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Editorial Illustration Remote Jobs (NOW HIRING)

Designer - Celadon

Manhattan, NY · On-site +1

$60K - $65K/yr

Closely collaborate on book projects with the editorial team, creative director, marketing ... Collaborate with freelancers, illustrators, photographers, and agents * Identify, hire, and manage ...

Faces Media Sales Rep (Fargo,ND)

Fargo, ND · On-site +1

$50K - $60K/yr

Fargo, ND (Preferred) | Hybrid/Remote Options | Full-Time or Contractor/Part-Time Compensation: $50 ... A premium editorial spread * Expert photography + custom design * Print placement across the local ...

Knoxville, TN. ( Remote, hybrid, or in-office candidates will all be considered for this role ... Manages and contributes to editorial calendars for internal and external communication channels ...

Knoxville, TN. ( Remote, hybrid, or in-office candidates will all be considered for this role ... Manages and contributes to editorial calendars for internal and external communication channels ...

Coordinate cataloging-in-publication data applications to the Library of Congress with editorial ... Working knowledge of illustrated book process. * Excellent computer skills and verbal and written ...

Social Media Manager

Brooklyn, NY · On-site +1

$44K - $65K/yr

... editorial calendar that aligns with social updates. • Monitor social media progress using web ... This is a remote position. Compensation: $44,000.00 - $65,000.00 per year Choose a Rewarding Career ...

Showing results 21-40

Editorial Illustration Remote information

See salary details

$32.5K

$59.3K

$96K

How much do editorial illustration remote jobs pay per year?

As of Aug 9, 2026, the average yearly pay for editorial illustration remote in the United States is $59,345.00, according to ZipRecruiter salary data. Most workers in this role earn between $38,500.00 and $68,000.00 per year, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as a remote editorial illustrator?

To thrive as a Remote Editorial Illustrator, you need a strong portfolio demonstrating visual storytelling, drawing skills, and familiarity with editorial contexts, typically supported by a degree in illustration or a related field. Mastery of digital illustration tools such as Adobe Creative Suite (especially Photoshop and Illustrator) is essential, and experience with remote collaboration platforms is often required. Creativity, time management, and strong communication skills help illustrators interpret briefs and deliver on tight deadlines while working independently. These skills and qualities are crucial for creating impactful visuals that enhance editorial content and meet client expectations in a remote environment.

What is the difference between Editorial Illustration Remote vs Graphic Designer Remote?

AspectEditorial Illustration RemoteGraphic Designer Remote
Required CredentialsTypically a degree in illustration, fine arts, or related field; strong portfolioDesign degree or related certification; portfolio showcasing branding and visual identity work
Work EnvironmentFreelance or agency-based, often project-specific, remote workFreelance or in-house, remote or hybrid, focusing on branding, marketing, and visual communication
Industry UsageUsed mainly in publishing, magazines, online media, and editorial contentUsed across advertising, branding, digital media, and corporate communications

Editorial Illustration Remote specialists focus on creating images for publications and media, often working on a freelance basis. Graphic Designer Remote roles encompass a broader range of visual design tasks, including branding, marketing materials, and digital content. While both roles can be remote, their core functions and industry applications differ significantly.

How do remote editorial illustrators typically collaborate with editors and writers throughout a project?

Remote editorial illustrators often engage in close communication with editors and writers via email, video calls, and project management tools to ensure the artwork aligns with the publication's message and tone. Initial concepts and sketches are usually shared digitally for feedback, allowing for iterative revisions based on editorial input. Timely responsiveness and clarity in communication are key, as deadlines are often tight and projects may evolve quickly. Collaboration tools like Slack, Trello, or Google Drive are commonly used to streamline the workflow and keep everyone updated on progress.

What is a remote editorial illustrator?

