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Contractual Live Camera Operator Jobs (NOW HIRING)

Hearst

Part-Time Camera Operator

Westbrook, ME · On-site

$18 - $20/hr

As Camera Operator, you will control the visual broadcast equipment during newscasts. You will work ... Operate television cameras for a live broadcast and live production setting * Work with directors ...

Hearst Newspapers

Part-Time Camera Operator

Westbrook, ME · On-site

$18 - $20/hr

As Camera Operator, you will control the visual broadcast equipment during newscasts. You will work ... Operate television cameras for a live broadcast and live production setting * Work with directors ...

Hearst

Part-Time Camera Operator

Westbrook, ME · On-site

$18 - $20/hr

As Camera Operator, you will control the visual broadcast equipment during newscasts. You will work ... Operate television cameras for a live broadcast and live production setting * Work with directors ...

Hearst

Part-Time Camera Operator

Westbrook, ME · On-site

$18 - $20/hr

As Camera Operator, you will control the visual broadcast equipment during newscasts. You will work ... Operate television cameras for a live broadcast and live production setting * Work with directors ...

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Contractual Live Camera Operator information

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How much do contractual live camera operator jobs pay per hour?

As of Sep 10, 2026, the average hourly pay for contractual live camera operator in the United States is $28.16, according to ZipRecruiter salary data. Most workers in this role earn between $17.31 and $30.53 per hour, depending on experience, location, and employer.

What is the difference between Contractual Live Camera Operator vs Freelance Live Camera Operator?

AspectContractual Live Camera OperatorFreelance Live Camera Operator
CredentialsRelevant certifications, experience in live broadcastingSame as contractual, often self-certified or based on portfolio
Work EnvironmentEmployed by a company or production house, fixed contractsIndependent, multiple clients, varied locations
Employer & Industry UsageTypically hired by TV stations, event companies
Search & Comparison IntentUnderstanding employment type differences in live broadcasting

The main difference between a Contractual Live Camera Operator and a Freelance Live Camera Operator lies in employment structure. Contractual operators are employed by a company or production house under fixed contracts, while freelance operators work independently, often juggling multiple clients. Both roles require similar skills and certifications, but their work environments and employment terms differ significantly.

What cities are hiring for Contractual Live Camera Operator jobs?

Cities with the most Contractual Live Camera Operator job openings:

What are the most commonly searched types of Live Camera Operator jobs?

The most popular types of Live Camera Operator jobs are:

What states have the most Contractual Live Camera Operator jobs?

States with the most job openings for Contractual Live Camera Operator jobs include:

What are popular job titles related to Contractual Live Camera Operator jobs?

For Contractual Live Camera Operator jobs, the most frequently searched job titles are:

Contractual Live Camera Operator jobs near you

Traveling Camera Operator (Seasonal)

San Jose, CA • On-site

DanceBUG Inc.
See more jobs at DanceBUG Inc.external

Other

Posted 27 days ago

Job description

Travel the U.S. | Capture Dance Competitions | Professional Equipment Provided

Season: February - June

Why DanceBUG?

For nearly 25 years, DanceBUG has been North America's leader in dance media and event technology.

  • Travel across the United States capturing dance competitions using professional camera and livestream production equipment
  • We provide everything you need to succeed - including equipment, paid training, flights, hotels, rental cars, and travel expenses
  • Work with next-generation AI-assisted camera technology as we continue to shape the future of live event production
No Dance Experience Required

If you've filmed sports, live events, weddings, concerts, theatre, or other fast-paced productions, we'll teach you everything you need to know.

Compensation and Benefits
  • Starting at $25/hour
  • Paid travel days
  • Flights, hotels, rental cars and travel expenses covered
  • Professional camera and livestream production equipment provided
  • Guaranteed minimum daily pay
  • Overtime after 40 hours/week
  • Private hotel room
  • No video editing or post-production
  • Paid training
What You'll Do
  • Travel to dance competitions throughout the United States
  • Operate professional camera and livestream production equipment
  • Capture high-quality performances
  • Set up and monitor camera and livestream systems
  • Upload and manage event media
Paid Training

Every new Camera Operator receives:

  • Virtual training during January
  • A minimum of two live training events with an experienced Senior Camera Operator
  • Hands-on instruction before working independently

You'll never be sent to your first event without real-world training and support.

Requirements
  • Legally authorized to work in the United States (DanceBUG does not sponsor work visas)
  • Live within approximately one hour of a major airport
  • Valid U.S. driver's license
  • Available to travel Thursday through Monday during the season
  • Comfortable driving 5-6 hours when required
  • Comfortable with long production days and travel
  • Able to lift approximately 50 lbs
  • Able to pass a criminal background check
Experience in Any of the Following is Considered an Asset
  • Sports camera operation
  • Live event production
  • Wedding and event videography
  • Broadcasting
  • Concerts and theatre
  • Film production
  • Livestreaming (OBS)
  • Multi-camera switching
  • Jib operation
Ready to Hit the Road?

Join DanceBUG this season and travel the country, capturing unforgettable performances and working with innovative production technology.

Apply today - we'd love to hear from you.

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