Expertise in one or more of these different areas of Film/Television production including: on-set sound, lighting, grip, dolly grip, cinematography, make-up for camera, wardrobe, general below-the ...
Expertise in one or more of these different areas of Film/Television production including: on-set sound, lighting, grip, dolly grip, cinematography, make-up for camera, wardrobe, general below-the ...
Expertise in one or more of these different areas of Film/Television production including: on-set sound, lighting, grip, dolly grip, cinematography, make-up for camera, wardrobe, general below-the ...
Expertise in one or more of these different areas of Film/Television production including: on-set sound, lighting, grip, dolly grip, cinematography, make-up for camera, wardrobe, general below-the ...
Adjunct, Film
UT · On-site
Film Production and Film Studies. Applicants may be considered for one or both areas based on their ... Instruct students in the use of Blackmagic and Sony cameras, lighting techniques, and grip ...
Adjunct, Film
UT · On-site
Film Production and Film Studies. Applicants may be considered for one or both areas based on their ... Instruct students in the use of Blackmagic and Sony cameras, lighting techniques, and grip ...
Film and TV Producing, Directing, Cinematography, Editing, Production Design, or Grip and Electric. Additional teaching experience and a master's degree will be significant advantages. Note that this ...
Film and TV Producing, Directing, Cinematography, Editing, Production Design, or Grip and Electric. Additional teaching experience and a master's degree will be significant advantages. Note that this ...
The Gaffer/Grip/AC (Part-Time) is responsible for supporting the Cinematographer on AMDA Film projects throughout each semester. Projects are student written, and act as a culminating class project ...
The Gaffer/Grip/AC (Part-Time) is responsible for supporting the Cinematographer on AMDA Film projects throughout each semester. Projects are student written, and act as a culminating class project ...
Gaffer / Grip / AC (Part-Time Over-Hire)
Los Angeles, CA · On-site
$30 - $40/hr
The Gaffer/Grip/AC (Part-Time) is responsible for supporting the Cinematographer on AMDA Film projects throughout each semester. Projects are student written, and act as a culminating class project ...
Gaffer / Grip / AC (Part-Time Over-Hire)
Los Angeles, CA · On-site
$30 - $40/hr
The Gaffer/Grip/AC (Part-Time) is responsible for supporting the Cinematographer on AMDA Film projects throughout each semester. Projects are student written, and act as a culminating class project ...
Gaffer / Grip / AC (Part-Time Over-Hire)
Los Angeles, CA · On-site
$30 - $40/hr
The Gaffer/Grip/AC (Part-Time) is responsible for supporting the Cinematographer on AMDA Film projects throughout each semester. Projects are student written, and act as a culminating class project ...
Gaffer / Grip / AC (Part-Time Over-Hire)
Los Angeles, CA · On-site
$30 - $40/hr
The Gaffer/Grip/AC (Part-Time) is responsible for supporting the Cinematographer on AMDA Film projects throughout each semester. Projects are student written, and act as a culminating class project ...
The Gaffer/Grip/AC (Part-Time) is responsible for supporting the Cinematographer on AMDA Film projects throughout each semester. Projects are student written, and act as a culminating class project ...
Quick apply
The Gaffer/Grip/AC (Part-Time) is responsible for supporting the Cinematographer on AMDA Film projects throughout each semester. Projects are student written, and act as a culminating class project ...
PT Instructor, Film Production
$2K - $2K/wk
Desirable Qualifications: 1. Recent industry experience in Film Production preferred; 2. Extensive experience using Canon Cinema Cameras, Grip Equipment, Lights, and Audio Equipment; 3. Experience ...
PT Instructor, Film Production
$2K - $2K/wk
Desirable Qualifications: 1. Recent industry experience in Film Production preferred; 2. Extensive experience using Canon Cinema Cameras, Grip Equipment, Lights, and Audio Equipment; 3. Experience ...
Filmmaking Mentor
Calistoga, CA · On-site
$31.80/hr
Film set logistics * Story structure and visual storytelling * Basic working knowledge of grip and electric equipment Mandatory Pre-Employment Bootcamp * All candidates must complete a required ...
