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Film Grip Jobs (NOW HIRING)

NBCUniversal

Rental Agent

Long Island City, NY

We create world-class content, which we distribute across our portfolio of film, television, and ... Industry-insider - You are knowledgeable in motion picture and television lighting, grip, and ...

NBCUniversal

Rental Agent

Queens, NY

We create world-class content, which we distribute across our portfolio of film, television, and ... Industry-insider - You are knowledgeable in motion picture and television lighting, grip, and ...

NBCUniversal

Rental Agent

Long Island City, NY · On-site

We create world-class content, which we distribute across our portfolio of film, television, and ... Industry-insider - You are knowledgeable in motion picture and television lighting, grip, and ...

Wellman Dynamics Division

RT Processor

Creston, IA · On-site

$21.49/hr

Must be able to grip, push, and pull with 80lb strength on a regular basis. Must be able to ... Must be able to develop film using exposure charts of radiographic techniques when available and ...

Green Leaf Productions Inc

Production Assistant

Bethlehem, PA · On-site

$15.75 - $20.50/hr

Degree or certification in film, media production, or related fields is a plus. * Knowledge of basic production equipment and safety guidelines. Bonus: * Someone with grip and lighting experience to ...

Posted today

Wellman Dynamics Division

RT Releaser

Creston, IA · On-site

$21.49/hr

Must be able to grip, push, and pull with 80lb strength on a regular basis. Must be able to ... Must be able to develop film using exposure charts of radiographic techniques when available and ...

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Film Grip information

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How much do film grip jobs pay per hour?

As of Aug 21, 2026, the average hourly pay for film grip in the United States is $27.93, according to ZipRecruiter salary data. Most workers in this role earn between $16.59 and $32.45 per hour, depending on experience, location, and employer.

What is a film grip?

A Film Grip is responsible for setting up and maintaining the equipment that supports cameras and lighting on a film set. They work with tripods, dollies, cranes, and rigging to ensure smooth camera movements and secure lighting setups. Grips collaborate closely with the cinematographer and gaffer to achieve the desired shots and maintain safety on set. Their work is essential in creating professional and visually stunning productions.

What are the typical responsibilities of a film grip during a shoot?

A Film Grip is responsible for setting up, adjusting, and maintaining lighting and rigging equipment to help create the desired visual effect for each shot. Daily tasks often include building and moving camera rigs, setting up dollies and tracks, and assisting with large equipment moves on set. Grips work closely with the Director of Photography, Gaffer, and camera crew, making teamwork and communication essential. While the job can be physically demanding and fast-paced, it offers valuable experience for those interested in advancing to higher-level roles in film production.

What are the key skills and qualifications needed to thrive in the film grip position, and why are they important?

To thrive as a Film Grip, you need a strong understanding of set construction, lighting and rigging techniques, and on-set safety protocols, often gained through hands-on experience or trade courses. Familiarity with grip equipment such as dollies, track systems, ladders, and basic power tools is essential, and some productions may require OSHA safety training or similar certifications. Excellent teamwork, clear communication, and problem-solving abilities set standout grips apart. These skills and qualities are crucial for ensuring smooth film shoots, maintaining safety, and supporting the creative vision of the production team.

How much do film grips get paid?

Film grips typically earn between $15 and $30 per hour, with experienced grips on larger productions earning higher wages. Salaries can vary based on location, union status, and the complexity of the project, and they often include benefits such as per diems and overtime pay.

How to get a job as a film grip?

To become a film grip, gain experience by working on student or independent film sets, learn to operate grip equipment such as flags, stands, and rigging gear, and develop knowledge of safety protocols. Building a network within the industry and demonstrating reliability can help secure entry-level positions and advance your career.
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Film Grip jobs near you
Infographic showing various Film Grip job openings in the United States as of August 2026, with employment types broken down into 62% Full Time, 19% Part Time, 6% Temporary, and 13% Nights. Highlights an 100% In-person job distribution, with an average salary of $58,100 per year, or $27.9 per hour.

