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Contract Film Sound Engineer Jobs (NOW HIRING)

Sound Engineer Department: Wexner Center for Arts | Tech Operations The Sound Engineer serves as a ... Experience in theatre technology; experience in audio, video, film and lighting fields, preferably ...

Sound Engineer Department: Wexner Center for Arts | Tech Operations The Sound Engineer serves as a ... Experience in theatre technology; experience in audio, video, film and lighting fields, preferably ...

Sound Engineer Department:Wexner Center for Arts | Tech Operations The Sound Engineer serves as a ... Experience in theatre technology; experience in audio, video, film and lighting fields, preferably ...

Sound Designer

Oxford, MS

$22.55 - $33.83/hr

The Department of Theatre & Film Job Summary: Supervises a sound design area at a Research I ... support for audio engineering for each event in the department's production facilities.

Adjunct, Film

UT ยท On-site

Adjunct Contract Job Number: 202500234 Division: Academic Affairs Department: Communication ... Familiarity with industry-standard editing and sound software. Film Studies Courses Taught: * FLM ...

Thin Film Manufacturing Engineer

Mckinney, TX ยท On-site

$68K - $131K/yr

S. citizens are authorized to access information under this program/contract. Security Clearance ... Provide engineering and production support for multiple thin film processes including PVD metal ...

S. citizens are authorized to access information under this program/contract. Security Clearance ... Provide engineering and production support for multiple thin film processes including PVD metal ...

S. citizens are authorized to access information under this program/contract. Security Clearance ... Provide engineering and production support for multiple thin film processes including PVD metal ...

S. citizens are authorized to access information under this program/contract. Security Clearance ... Provide engineering and production support for multiple thin film processes including PVD metal ...

Thin Film Engineers will be exposed to optical coating design, generation of detailed manufacturing ... Exhibit sound interpersonal skills involving interfacing, coordinating and negotiating with company ...

Thin Film Engineers will be exposed to optical coating design, generation of detailed manufacturing ... Exhibit sound interpersonal skills involving interfacing, coordinating and negotiating with company ...

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Contract Film Sound Engineer information

What engineer makes $500,000 a year?

A contract film sound engineer typically does not earn $500,000 annually; such high salaries are rare in this field. Top earners in the industry may reach high six-figure incomes with extensive experience, high-profile projects, and specialized skills, but salaries of $500,000 are uncommon and usually associated with executive or highly senior roles in related fields. Most sound engineers earn significantly less, depending on their experience, location, and project scope.

How much do film audio engineers make?

Film audio engineers typically earn between $40,000 and $80,000 annually, with experienced professionals or those working on major productions earning higher salaries. Compensation depends on factors such as experience, location, project budget, and whether they work freelance or full-time for a studio or production company.

What is the difference between Contract Film Sound Engineer vs Freelance Film Sound Editor?

AspectContract Film Sound EngineerFreelance Film Sound Editor
CredentialsAudio engineering certifications, industry experienceAudio editing skills, portfolio, sometimes certifications
Work EnvironmentOn set or studio, working with production teamsRemote or on-site editing, client communication
Employer/Industry UsageProduction companies, studios, film setsIndependent projects, multiple clients
Search/Comparison IntentJob roles, responsibilities, contractsFreelance opportunities, portfolio building

The Contract Film Sound Engineer typically works directly with production companies on set or in studios, focusing on capturing and mixing audio during filming. In contrast, the Freelance Film Sound Editor primarily works post-production, editing and enhancing audio files for various clients. Both roles require strong audio skills, but their work environments and responsibilities differ significantly.

Is there a high demand for audio engineers?

The demand for audio engineers, including contract film sound engineers, remains steady due to ongoing needs in film, television, and media production. Skills in editing, mixing, and familiarity with industry-standard software like Pro Tools are valuable, and employment opportunities can vary based on location and project volume.
More about Contract Film Sound Engineer jobs
What cities are hiring for Contract Film Sound Engineer jobs? Cities with the most Contract Film Sound Engineer job openings:
What are the most commonly searched types of Film Sound Engineer jobs? The most popular types of Film Sound Engineer jobs are:
What states have the most Contract Film Sound Engineer jobs? States with the most job openings for Contract Film Sound Engineer jobs include:
What job categories do people searching Contract Film Sound Engineer jobs look for? The top searched job categories for Contract Film Sound Engineer jobs are:
Infographic showing various Contract Film Sound Engineer job openings in the United States as of July 2026, with employment types broken down into 57% Full Time, 22% Part Time, 1% Temporary, and 20% Contract. Highlights an 79% Physical, 2% Hybrid, and 19% Remote job distribution.
Sound Engineer