Quick apply
Filmmaking Mentor
Calistoga, CA · On-site
$31.80/hr
Film set logistics * Story structure and visual storytelling * Basic working knowledge of grip and electric equipment Mandatory Pre-Employment Bootcamp * All candidates must complete a required ...
Filmmaking Mentor
Plainfield, NJ · On-site
$31.80/hr
Film set logistics * Story structure and visual storytelling * Basic working knowledge of grip and electric equipment Mandatory Pre-Employment Bootcamp * All candidates must complete a required ...
Quick apply
Filmmaking Mentor
Plainfield, NJ · On-site
$31.80/hr
Film set logistics * Story structure and visual storytelling * Basic working knowledge of grip and electric equipment Mandatory Pre-Employment Bootcamp * All candidates must complete a required ...
Adjunct - AY26 Film Production Instructor
Culver City, CA · On-site
$86.85/hr
Stagecraft - Local 33 Set Dressing - Local 44 Grip - Local 80 Camera Loader/Digital Utility- Local ... Film/TV Production departments' films and projects. * Hiring and leading crews in your craft.
Adjunct - AY26 Film Production Instructor
Culver City, CA · On-site
$86.85/hr
Stagecraft - Local 33 Set Dressing - Local 44 Grip - Local 80 Camera Loader/Digital Utility- Local ... Film/TV Production departments' films and projects. * Hiring and leading crews in your craft.
Location Equipment Coordinator - Smashbox Studios LA
Culver City, CA · On-site
$19 - $20/hr
Extensive, mandatory knowledge of photo and film equipment, including digital/film/video cameras, lighting systems, and grip gear. * Driving Record: A clean driving record and a strong, navigable ...
Location Equipment Coordinator - Smashbox Studios LA
Culver City, CA · On-site
$19 - $20/hr
Extensive, mandatory knowledge of photo and film equipment, including digital/film/video cameras, lighting systems, and grip gear. * Driving Record: A clean driving record and a strong, navigable ...
Rental Agent
Long Island City, NY · On-site
We create world-class content, which we distribute across our portfolio of film, television, and ... Industry-insider - You are knowledgeable in motion picture and television lighting, grip, and ...
Rental Agent
Long Island City, NY · On-site
We create world-class content, which we distribute across our portfolio of film, television, and ... Industry-insider - You are knowledgeable in motion picture and television lighting, grip, and ...
Rental Agent
Queens, NY · On-site
We create world-class content, which we distribute across our portfolio of film, television, and ... Industry-insider - You are knowledgeable in motion picture and television lighting, grip, and ...
Quick apply
Rental Agent
Queens, NY · On-site
We create world-class content, which we distribute across our portfolio of film, television, and ... Industry-insider - You are knowledgeable in motion picture and television lighting, grip, and ...
We create world-class content, which we distribute across our portfolio of film, television, and ... Industry-insider - You are knowledgeable in motion picture and television lighting, grip, and ...
We create world-class content, which we distribute across our portfolio of film, television, and ... Industry-insider - You are knowledgeable in motion picture and television lighting, grip, and ...
RT Processor
Creston, IA · On-site
Must be able to grip, push, and pull with 80lb strength on a regular basis. Must be able to ... Must be able to develop film using exposure charts of radiographic techniques when available and ...
RT Processor
Creston, IA · On-site
Must be able to grip, push, and pull with 80lb strength on a regular basis. Must be able to ... Must be able to develop film using exposure charts of radiographic techniques when available and ...
RT Releaser
Creston, IA · On-site
Must be able to grip, push, and pull with 80lb strength on a regular basis. Must be able to ... Must be able to develop film using exposure charts of radiographic techniques when available and ...
RT Releaser
Creston, IA · On-site
Must be able to grip, push, and pull with 80lb strength on a regular basis. Must be able to ... Must be able to develop film using exposure charts of radiographic techniques when available and ...