Technical Operation Coordinator

University of North Carolina School of the Arts

Winston Salem, NC • On-site

Full-time

Posted 29 days ago

Job description

Posting Details
Position Information
Classification Title
Tech Coor Instr Sup Prod
Working Title
Technical Operation Coordinator
Position Type
EPS
Position Number
036102
Full/Part Time
Full-time
School/Department Information
School of Filmmaking
Primary Description of Work
This position provides general technical support to the School of Filmmaking curriculum and related student and faculty production activities by providing necessary equipment and facilitating the return of said equipment. While the bulk of the work supports faculty, students and staff for productions and classroom instruction, there are a variety of tasks that must be performed to support the department itself. Familiarity with the function and operation of grip and electric equipment is essential. The position requires heavy lifting of equipment from time to time; manual dexterity and the ability to concentrate for long periods of time are a must. Safety is a critical aspect of the work and the position requires that attention be paid to the proper storage, maintenance/repair and operation of equipment.
Work Schedule and hours
Monday - Friday
8:30am to 5:30pm
Description of Responsibilities and Duties
Instruction & Support
  • Provide technical instruction and support to students, faculty, and staff in the use of film production equipment, with a focus on grip and electric gear.
  • Train and advise students on the proper operation, handling, and safety procedures for production equipment
  • Coordinate and instruct student workers in filing equipment requests and proper handling of gear safely.
  • Assist students in troubleshooting technical issues during in-class session and on-location/student productions.
  • Collaborate closely with the production department regarding use of trucks, generators, and other large-scale production assets.
  • Maintain frequent communication with faculty and staff to align equipment and facility needs with curriculum goals and production schedules.

Equipment Management & Maintenance
  • Assist the Technical Operations Manager in preparation, scheduling, and distribution of equipment packages for student productions, classes, and special projects.
  • Assist in inventory and track all G/E equipment. Oversee student workers in the check out and return process of G/E equipment, checking for damages or missing components and ensuing items are in proper working order.
  • Perform hands-on work using repair tools, testing equipment, and detailed mechanical processes.
  • Monitor the condition of equipment and spaces; proactively identify and address issues to minimize disruptions to instruction and production.
  • Must be detailed oriented

Facilities and Stage Support
  • Assist the Production Coordinator in maintaining the School of Filmmaking's sound stages and other facilities.
  • Ensure stages and technical spaces are safe, clean, and ready for use.
  • Support logistical setup and breakdown of gear for classes and productions on stages or throughout the school's facilities.

Grip & Electric Specialization
  • Serve as the primary expert on grip and electric gear, including but not limited to stands, rigging, distribution, dimmers, HMIs, LEDs, dollies, flags, silks, and power systems.
  • Ensure all grip/electric gear is stored properly, maintained to industry standards, and used safely in line with OSHA and institutional guidelines.
  • Assist with the operation and coordination of grip/electric gear for classes, rehearsals, and film shoots.

Safety Oversight
  • Maintain and enforce strict safety standards related to the use of film production technology and equipment.
  • Instruct students on best safety practices regarding electricity, rigging, lifting, lighting instruments, generators, and vehicles.
  • Monitor and promote safe working conditions across Technical Operations and School of Filmmaking facilities.

Minimum Qualifications
Two years work experience in film and television production
Preferred Qualifications
Bachelor's degree in film-related area with at least two years of practical experience in a film production setting or equivalent combination of education and experience; General knowledge of film industry in general and production in particular. Experience in an educational setting is desirable.
Terms of Employment
E2 16.00 12 Month
Knowledge, Skills and Abilities
Computer skills for both Mac and PC with working knowledge of Microsoft Office Suite.
Strong interpersonal and communication skills as exhibited through proven work experience.
Special Conditions for Eligibility
Posting Detail Information
Posting Number
Open Date
07/23/2026
Close Date
Open Until Filled
Yes
Salary Range
Recruitment Range, if applicable
Commensurate with education and experience
Special Instructions to Applicants
This is an Exempt Professional Staff (EPS) position. The application must be completed in full detail (including work history) for your qualifications to be considered. Failure to complete the application process as required by state regulations will result in your application being rejected for the vacancy, and you will not be considered for the position. The UNCSA participates in E-Verify. Federal law requires all employers to verify the identity and employment eligibility of all persons hired to work in the United States. Final candidates are subject to criminal background checks.
The University of North Carolina School of the Arts provides equal employment opportunities to all employees and applicants for employment and prohibits discrimination, harassment, or retaliation based on race, religion, color, national origin, ethnicity, sex, pregnancy, gender identity or expression, sexual orientation, age, political affiliation, National Guard or veteran status, genetic information, or disability.
EEO Contact Information
Applicants needing assistance with the application process are asked to contact: suttonar@uncsa.edu

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