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Full Time Teleprompter Jobs (NOW HIRING)

Rigging Coordinator

Memphis, TN · On-site

$30 - $35/hr

Assistant Director of AV Services, Memphis FLSA Status: Full-Time: Salary Non-exempt Hours: Monday ... Teleprompter Operator * Graphics Operator SPECIAL CHARACTERISTICS/KNOWLEDGE: * Team * Ability to ...

Rigging Coordinator

Memphis, TN · On-site

$30 - $35/hr

Assistant Director of AV Services, Memphis FLSA Status: Full-Time: Salary Non-exempt Hours: Monday ... Teleprompter Operator * Graphics Operator SPECIAL CHARACTERISTICS/KNOWLEDGE: * Team * Ability to ...

... full-time Lead Videographer to join our growing team. First, a little about you: You love making ... You can run camera, set a light, fix the teleprompter, and troubleshoot the LED wall, and you'll do ...

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Lead Videographer

Greenville, SC · On-site

$60K - $70K/yr

... full-time Lead Videographer to join our growing team. First, a little about you: You love making ... You can run camera, set a light, fix the teleprompter, and troubleshoot the LED wall, and you'll do ...

... full-time Lead Videographer to join our growing team. First, a little about you: You love making ... You can run camera, set a light, fix the teleprompter, and troubleshoot the LED wall, and you'll do ...

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Full Time Teleprompter information

See salary details

$31K

$62.9K

$96K

How much do full time teleprompter jobs pay per year?

As of Aug 13, 2026, the average yearly pay for full time teleprompter in the United States is $62,916.00, according to ZipRecruiter salary data. Most workers in this role earn between $51,000.00 and $73,000.00 per year, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as a full time teleprompter?

To thrive as a Full Time Teleprompter, you need excellent reading fluency, timing, attention to detail, and often a background in broadcast media or communications. Familiarity with industry-standard teleprompting software and hardware, as well as basic troubleshooting skills, is typically required. Strong interpersonal communication, adaptability, and the ability to work under pressure help you effectively support presenters and production teams. These skills ensure seamless live or recorded broadcasts and minimize on-air errors.

What is a full time teleprompter?

A Full Time Teleprompter is a professional who operates teleprompter equipment for live broadcasts, video productions, or events. Their main role is to ensure that speakers, such as news anchors or presenters, can read scripts smoothly while maintaining direct eye contact with the camera. They are responsible for loading scripts, adjusting the speed of the text, and making real-time changes as needed. This position requires attention to detail, fast reflexes, and strong communication skills to coordinate with production teams.

What is the difference between Full Time Teleprompter vs Part Time Teleprompter?

AspectFull Time TeleprompterPart Time Teleprompter
Work HoursTypically 40+ hours/weekFewer hours, flexible schedule
CredentialsBasic teleprompting skills, sometimes experience in broadcastingSimilar credentials, often entry-level
Work EnvironmentStudio or live event settingsPart-time gigs, freelance or contract basis
Industry UsageMedia, broadcasting, live eventsEvent hosting, smaller productions

Full Time Teleprompters work regular hours in studio or live settings, often with more responsibilities and consistent employment. Part Time Teleprompters have flexible schedules, typically working on specific projects or events. Both roles require similar skills, but full-time positions offer more stability and ongoing work.

What are some common challenges faced by full time teleprompters, and how can they be addressed?

Full-time teleprompters often face challenges such as adapting to varying speaking speeds, managing last-minute script changes, and ensuring smooth coordination with on-air talent and production teams. To address these, it’s important to maintain strong communication skills, stay flexible, and develop proficiency with different teleprompting software and equipment. Regular practice and close collaboration with presenters help ensure seamless delivery, even under tight deadlines or unexpected adjustments during live broadcasts.
More about Full Time Teleprompter jobs
What are the most commonly searched types of Teleprompter jobs? The most popular types of Teleprompter jobs are:
What job categories do people searching Full Time Teleprompter jobs look for? The top searched job categories for Full Time Teleprompter jobs are:
Infographic showing various Full Time Teleprompter job openings in the United States as of August 2026, with employment types broken down into 71% Full Time, 22% Part Time, and 7% Contract. Highlights an 94% Physical, and 6% Remote job distribution, with an average salary of $62,916 per year, or $30.2 per hour.

Broadcast IP Infrastructure Engineer

diversified

New York, NY • On-site

Full-time

Re-posted yesterday


Job description

Broadcast IP Infrastructure Engineer (SMPTE 2110)  

Position Overview 

The Broadcast IP Infrastructure Engineer is responsible for supporting and maintaining a modern SMPTE ST 2110-based broadcast infrastructure powering studio production environments. 