An Editorial Illustration Remote job involves creating visual artwork to accompany and enhance written content for publications, such as magazines, newspapers, and online media, while working from a remote location. Editorial illustrators interpret stories, articles, or opinion pieces and produce images that communicate the message or mood of the text. Working remotely offers flexibility and allows illustrators to collaborate with editors and art directors virtually. This role requires strong artistic skills, creativity, and the ability to meet deadlines without being physically present in an office.
More about Editorial Illustration Remote jobs
What cities are hiring for Editorial Illustration Remote jobs? Cities with the most Editorial Illustration Remote job openings:
What are the most commonly searched types of Editorial Illustration jobs? The most popular types of Editorial Illustration jobs are:
What states have the most Editorial Illustration Remote jobs? States with the most job openings for Editorial Illustration Remote jobs include:
Infographic showing various Editorial Illustration Remote job openings in the United States as of August 2026, with employment types broken down into 93% Full Time, and 7% Part Time. Highlights an 100% Remote job distribution, with an average salary of $59,345 per year, or $28.5 per hour.

Digital Asset Production Specialist

Streamlly

Sarasota, FL • Remote

$25/hr

Full-time

Medical, Dental, Vision, Life, Retirement, PTO

Re-posted 23 days ago


Job description

About Streamlly

Streamlly is a cinematic journalism and human storytelling network. We produce short-form news recreations and human-interest films - our "StoryBreaks" - and distribute them where people already watch: connected TV and OTT, programmatic display, digital out-of-home (DOOH) screens, and social platforms. We hold a high editorial bar and an equally high production bar, and we hire W-2 with full benefits in an industry that defaults to freelance.

The Role

You take a finished master - key art, poster, or a locked video edit - and turn it into every version each platform requires, on spec and on deadline. This is the role that makes one piece of work show up correctly everywhere: the right aspect ratio, the right runtime, the right file format, the right captions. Because we cover breaking news, turnaround can be fast, so reliability and precision under a tight clock matter as much as craft.

What You'll Do
  • Adapt master posters, key art, and stills into platform-specific sizes: social (9:16, 1:1, 4:5, 16:9), programmatic display (IAB standard units), DOOH layouts (portrait and landscape, high resolution), thumbnails, and end cards.
  • Version master video edits for each destination: trims and runtime cuts, reframes and safe-area adjustments for vertical and square, platform encoding specs, and bitrate/format requirements for CTV/OTT vs. social vs. DOOH.
  • Build and burn in or attach captions and subtitles, and help us meet accessibility requirements (WCAG 2.1 AA, CVAA) across CTV/OTT distribution.
  • Keep brand and editorial consistency across every output - typography, lockups, disclosure language, and our cinematic look - without drifting from the approved master.
  • Manage assets cleanly: clear file naming, organized exports, version control, and tidy handoffs to distribution and ad ops.
  • Work from locked masters and our spec sheets, flagging anything that won't translate to a given platform before it becomes a problem.
  • Where possible, build reusable templates and batch/export workflows so versioning gets faster over time.
What You Bring
  • Strong working knowledge of Adobe Creative Cloud - Photoshop and Illustrator for static, Premiere Pro and After Effects for video, and Media Encoder for output.
  • A real grasp of platform specifications across social, programmatic, CTV/OTT, and DOOH, and the discipline to hit them exactly.
  • Hands-on experience with fast-turnaround design and video tools such as Canva, Opus Clip, CapCut, Adobe Express, or similar - and the judgment to know when a quick-tool output is good enough vs. when a piece needs to be finished in the full suite.
  • Comfort with captioning/subtitle files (e.g., SRT/VTT) and an understanding of accessibility basics.
  • A sharp eye for detail and brand consistency, and the judgment to keep adaptations faithful to the master.
  • The ability to move quickly and stay organized when a breaking-news piece needs to ship the same day.
Nice to Have
  • Motion graphics and design skills beyond pure versioning.
  • Hands-on experience with DOOH or programmatic display specs and ad-ops handoffs.
  • Familiarity with template-driven or automated resizing/export workflows.
  • Exposure to a DSP / programmatic distribution environment.
Details
  • Employment: Full-time (25-40 hours a week), W-2.
  • Work arrangement: Primarily remote / work-from-home with flexible scheduling, plus some in-office production days. You must reside in Florida and be able to travel to Sarasota or Tampa as needed.
  • Benefits: Health, dental, vision, and life insurance; 401(k); and flexible paid time off.

    Streamlly is an equal opportunity employer and an E-Verify employer.
Employment Type: FULL_TIME