experience with motion graphics, animation, or multimedia storytelling formats


Environment

The balance between field and desk work shifts with the season and project cycle. On average:

  • 40% Field work - Filming on location at events, at AAC lodging properties, and with members, donors, and program participants across the country. Requires regular travel and comfort in varied outdoor environments; involves transporting, carrying, and setting up video, lighting, and audio equipment (regularly 45lbs, sometimes more) outdoors and potentially in rugged terrain, at altitude, at height, and on rope systems.
  • 60% Desk work - Editing, post-production, podcast production, calendar management, and cross-team coordination using Adobe Creative Suite, DaVinci Resolve, GSuite, Slack, Zoom, and other computer-based programs.


Benefits

The AAC currently offers a comprehensive benefits package including employer-paid medical (with reproductive and gender-affirming care), HSA, dental, vision, life, AD&D insurance, short- and long-term disability insurance, a wellness program, a matching 401k retirement plan, flexible work scheduling, pro deals, generous paid time off, and bonding leave. Benefits are reviewed annually and change as needed. Team members are notified when any benefit changes occur.

How to Apply

All who love the AAC mission are encouraged to apply, including people of color, Black, Indigenous, transgender, and non-binary people. Apply online. No phone calls or emails, please. Priority hiring is given to current staff and contractors. This position is being hired on a rolling basis. Cover letters are strongly encouraged.Candidates will not be contacted prior to the priority deadline.


The AAC is an equal-opportunity employer. Your gender, religion, sexual orientation, skin color, first language, marital status, and body size and ability do not factor into employment decisions here.
If you love our mission and are good at what you do, come as you are.
A note about applying: our position descriptions outline general needs for a role, but these are not set rules. If you meet more than two-thirds of the suggested skills, we encourage you to apply. Include any applicable experience, both paid and volunteered, that helped you build these competencies.


About the AAC
Founded in 1902, the American Alpine Club (AAC) is a 501(c)(3) nonprofit organization committed to providing climbers with resources that advance knowledge, inspiration, and advocacy. Through our rescue benefit and medical expense coverage, climbing and grief grants, campgrounds, and discounts, we are committed to empowering our members. We share knowledge and inspiration through the American Alpine Journal, Accidents in North American Climbing, and preserving climbing history in the AAC Library and Archives. Finally, we advocate for our members and the places we climb by breaking down barriers to climbing and seeking to preserve our climbing landscapes and public lands nationally and locally. At the AAC, we are connected through our passion for climbing. United We Climb.