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Independent Curator Jobs (NOW HIRING)

The Title Curative Analyst III will exercise discretion and independent judgment to provide support ... Independently manage a portfolio of 150 or more title-related cases within the department's case ...

The Title Curative Analyst III will exercise discretion and independent judgment to provide support ... Independently manage a portfolio of 150 or more title-related cases within the department's case ...

The Title Curative Analyst III will exercise discretion and independent judgment to provide support ... Independently manage a portfolio of 150 or more title-related cases within the department's case ...

POSITION SUMMARY The Title Curative Specialist - ATA is responsible for serving as a liaison ... Ability to work independently and complete assignments within established procedures. * Working ...

... independently clear title issues. Attention to detail and communication skills must be excellent. * Common knowledge of Microsoft Office applications. Benefits include a Safe Harbor 401(k) plan ...

Position also includes working with underwriting claims resolution, clearance, and title curative ... independently clear title issues. • Attention to detail and communication skills must be ...

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Independent Curator information

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$25.5K

$72.6K

$119.5K

How much do independent curator jobs pay per year?

As of Jul 13, 2026, the average yearly pay for independent curator in the United States is $72,627.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $94,000.00 per year, depending on experience, location, and employer.

What is an independent curator?

An independent curator is a professional who organizes art exhibitions, projects, and programs without being permanently affiliated with a specific museum or gallery. They often collaborate with various institutions, artists, and collectors to develop unique exhibitions or cultural events. Independent curators are responsible for conceptualizing themes, selecting artworks, and overseeing the logistics of presenting exhibitions. Their flexibility allows them to work across different venues and contexts, bringing fresh perspectives to the art world.

What is the difference between Independent Curator vs Museum Curator?

AspectIndependent CuratorMuseum Curator
CredentialsTypically requires a relevant degree in art, history, or related fields; certifications are optionalUsually requires a degree in museum studies, art history, or related fields; often preferred to have additional certifications
Work EnvironmentWorks independently, often freelance or contract-based, with clients or galleriesEmployed by museums or cultural institutions, working within a team
Industry UsageCommon in art, contemporary exhibitions, and private collectionsPrimarily in public museums, galleries, and cultural institutions

While both roles involve curation, an Independent Curator operates independently, managing their own projects and clients, whereas a Museum Curator works within an institution, overseeing collections and exhibitions. The choice depends on whether you prefer independent work or working within a structured organization.

What are the key skills and qualifications needed to thrive as an Independent Curator, and why are they important?

To thrive as an Independent Curator, you need a solid background in art history or a related field, experience organizing exhibitions, and strong research capabilities. Familiarity with collection management software, digital archiving tools, and knowledge of copyright and loan agreements are typically required. Exceptional communication, networking, and project management skills help you engage with artists, institutions, and audiences while overseeing complex projects. These skills ensure effective curation, collaboration, and the successful realization of exhibitions that resonate with diverse audiences.

What are some common challenges faced by independent curators when organizing exhibitions?

Independent curators often face challenges such as securing funding for exhibitions, building relationships with galleries and institutions, and managing multiple projects simultaneously. Unlike staff curators, they may need to source artworks, negotiate contracts, and handle promotion themselves, requiring strong organizational and networking skills. Additionally, independent curators must stay updated on industry trends and maintain a robust professional network to secure future opportunities.
More about Independent Curator jobs
What cities are hiring for Independent Curator jobs? Cities with the most Independent Curator job openings:
What states have the most Independent Curator jobs? States with the most job openings for Independent Curator jobs include:
What job categories do people searching Independent Curator jobs look for? The top searched job categories for Independent Curator jobs are:
Infographic showing various Independent Curator job openings in the United States as of July 2026, with employment types broken down into 3% Locum Tenens, 73% As Needed, 9% Full Time, 3% Part Time, 11% Nights, and 1% Summer. Highlights an 96% Physical, 1% Hybrid, and 3% Remote job distribution, with an average salary of $72,627 per year, or $34.9 per hour.
Lunde Curatorial Fellowship

Lunde Curatorial Fellowship

The Clark Art Institute

Williamstown, MA • On-site

Full-time

Re-posted 29 days ago


Job description

The Clark Art Institute is pleased to announce the Lunde Fellow. This two-year fellowship is funded by the Asbjorn Lunde Foundation and offers exceptional scholarly and professional training to an emerging early modern European painting and sculpture curator. The focal point of the fellowship will be organizing and contributing materials for an ambitious scholarly catalogue of the Clark's collection of fifteenth- through eighteenth-century paintings and sculpture, which includes the recently gifted Aso O. Tavitian Collection. Publication of the Clark's early modern painting and sculpture collection will meet the Clark's mission to advance and extend the public understanding of art by: making a fully documented catalogue of this significant collection available to the field of art scholarship; researching the collecting practices of Sterling and Francine Clark, as well as other collectors contemporary to their time; and creating a body of research that, in addition to publication, will be repurposed for multiple uses by scholarly and general audiences in various formats and contexts, including for the new Aso O. Tavitian Wing, opening in 2028.

The fellow will research each object's provenance, exhibition history, and bibliography, while coordinating the technical examination of the collection by conservators, in hopes of gathering new research on artists' techniques, materials, and processes. The resulting research will alsobe made accessible to all through the Clark's online collections portal. The Lunde Fellow will be a fully integrated member of the curatorial team and will gain unparalleled experience and mentorship in preparation for a career as a curator of early modern art.

Anticipated September 2026 start date.

Major Duties and Responsibilities (Essential Functions)


  • Work closely with curatorial, registration, and publications staff on the organization of a major publication
  • Conduct in-depth research on fifteenth- through eighteenth-century paintings and sculpture in the Clark's collection in addition to ongoing research on the Tavitian Collection
  • Assess curatorial object files and build new files as needed
  • Organize bibliographies, exhibition history, and provenance within object files
  • Assist Aso O. Tavitian Curator of Early Modern European Painting and Sculpture with identifying potential catalogue entry writers
  • Work with Tavitian Curator and Clark Publications Manager to establish the timeline, framework, and other details for publication
  • Identify objects that need to be photographed and coordinate/schedule new photography
  • Review existing conservation documents for each painting and plan for a conservation assessment
  • Work with Head of Registration to coordinate technical examination of objects at the Williamstown + Atlanta Art Conservation Center
  • Assist with preparation of materials for additional grant and other funding proposals and reports for this project
  • As time permits, undertake additional object research for the catalogue
  • Present public lecture on research (if desired).
  • Other duties as assigned.

Minimum Qualifications


Education, Training, and Skills

  • PhD or ABD in Art History required
  • Demonstrated interest and prior accomplishment in the field of early modern European paintings and sculpture, through academic study and/or museum experience
  • Demonstrated ability to work both independently and collaboratively
  • French, Italian, and/or German language proficiency preferred
  • Resourcefulness, strong initiative, adaptability, and creativity
  • Strong organizational skills
  • Interest in and enthusiasm for museum work, with preference given to applicants intending to pursue a curatorial career

Work Experience

  • Minimum of six months of relevant experience preferred

Physical Demands and Work Environment

The physical demands and work environment characteristics described here are representative of those that must be met by an employee to successfully perform the essential functions of this position. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.

  • Physical Demands:
    • Ability to sit at a desk/workstation and use a computer for prolonged periods of time.
    • Ability to stand for up to four hours.
    • Ability to physically move and handle artwork, which requires being able to lift up to 30 pounds occasionally.
  • Work Environment: Work will be performed in an office environment and museum spaces. The noise level in the work environment is usually low to moderate. Some travel, including internationally, is required.