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Freelance Film Script Reader Jobs (NOW HIRING)

Thirty Rocks Franchisee

... reading scripts * producing plans, drawings and models of sets * preparing estimates of set costs * managing budgets * viewing possible outside broadcast sites * planning * attending rehearsals/film ...

Dream Three

Production Company Intern

New York, NY · Remote

$14.25 - $19.50/hr

Assisting with film and television script reading, coverage, and notes * Working with lead creatives on the development of pitch materials, including researching and acquiring visual references ...

DreamThree, Inc

Production Company Intern

New York, NY · On-site

$15.25 - $20.75/hr

Assisting with film and television script reading, coverage, and notes * Working with lead creatives on the development of pitch materials, including researching and acquiring visual references ...

VISTA SCENIC WORKS LLC

Be Seen First

Carpenters

Oxford, CT · On-site

$18 - $30/hr

Vista Scenic Works is a scenic fabrication shop supporting theatre, film, themed environments ... This is an excellent opportunity for freelancers, over-hire professionals, or individuals looking ...

VISTA SCENIC WORKS LLC

Be Seen First

Carpenters

Oxford, CT · On-site

$18 - $30/hr

Vista Scenic Works is a scenic fabrication shop supporting theatre, film, themed environments ... This is an excellent opportunity for freelancers, over-hire professionals, or individuals looking ...

NewForm

Creative Production Intern

New York, NY · On-site

While Creative Strategists develop the ideas and scripts, you'll help ensure shoots run smoothly ... Previous internship, freelance, student film, or creator experience is a plus but not required ...

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Freelance Film Script Reader information

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$11

$19

$33

How much do freelance film script reader jobs pay per hour?

As of Aug 19, 2026, the average hourly pay for freelance film script reader in the United States is $19.75, according to ZipRecruiter salary data. Most workers in this role earn between $15.62 and $21.63 per hour, depending on experience, location, and employer.

What is the difference between Freelance Film Script Reader vs Script Analyst?

AspectFreelance Film Script ReaderScript Analyst
CredentialsFilm or screenwriting background, writing samplesFilm studies, screenwriting, or related certifications
Work EnvironmentFreelance, remote, project-basedStudio, production company, or agency, often full-time or contract
Industry UsageUsed by producers, agents, and managers for initial script evaluationUsed by studios, financiers, and production companies for script development and acquisition decisions

While both roles involve evaluating scripts, a Freelance Film Script Reader typically works independently to provide initial feedback on screenplays, often on a freelance basis. A Script Analyst usually works within a studio or production company, performing detailed assessments to inform acquisition and development decisions. Both require strong knowledge of storytelling and industry standards, but their work environments and employment structures differ.

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Freelance Film Script Reader jobs near you
Infographic showing various Freelance Film Script Reader job openings in the United States as of August 2026, with employment types broken down into 1% Internship, 2% As Needed, 65% Full Time, 29% Part Time, 2% Contract, and 1% Nights. Highlights an 84% Physical, 1% Hybrid, and 15% Remote job distribution, with an average salary of $41,077 per year, or $19.7 per hour.

Junior Set Designer

Thirty Rocks Franchisee

Full-time

Posted 25 days ago

Job description

A set designer is in charge of designing and creating the sets that appear in films and television programmes as well as in the theatre. The role involves working with and communicating with directors, producers, costume designers and other members of staff.  
Typical responsibilities include:
  • reading scripts
  • producing plans, drawings and models of sets
  • preparing estimates of set costs
  • managing budgets
  • viewing possible outside broadcast sites
  • planning
  • attending rehearsals/film takes
  • meeting with and commissioning set construction companies.
Responsibilities
  • Typical responsibilities include:
    • reading scripts
    • producing plans, drawings and models of sets
    • preparing estimates of set costs
    • managing budgets
    • viewing possible outside broadcast sites
    • planning
    • attending rehearsals/film takes
    • meeting with and commissioning set construction companies.
Required SkillsAlthough there are routes into this profession for both university graduates and school leavers, employers will prefer candidates with degrees in theatre studies, creative arts, performing arts, drama, fine arts, visual arts, graphic design, 3D design, illustration, architecture or landscape architecture.
The ability to demonstrate a genuine interest in, knowledge of and experience of visual arts, television, film or theatre is essential, and often more important than academic qualifications.
Job shadowing and unpaid/vacation work experience can be helpful. It is essential to make speculative applications – directories such as KFTV and Kays Production Manual contain useful contact information.
Key Skills
  • Stamina
  • Creativity
  • Enthusiasm
  • Determination
  • Perseverance
  • Imagination
  • Adaptability
  • Working well under pressure
  • Good spatial awareness
  • Technical skills