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Film Teaching Jobs (NOW HIRING)

Film Instructor

New Orleans, LA · On-site

$25.25 - $34.25/hr

Teach African-American Cinema classes in Film (preferred courses). Engage with students by advising Film clubs/organizations, national competitions, and student-run activities on campus; Assist with ...

Teach assigned courses, whether on campus, off campus, or online, day or evening, following the ... MA in Film or related field * or * BAin Film or related field and 5 years of professional ...

FILM PROGRAM INSTRUCTOR

Atlanta, GA · On-site

$14 - $17/hr

Key Responsibilities Film and Media Instruction • Teach fundamentals of filmmaking including storytelling, scriptwriting, directing, cinematography, and editing • Introduce students to camera ...

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Film Teaching information

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How much do film teaching jobs pay per hour?

As of Sep 4, 2026, the average hourly pay for film teaching in the United States is $15.66, according to ZipRecruiter salary data. Most workers in this role earn between $13.46 and $17.07 per hour, depending on experience, location, and employer.

What is film teaching?

Film teaching involves educating students about various aspects of film, including its history, theory, production techniques, and analysis. Film teachers may work in schools, colleges, or specialized film academies, helping students develop both creative and technical skills related to filmmaking and film studies. The role often includes designing lesson plans, leading discussions, supervising projects, and providing feedback to foster students' understanding and appreciation of cinema.

What are the key skills and qualifications needed to thrive as a film teacher, and why are they important?

To thrive as a Film Teacher, you need a strong background in film theory, production techniques, and often a degree in film studies or a related field. Familiarity with industry-standard editing software (such as Adobe Premiere Pro or Final Cut Pro), camera equipment, and classroom technology is typically required. Excellent communication, creativity, and the ability to inspire and mentor students are crucial soft skills in this role. These skills and qualities are essential for effectively teaching film concepts, fostering creative growth, and preparing students for careers in the film industry.

What are some common challenges faced by film teachers when engaging students in both theory and hands-on projects?

Film teachers often encounter the challenge of balancing theoretical instruction with practical, hands-on film production activities. Students may have diverse interests or skill levels, which requires teachers to differentiate instruction and provide individualized support. Additionally, coordinating group projects can be complex due to varying schedules and collaboration styles. Managing equipment and resources, while ensuring all students actively participate and learn, is another key challenge. Successful film teachers foster a collaborative environment, encourage creativity, and adapt their teaching methods to meet these diverse needs.

What is the difference between Film Teaching vs Film Production?

AspectFilm TeachingFilm Production
Required CredentialsDegree in Film, Education certificationExperience, portfolio, technical skills
Work EnvironmentClassroom, educational institutionsOn set, studio, outdoor locations
Employer & Industry UsageUniversities, film schools, collegesProduction companies, studios, independent projects
Common Search & Comparison IntentLearning, teaching methods, curriculum developmentFilmmaking, technical roles, project management

Film Teaching focuses on educating students about film theory, history, and techniques within academic settings, requiring teaching credentials and a background in education. Film Production involves creating films, managing technical aspects, and working on set or in studios, emphasizing practical skills and experience. While both careers are rooted in the film industry, they serve different roles: one educates, the other creates.

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What are the most commonly searched types of Film Teaching jobs?

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What states have the most Film Teaching jobs?

States with the most job openings for Film Teaching jobs include:

Infographic showing various Film Teaching job openings in the United States as of August 2026, with employment types broken down into 1% As Needed, 56% Full Time, 40% Part Time, 1% Temporary, and 2% Contract. Highlights an 77% Physical, and 23% Remote job distribution, with an average salary of $32,572 per year, or $15.7 per hour.

Documentary Film Teaching Artist

Depth of Field Nonprofit

Los Angeles, CA • On-site

$50/hr

Other

Posted 4 days ago


Job description

Teaching Artist (Documentary Filmmaking Mentorship Program)


Organization: Depth of Field

Location: Los Angeles

Schedule: Part-time | 10 hours/week | In-person

Dates: Mid-September 2025 – May 2026

Compensation: $50/ Hour


Documentary Filmmaking Mentor


About Depth of Field

Depth of Field is a nonprofit documentary production studio that produces original films while creating pathways for young and underrepresented filmmakers to become authors of their own stories.


Our model brings professional documentary production and filmmaking education together. Participants receive access to professional equipment, training, mentorship, and production support while taking meaningful creative roles in films rooted in their own lives and communities.

Rather than treating education and production as separate programs, we build professional filmmaking environments in which emerging filmmakers can learn by making ambitious work intended for audiences beyond the classroom.


About What We Carry


What We Carry is a feature-length documentary exploring family, memory, identity, and the stories we inherit.