Manager, Post Production
Los Angeles, CA · On-site
The students in Film Production produce approximately 800 films per year. Each project is overseen ... Collaborates with Production Administration, Camera, Production Sound, and Grip/Electric staff on ...
Manager, Post Production
Los Angeles, CA · On-site
The students in Film Production produce approximately 800 films per year. Each project is overseen ... Collaborates with Production Administration, Camera, Production Sound, and Grip/Electric staff on ...
Manager of Production Operations, Qatar
Evanston, IL · On-site
$89K - $111K/yr
Demonstrated knowledge of field production within in a film/tv environment. * Knowledge of ... Lighting, sound, grip equipment and Project Management. The target budgeted salary for this ...
Manager of Production Operations, Qatar
Evanston, IL · On-site
$89K - $111K/yr
Demonstrated knowledge of field production within in a film/tv environment. * Knowledge of ... Lighting, sound, grip equipment and Project Management. The target budgeted salary for this ...
Film Grip information
See salary details
$16.89 is the 25th percentile. Wages below this are outliers.
$14.90 - $18.38
44% of jobs
$18.38 - $21.85
1% of jobs
The median wage is $23.09 / hr.
$21.85 - $25.33
15% of jobs
$25.33 - $28.80
5% of jobs
$31.28 is the 75th percentile. Wages above this are outliers.
$28.80 - $32.28
15% of jobs
$32.28 - $35.75
6% of jobs
$35.75 - $39.23
0% of jobs
$39.23 - $42.70
0% of jobs
$42.70 - $46.18
0% of jobs
$46.18 - $49.65
4% of jobs
$49.65 - $53.12
10% of jobs
$14
$27
$53
How much do film grip jobs pay per hour?
What are the typical responsibilities of a Film Grip during a shoot?
A Film Grip is responsible for setting up, adjusting, and maintaining lighting and rigging equipment to help create the desired visual effect for each shot. Daily tasks often include building and moving camera rigs, setting up dollies and tracks, and assisting with large equipment moves on set. Grips work closely with the Director of Photography, Gaffer, and camera crew, making teamwork and communication essential. While the job can be physically demanding and fast-paced, it offers valuable experience for those interested in advancing to higher-level roles in film production.
What is a Film Grip job?
A Film Grip is responsible for setting up and maintaining the equipment that supports cameras and lighting on a film set. They work with tripods, dollies, cranes, and rigging to ensure smooth camera movements and secure lighting setups. Grips collaborate closely with the cinematographer and gaffer to achieve the desired shots and maintain safety on set. Their work is essential in creating professional and visually stunning productions.
What are the key skills and qualifications needed to thrive in the Film Grip position, and why are they important?
To thrive as a Film Grip, you need a strong understanding of set construction, lighting and rigging techniques, and on-set safety protocols, often gained through hands-on experience or trade courses. Familiarity with grip equipment such as dollies, track systems, ladders, and basic power tools is essential, and some productions may require OSHA safety training or similar certifications. Excellent teamwork, clear communication, and problem-solving abilities set standout grips apart. These skills and qualities are crucial for ensuring smooth film shoots, maintaining safety, and supporting the creative vision of the production team.

Job description
Compensation:
Based on Adjunct Pay ScheduleCompensationType:
SalaryEmployment Type:
Adjunct/Part Time Faculty (Fixed Term)Scheduled Weekly Hours:
2.25Grade:
Department:
InstructionPosition Summary
An adjunct instructor is appointed on a term contract for instructional, temporary and part-time assignments. They are not assigned to other responsibilities such as professional service or college service. They have no right to reappointment. Persons appointed at this rank will vary in minimal academic qualifications but generally shall have a relevant doctoral or equivalent terminal degree to teach at the upper division and graduate level, and a master's degree for lower division courses. All degrees shall be from accredited institutions or from internationally reputable and recognized institutions. Exceptions to these requirements may be made by the Provost upon presentation of evidence of a record of experience or other credentials that indicate academic degree equivalence. Adjunct Faculty members can only serve as Faculty Senators if they teach during the current semester or have taught within the last fiscal year.Duties & Responsibilities
- Expertise in one or more of these different areas of Film/Television production including: on-set sound, lighting, grip, dolly grip, cinematography, make-up for camera, wardrobe, general below-the-line crafts, video production, digital editing, volumetric LED, directing for the film/television, acting for film/television, film studies, and other Film/Television fields.
