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Freelance Film Script Reader Jobs (NOW HIRING)

OLIVER Agency - North America

Senior Producer

Baltimore, MD · On-site

$97K - $109K/yr

Source and manage production partners, freelancers, and specialist suppliers; negotiate rates and ... Familiarity with GenAI video tools (Runway, Pencil's film generation capability, or similar) and ...

First Naples Church

Video Designer

Naples, FL

$29.25 - $36/hr

Conceptualize, write, edit, and produce scripts and video content ideas with input from the ... Direct photography on film shoots and manage the technical aspects of the film including cameras ...

Sight & Sound Theatres

Video Editor

Ronks, PA

Collaborate with the Brand Development Graphics Team and freelancers (as needed) to create ... Contribute to Sight & Sound FILMS during film production as needed (DIT, 2nd AC, etc.). Working as ...

OLIVER Agency - North America

Senior Producer

Baltimore, MD · On-site

$97K - $109K/yr

Source and manage production partners, freelancers, and specialist suppliers; negotiate rates and ... Familiarity with GenAI video tools (Runway, Pencil's film generation capability, or similar) and ...

OLIVER Agency - North America

Senior Producer

Baltimore, MD · On-site

$97K - $109K/yr

Source and manage production partners, freelancers, and specialist suppliers; negotiate rates and ... Familiarity with GenAI video tools (Runway, Pencil's film generation capability, or similar) and ...

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Freelance Film Script Reader information

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How much do freelance film script reader jobs pay per hour?

As of Jun 19, 2026, the average hourly pay for freelance film script reader in the United States is $19.75, according to ZipRecruiter salary data. Most workers in this role earn between $15.62 and $21.63 per hour, depending on experience, location, and employer.

What is the difference between Freelance Film Script Reader vs Script Analyst?

AspectFreelance Film Script ReaderScript Analyst
CredentialsFilm or screenwriting background, writing samplesFilm studies, screenwriting, or related certifications
Work EnvironmentFreelance, remote, project-basedStudio, production company, or agency, often full-time or contract
Industry UsageUsed by producers, agents, and managers for initial script evaluationUsed by studios, financiers, and production companies for script development and acquisition decisions

While both roles involve evaluating scripts, a Freelance Film Script Reader typically works independently to provide initial feedback on screenplays, often on a freelance basis. A Script Analyst usually works within a studio or production company, performing detailed assessments to inform acquisition and development decisions. Both require strong knowledge of storytelling and industry standards, but their work environments and employment structures differ.

More about Freelance Film Script Reader jobs
What cities are hiring for Freelance Film Script Reader jobs? Cities with the most Freelance Film Script Reader job openings:
What are the most commonly searched types of Film Script Reader jobs? The most popular types of Film Script Reader jobs are:
What states have the most Freelance Film Script Reader jobs? States with the most job openings for Freelance Film Script Reader jobs include:
What job categories do people searching Freelance Film Script Reader jobs look for? The top searched job categories for Freelance Film Script Reader jobs are:
Freelance Film Script Reader jobs near you
Infographic showing various Freelance Film Script Reader job openings in the United States as of June 2026, with employment types broken down into 1% As Needed, 88% Full Time, 9% Part Time, 1% Temporary, and 1% Contract. Highlights an 92% Physical, 1% Hybrid, and 7% Remote job distribution, with an average salary of $41,077 per year, or $19.7 per hour.

Senior Media Operations Manager

Blueprint

Los Angeles, CA • On-site

$130/hr

Full-time

Posted 14 days ago

Job description

Death is our only foe.
Blueprint was founded by Bryan Johnson, who has the world's best comprehensive biomarkers. He is quantitatively the healthiest person on the planet.
Blueprint is methodically built on science. Bryan freely shares his protocol, learnings and data with everyone to use. Blueprint has also developed a family of nutritional products to make the benefits of the Blueprint protocol affordable and available to all.
We're a small, tight-knit team working to clean up the global food supply, provide healthy food to everyone, and build Don't Die into the most influential ideology in the world. We move quickly, work efficiently, and enjoy an environment defined by competence.
We're looking for a hands-on Senior Media Operations Manager to own and continuously improve Blueprint's end-to-end media infrastructure. We have systems in place today - Frame.io, LucidLink, Box, Synology, Backblaze - but they need a strong, accountable owner to enforce them, tighten the gaps, and evolve them as we grow. This role combines DIT expertise with operational leadership: you'll manage day-to-day ingest, backups, and editorial access while also identifying and driving improvements to the stack over time. We shoot weekly across short-form, long-form, and documentary formats - you'll be on-site for those shoot days (1-2x per week) to handle on-set ingest, card management, and chain-of-custody verification, and own the infrastructure and systems work remotely the rest of the week. This person is the single owner ensuring no footage is ever lost, misplaced, or inaccessible.
Requirements
Position Responsibilities:
  • Own and enforce day-to-day media operations across our existing tool stack (Frame.io, LucidLink, Box, Synology, Backblaze), ensuring ingest, backup, and access workflows run reliably on every shoot day
  • Evaluate the current system continuously and drive improvements - we're open to replacing tools that aren't working, but changes must be deliberate and loss-free
  • Own end-to-end media ingest on shoot days, including chain-of-custody card offloading, checksum verification, and ensuring footage is editorial-ready by the next business day
  • Build and maintain a proxy-based, browsable b-roll library with clear taxonomy, searchable metadata, and tiered access controls (including restricted tiers for sensitive pre-release content)
  • Enforce and monitor multi-layered backup systems with verifiable proof of integrity - no more "we think it backed up"
  • Manage project-based access permissions for editors, freelancers, and vendors with instant-revoke capability; coordinate with IT on SSO and offboarding
  • Create and maintain SOPs, ingest checklists, and training materials so the system operates without tribal knowledge and is fully handoff-ready

Basic Qualifications:
  • 3+ years of experience as a DIT or Media Manager on professional video or film productions
  • Hands-on experience managing and maintaining media storage systems (NAS, cloud storage, tiered archiving)
  • Deep understanding of video production workflows from shoot day through editorial handoff
  • Experience enforcing access control and permissions for sensitive media assets
  • Experience managing or coordinating across a team of camera ops, editors, and freelancers - this role sets the standard others follow
  • Track record of building operational documentation and enforcing process with a team

Preferred Skills:
  • Familiarity with tools in our current stack: Frame.io, LucidLink, Box, Synology, Backblaze
  • Experience with proxy generation and proxy-first remote editorial workflows (DaVinci Resolve, Premiere)
  • Experience migrating or consolidating large media libraries (30TB+)
  • Comfort with scripting or automation for media workflows (checksums, watch folders, ingest scripts)
  • Experience handling security-sensitive content with audit logging and confidentiality controls

Benefits
Salary Range: $130-160k + equity + benefits

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