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Camera Operators Jobs in Texas (NOW HIRING)

Ball Arena

SkyCam Pilot

Fort Worth, TX · On-site

SkyCam ® is a leading designer, manufacturer and operator of mobile aerial cameras systems. SkyCam ® plays a significant role in changing the way live sporting events are broadcast, including NFL ...

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$12

$26

$58

How much do camera operators jobs pay per hour?

As of Jun 27, 2026, the average hourly pay for camera operators in Texas is $26.24, according to ZipRecruiter salary data. Most workers in this role earn between $16.11 and $28.46 per hour, depending on experience, location, and employer.

What are camera operators and what do they do?

Camera operators are professionals responsible for capturing visual images for television, film, live events, or video productions. They work with a variety of camera equipment to record scenes, ensuring proper framing, focus, and movement to achieve the desired artistic and technical outcomes. Camera operators often collaborate closely with directors, cinematographers, and other crew members to bring a creative vision to life. Their work may involve setting up camera angles, following action, and adjusting for lighting or environmental changes during shoots.

What qualifications do I need to be a camera operator?

Camera operators typically need a high school diploma or equivalent, along with technical training or a degree in film, broadcasting, or a related field. Experience with camera equipment, knowledge of lighting and framing, and proficiency with editing software are also important; certifications in specific camera systems can be beneficial.

Do camera operators make good money?

Camera operators typically earn a median annual salary that varies by industry and experience, with many earning between $40,000 and $80,000. Experienced operators working on high-budget productions or in specialized fields can earn higher wages, especially with additional skills in editing or lighting. Salaries can also depend on location, union membership, and the complexity of the equipment used.

How do I become a camera operator?

To become a camera operator, you typically need a high school diploma or equivalent, followed by training or a degree in film, broadcasting, or a related field. Gaining experience through internships or entry-level positions, developing skills with camera equipment, and obtaining certifications such as those from professional organizations can improve job prospects.

What are some common challenges camera operators face when working on live broadcasts or events?

Camera operators working on live broadcasts or events often face challenges such as adapting quickly to changing lighting conditions, following fast-moving subjects, and maintaining steady, high-quality shots under pressure. They must coordinate closely with directors, audio technicians, and other crew members to ensure seamless coverage. Time constraints and the unpredictability of live performances require strong technical skills and the ability to troubleshoot equipment issues on the fly. Effective communication and quick decision-making are essential in this fast-paced environment.

How much do camera operators earn?

Camera operators typically earn a median annual salary of around $50,000 to $70,000, depending on experience, location, and industry. Entry-level positions may start lower, while experienced operators working on high-profile projects can earn significantly more, especially with specialized skills and certifications in equipment operation and cinematography.

What are the key skills and qualifications needed to thrive as a Camera Operator, and why are they important?

To excel as a Camera Operator, you need a solid understanding of camera equipment, shot composition, and lighting, often backed by a degree in film, broadcasting, or related experience. Familiarity with digital cameras, editing software, and stabilization systems is typically required. Creativity, attention to detail, and the ability to work well under pressure help Camera Operators capture compelling footage in dynamic environments. These skills ensure high-quality visual storytelling and adaptability to fast-paced production demands.

What is the difference between Camera Operators vs Videographers?

AspectCamera OperatorsVideographers
CredentialsOften require a high school diploma or equivalent; technical training or certification in camera operationSimilar credentials; may have formal education in film or media production
Work EnvironmentFilm sets, TV studios, live events, newsroomsIndependent or freelance settings, corporate videos, weddings, events
Industry UsagePrimarily employed by broadcasters, production companies, and studiosFreelancers or in-house professionals across various industries
Primary FocusOperating cameras during filming or broadcastingCapturing and editing video content, often handling multiple roles

While both Camera Operators and Videographers handle video recording, Camera Operators typically work in professional production environments focusing on operating cameras during filming or broadcasting. Videographers often work independently, capturing and editing videos for various clients or projects. The roles overlap in skills and credentials but differ mainly in work setting and scope of responsibilities.