Sound Engineer

Ohio State University

Columbus, OH โ€ข On-site

Other

Posted 9 days ago


Job description

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Job Title:
Sound Engineer
Department:
Wexner Center for Arts | Tech Operations
The Sound Engineer serves as a key member of the Production team, supporting both the technical execution and artistic realization of live events while ensuring the operational readiness of the Center's audio and audiovisual systems. This position plays an essential role in delivering exceptional experiences for artists, audiences, and stakeholders across a variety of performance, exhibition, and event settings.
Key Responsibilities
  • Serve as the lead Sound Engineer for performances, events, and programs presented by the Wexner Center for the Arts and external stakeholders across multiple venues and spaces.
  • Prepare, operate, and provide technical support for audio, video, and related production equipment for rehearsals, performances, exhibitions, and special events.
  • Design, install, configure, operate, troubleshoot, maintain, and strike professional sound and audiovisual systems for theaters, galleries, and other event spaces.
  • Read, interpret, and implement technical riders, stage plots, production schedules, and other event-related documentation.
  • Collaborate closely with artists, designers, visiting production teams, and Center staff to support artistic and production goals while ensuring high-quality audience experiences.
  • Support the design and implementation of audiovisual systems for gallery installations, exhibitions, and non-traditional performance environments.
  • Assist visiting designers and production personnel during rehearsals, performances, and event load-ins/load-outs.
  • Create and manage professional multi-channel audio recordings as needed.
  • Maintain accurate inventory records, equipment documentation, and related technical paperwork.
  • Service, maintain, and ensure operational readiness of the Center's professional audio, video, and mobile production equipment inventory.
  • Maintain clean, organized, and safe workspaces across all production, performance, and technical areas.
  • Partner with colleagues across production and technical disciplines to support departmental initiatives, shared projects, and event operations beyond primary audio responsibilities.
  • Attend production meetings, planning sessions, and institutional meetings as required.
  • Demonstrate professionalism, accountability, adaptability, and a collaborative, solutions-oriented approach while managing projects through successful completion.
  • Perform other duties as assigned.

Working Conditions
  • This is an in-person position requiring on-site support for rehearsals, performances, installations, events, and related preparation activities.
  • Regular evening and weekend work is required based on event and performance schedules.
  • Work routinely involves operating at heights, including the use of ladders, lifts, and catwalks, as well as handling and transporting technical equipment in active production environments.
  • Successful completion of a background check is required prior to the start date.

Supervises
  • Intermittent event staff- Stagehands

Minimum Education Required
  • Bachelor's Level Degree in Engineering or other related field, or equivalent combination of education and experience.

Qualifications Required:
  • Bachelor's degree in engineering or other related field or equivalent combination of education and experience; minimum of 4 years of experience required;
  • Experience in theatre technology; experience in audio, video, film and lighting fields, preferably in visual and performing arts; experience with digital and analog audio mixing consoles, lighting control systems, wired and wireless handheld and lavalier microphones, hearing-impaired assistance sets
  • Work independently; ability to collaborate with colleagues from a variety of functional areas; positive workplace attitude; ability to troubleshoot; proficiency in MS Office suite; must be able to work independently and as part of a team under general supervision; must be self-motivated with the ability to manage
  • Multiple projects simultaneously with limited supervision; excellent interpersonal, organization and communication skills; work effectively with culturally diverse customers and client groups; focus, flexibility, and great attention to detail.

Desired:
  • Knowledge of or experience in professional recording and editing; experience in design, construction, and repair of electronic, electrical, and mechanical equipment;
  • member of professional organizations in this field (USITT, ESTA, ETCP); willing to pursue certifications and other educational opportunities int he field

Additional Information:
Position is a member of the American Federation of State, County, & Municipal Employees Local 322, Ohio Council 8, AFL-CIO.
Location:
Wexner Center for the Arts (0386)
Position Type:
Regular
Scheduled Hours:
40
Shift:
First Shift
Final candidates are subject to successful completion of a background check. A drug screen or physical may be required during the post offer process.
Thank you for your interest in positions at The Ohio State University and Wexner Medical Center. Once you have applied, the most updated information on the status of your application can be found by visiting the Candidate Home section of this site. Please view your submitted applications by logging in and reviewing your status. For answers to additional questions please review the frequently asked questions.
The university is an equal opportunity employer, including veterans and disability.