The film will be developed and shot in collaboration with a multi-generational family, who will turn the cameras toward their own lives and communities to explore the people, memories, places, and experiences that have shaped who they are.


Participants will work with professional filmmaking equipment, including RED cinema cameras, and receive hands-on training in cinematography, interviewing, sound, documentary storytelling, archival research, and other aspects of nonfiction production.


The resulting material will become the foundation of a feature-length documentary produced by Depth of Field.


The Role


Depth of Field is seeking a Documentary Filmmaking Mentor to work closely with the young filmmakers throughout the development and production of What We Carry.

This is a hybrid filmmaking, teaching, and mentorship position. The mentor should be an experienced documentary filmmaker with the technical ability to train participants on professional cinema equipment and the creative instincts to help them recognize and develop compelling documentary material.


The mentor will work with participants twice each week: one session focused on filmmaking instruction and one focused on reviewing and developing the footage participants have shot.

Because participants will be working with RED cinema cameras, professional experience operating digital cinema cameras and a strong understanding of camera systems, lenses, exposure, focus, media management, and production workflows is required. Direct RED experience is preferred.


At the same time, this role requires a filmmaker who understands the distinction between mentorship and authorship. The mentor's job is not to determine what participants' stories should be, but to give them the technical skills, creative feedback, and professional support to make increasingly intentional decisions for themselves.


Weekly Schedule & Compensation


10 paid hours per week at $50/hour — $500/week


3 hours — Filmmaking lesson: A two-hour in-person instructional session, with one additional paid hour allocated for travel, setup, breakdown, and related session needs.


3 hours — Footage review: A two-hour in-person session dedicated to screening and discussing participants' footage, identifying emerging storylines, and providing creative and technical feedback, with one additional paid hour allocated for travel, setup, breakdown, and related session needs.


4 hours — Lesson planning and preparation: Developing curriculum, preparing exercises and materials, reviewing upcoming production needs, and planning future sessions.


Responsibilities


Develop and teach hands-on lessons in documentary filmmaking, including cinematography, interviewing, sound, story development, documentary ethics, archival material, and visual storytelling.


Train participants to confidently and responsibly operate professional cinema equipment, including RED camera systems.


Teach core technical concepts including exposure, lenses and focal lengths, focus, frame rates, camera movement, composition, audio recording, media management, and basic production workflows.


Help participants translate technical knowledge into intentional creative choices rather than simply teaching equipment operation.


Review participant footage each week and provide thoughtful, specific creative and technical feedback.


Help participants recognize compelling characters, scenes, relationships, themes, and emerging storylines within their material.


Help participants identify gaps in their footage and think strategically about what they should capture next.


Support each filmmaker in developing an individual visual and narrative voice.


Prepare participants for interviews and documentary shoots.


Encourage experimentation, curiosity, and creative risk-taking while maintaining professional production standards.


Foster an environment in which participants feel comfortable sharing unfinished work, asking questions, and developing ideas.


Approach personal, familial, and emotionally sensitive material with care and a strong understanding of documentary ethics and informed consent.


Collaborate with the Depth of Field production team as the feature develops.


Qualifications


Professional experience in documentary filmmaking, cinematography, directing, producing, or a closely related field.


Professional proficiency with digital cinema camera systems.


The technical ability to train emerging filmmakers to operate RED cinema cameras safely and confidently.


Strong knowledge of lenses, exposure, focus, camera settings, sound, media management, and professional production workflows.


Strong instincts for documentary character, story, and visual storytelling.


Experience reviewing raw documentary footage and identifying what is working, what is missing, and where a story might develop.


Experience teaching, mentoring, or working creatively with young people.


The ability to translate professional filmmaking concepts into accessible, engaging instruction.


Sensitivity when working with personal, familial, or emotionally complex material.


Patience, curiosity, flexibility, and excellent communication skills.


A collaborative approach to mentorship and a genuine belief in supporting emerging filmmakers' creative authorship.


RED or comparable professional digital cinema camera experience required; direct RED experience preferred.


Experience working with young people and communities historically underrepresented in film and media is strongly valued.


What We're Looking For


What We Carry is both a filmmaking program and the production of a feature documentary. We are therefore looking for someone who can move comfortably between the responsibilities of a professional film set and those of a classroom.


The strongest mentor will be technically rigorous without being intimidating, creatively ambitious without imposing their own vision, and capable of recognizing a young filmmaker's instincts even before that filmmaker has developed the vocabulary or technical skills to fully articulate them.


Our goal is for participants to leave the production not only knowing how to operate a professional camera, conduct an interview, and construct a documentary scene, but understanding themselves as filmmakers whose perspectives and creative decisions have value.


To apply, please email your CV and Coverletter to jade.lee@ourdepthoffield.org with the subject line "Teaching Artist Application".