What are popular job titles related to Camera Operators jobs in Texas? For Camera Operators jobs in Texas, the most frequently searched job titles are:
What job categories do people searching Camera Operators jobs in Texas look for? The top searched job categories for Camera Operators jobs in Texas are:
What cities in Texas are hiring for Camera Operators jobs? Cities in Texas with the most Camera Operators job openings:
Camera Operators jobs near you
Infographic showing various Camera Operators job openings in Texas as of June 2026, with employment types broken down into 83% Full Time, 11% Part Time, 3% Contract, and 3% Nights. Highlights an 97% Physical, and 3% Remote job distribution, with an average salary of $54,579 per year, or $26.2 per hour.
Control Room Staff - Houston Astros Ballpark Entertainment

Control Room Staff - Houston Astros Ballpark Entertainment

Houston Astros

Houston, TX • On-site

Part-time

Posted 11 days ago

Job description

HOUSTON ASTROS SEASONAL BALLPARK ENTERTAINMENT CONTROL ROOM STAFF
Department: Ballpark Entertainment
Supervisor: Sr. Production Manager, Ballpark Entertainment
Classification: Part-Time/Non-Exempt
SUMMARY:
The Astros Ballpark Entertainment Department is seeking to fill several part-time positions for the 2026 season within the preidentified areas below. Candidates who are qualified, collaborative, and passionate about putting the gameday show on at Minute Maid Park and assist in making the ballpark experience a memorable one for all fans are encouraged to apply. We are willing to train the right candidate with experience similar to the specific equipment listed below:
BALLPARK ENTERTAINMENT SEASONAL ROLES INCLUDE: (Reporting to: Sr. Production Manager, Producer)
  • Primary Music Operator
    • Execute Music Cues and playback for all Astros Home Games
    • Work with the Producer directly on picking out Music for the game
    • Experience with Click Effects or Seven Point Audio preferred
  • Technical Director (Ross Accuity) (Backup to Full-Time TD / Special Events)
    • This role partners with our Full Time Associate Technical Director and Senior Producer to execute a run-of-show for games, promotions, events, and Special Events with live production needs.
    • Responsible for supporting in a backup role alongside the Full Time Technical Director of all the technical components of a live event (setup and execution)
  • EVS Replay Operator
    • Recall highlights as directed by Game Producer and Technical Director
    • Experience with EVS XT-VIA
  • ENG Camera Operator (wired and/or wireless)
    • The Camera Operator is responsible for capturing footage per the direction of the Producer and Technical Director, including shot composition and style.
  • ENG Camera Shader
    • The Camera Shader is responsible for shading/color correction of cameras per the direction of the Producer and Technical Director

On your application, please indicate which position(s) you are applying for and provide relevant experience.
PREFERRED QUALIFICATIONS:
  • Familiar with production control rooms and equipment (not limited to Cameras, Replay, CG, etc.) - significant need of Primary Music Operator and EVS Replay Operators.
  • Conduct themselves in a professional manner in both appearance and actions in a live event situation and a press/broadcast area
  • Ability to adapt on the fly and thrive in a high stress, time specific environment.
  • Ability to work independently and in a team environment.
  • Ability to work a flexible schedule, including, but not limited to, days, nights, weekends, and holidays.

Work Environment:
  • Position(s) will work in an office and stadium environment. The noise level is usually moderate but can be loud within the stadium environment.
  • Must be able to work in all types of outdoor weather conditions and within a stadium environment.
  • While performing the duties of the job, the employee is regularly required to stand, sit, walk, reach, stoop, kneel, crouch or crawl, talk and hear.
  • The vision requirement includes close vision and ability to adjust focus.
  • Nature of position requires physical mobility and the ability to lift a minimum of 20 pounds.
  • Must have ability to adjust to changing work hours and locations as needed.

Equal Opportunity Employer
This employer is required to notify all applicants of their rights pursuant to federal employment laws.
For further information, please review the Know Your Rights notice from the Department of Labor.

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