- For certain classes, on-set safety training and/or OSHA 10 or OSHA 30 certification is required.
- Attend Film and Digital Arts Department faculty meetings.
- Provide the most effective instruction possible in one's discipline to insure that the educational needs of students are met and that students achieve specified learning objectives.
- Teach assigned courses, whether on campus, off campus, or online, day or evening, following the official syllabi and using approved textbooks and other learning materials.
- Meet all classes regularly and on time, as scheduled, and for their full duration.
- Establish learning objectives and outcomes for assigned courses.
- Evaluate student performance (attainment of learning objectives) and assign grades.
- Make arrangements for appointments with students as needed.
- Upgrade the educational program by evaluating course content, student needs, and instructional methods; make recommendations for improvement.
- Keep accurate records of student attendance, grades, etc.
- Make arrangements with the department chair or associate dean for covering classes when scheduling an absence.
- Meet all deadlines in submitting grades or other required information on students.
- Under general supervision and in accordance with departmentally established practices and expectations, adjunct faculty teach assigned courses in accordance with established syllabi; maintain office hours and accessibility to students; and advise students.
- A variety of schedule options are available including teaching 4-week, 8-week, and 16-week courses.
- Preforms related duties as assigned.
Minimum Qualifications:
- MA in Film or related field
- or
- BAin Film or related field and 5 years of professional experience in Film and/or Television production.
Preferred Qualifications:
- At least one year of teaching at the college level.
EEO Statement:
As an EEO employer, Santa Fe Community College will not discriminate in our employment practices based on an applicant's race, ethnicity, color, religion, sex, sexual orientation, gender identity, national origin, age, disability, serious medical condition or status as a protected veteran or spousal affiliation. Santa Fe Community College hires only U.S. citizens and individuals lawfully authorized to work in the U.S.
Additional Comments to Applicants:
Applications are disqualified in the first level of review if they do not meet all Minimum Qualifications listed in this job posting. (Years of experience are calculated based upon numbers of hours worked per week. Example: 2 years of experience working 20 hours per week equals 1 year of experience.) Relevant experience pertains to Minimum Qualifications, Job Summary/Basic Function, and Preferred Qualifications/Knowledge, Skills and Abilities described in this job posting. ASSUMPTIONS ARE NOT MADE at any level of SFCC's Hiring Process if information presented in the application material does not clearly address the Minimum Qualifications, Job Summary/Basic Function, and Preferred Qualifications/Knowledge, Skills and Abilities. Number of pages of application material will not negatively/positively affect your application, however, LACK OF DETAIL may.
Diversity Statement:
As Santa Fe Community College (SFCC) neighbors ancient Pueblo lands, and is a Sanctuary campus in a Sanctuary city, SFCC is committed to attracting and retaining highly qualified and richly diverse faculty and staff. Our students need a community to teach and support them and that represents their diversity. SFCC strives to make our campus a place of safety, inclusion and equity where all individuals from all diverse backgrounds feel welcomed, nurtured and valued. At the heart of SFCC's mission - Empower Students, Strengthen Community. Empoderar a los Estudiantes, Fortalecer a la Comunidad - is a commitment and promise that higher education and opportunity should be open to everyone in our community and to fostering a climate where students can be who they want to be. A place where all within our community belong. A place where you are seen, a place where you are valued, a place where you are respected, a place where you are appreciated. Come join our community!
EEO Statement:
As an EEO employer, Santa Fe Community College will not discriminate in our employment practices based on an applicant's race, ethnicity, color, religion, sex, sexual orientation, gender identity, national origin, age, disability, serious medical condition or status as a protected veteran or spousal affiliation. Santa Fe Community College hires only U.S. citizens and individuals lawfully authorized to work in the U.S.