This role focuses on maintaining the IP-based routing, timing, and signal transport systems that deliver video and audio signals across the studio ecosystem. The engineer will configure, monitor, and troubleshoot IP broadcast infrastructure while ensuring the studio remains fully operational and production-ready for live and recorded productions. 

In addition to IP infrastructure responsibilities, this role supports studio production equipment and control room technologies, ensuring reliable operation of cameras, microphones, teleprompters, display systems, and other critical studio hardware. 

The engineer works closely with broadcast engineering, IT networking teams, and production staff to maintain highly reliable media infrastructure supporting executive-level studio productions. 

Location: New York, NY 
Schedule: Full-Time | On-Site 

Key Responsibilities 

IP Media Architecture 

  • Support and maintain a SMPTE ST 2110 IP media architecture used for real-time transport of video, audio, and ancillary signals across studio infrastructure. 

  • Maintain synchronization of broadcast devices using Precision Time Protocol (PTP) and associated timing infrastructure. 

  • Support orchestration and device discovery workflows using NMOS control frameworks. 

  • Monitor and troubleshoot multicast media traffic and IP transport flows across broadcast networks. 

  • Assist with maintaining high-availability broadcast networks supporting leaf-spine or similar high-bandwidth media architectures. 

IP Broadcast Infrastructure 

  • Configure, maintain, and troubleshoot Evertz Ultrix FR12 routing platforms and associated broadcast control systems. 

  • Support hybrid broadcast environments integrating SDI and IP media workflows. 

  • Ensure reliable media signal transport across IP broadcast infrastructure. 

  • Assist with integration of IP routing systems with studio production technologies. 

  • Maintain signal flow integrity across broadcast routing and monitoring platforms. 

Studio Production Readiness 

  • Prepare and validate studio technical systems to ensure the environment is fully operational prior to productions. 

  • Perform readiness checks across cameras, routing systems, audio capture systems, display infrastructure, and monitoring systems. 

  • Coordinate with production teams to verify system configuration and technical readiness for live or recorded productions. 

Studio Equipment Support 

  • Provide break/fix troubleshooting and maintenance across studio production equipment. 

  • Support and maintain robotic camera systems and PTZ camera infrastructure. 

  • Maintain and troubleshoot studio audio systems including ceiling array microphones and DSP processing systems. 

  • Support teleprompter systems, ensuring reliable operation during studio productions. 

  • Diagnose and resolve issues impacting studio production workflows. 

Studio Display & Graphics Systems 

  • Support large-format display infrastructure including Sony video walls and Sony CLED (Crystal LED) display systems. 

  • Ensure proper signal routing and synchronization between broadcast routing systems and display technologies. 

  • Assist with support and troubleshooting of Disguise (d3) media server platforms used for studio graphics and LED environments. 

Network & Systems Integration 

  • Work closely with IT networking teams to troubleshoot infrastructure issues including: 

  • Multicast traffic 

  • VLAN configuration 

  • Quality of Service (QoS) 

  • Network bandwidth allocation 

  • Support hybrid broadcast infrastructures integrating SDI and IP transport systems. 

System Monitoring & Maintenance 

  • Perform system monitoring and health checks across broadcast infrastructure. 

  • Maintain documentation including network topology, signal flow diagrams, and system configuration. 

  • Test redundancy and failover systems across broadcast routing and IP network infrastructure. 

  • Assist with lifecycle maintenance and upgrades of broadcast infrastructure systems. 

Required Qualifications:

  • 5–8+ years of experience supporting broadcast engineering or media infrastructure environments. 

  • Hands-on experience supporting SMPTE ST 2110 broadcast environments. 

  • Experience with Evertz routing platforms including Ultrix FR12. 

  • Strong understanding of multicast networking, PTP timing, NMOS orchestration, and IP media transport. 

  • Experience supporting studio production environments or broadcast control rooms. 

  • Ability to diagnose and resolve issues affecting broadcast video, audio, and IP media systems. 

Preferred Qualifications:

  • Experience supporting large-scale broadcast IP infrastructure environments. 

  • Familiarity with Sony video walls or Sony CLED display systems. 

  • Experience supporting Disguise media server platforms. 

  • Experience supporting robotic/PTZ camera systems. 

  • Experience supporting ceiling array microphone systems. 

  • Knowledge of AES67 or Dante audio networking. 

  • Experience using ticketing systems such as ServiceNow or Jira. 

Additional Requirements:

  • Ability to lift up to 50 pounds. 

  • Comfortable working in control rooms, studios, and equipment rack environments. 

  • Ability to troubleshoot and respond to issues quickly in live production environments.