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Camera Operator Jobs in Colorado (NOW HIRING)

AEG

Control Room Crew (multiple positions)

Centennial, CO · On-site

$30 - $60/hr

Camera Operator * Engineer in Charge * MotionRocket Operator * Pan-Tilt-Zoom (PTZ) Operator * VAR Engineer * Utility The individual position descriptions are a summary only and highlight the general ...

Quanta Services

Total Station Operator

Aurora, CO

Potential to utilize field technologies including LiDAR cameras, 360° cameras, drones, and Mixed ... Experience operating Robotic Total Stations and GNSS devices for construction layout. * Proven ...

PURIS

CCTV/Cutter Operator

Colorado Springs, CO

$25 - $30/hr

TAP Cutter - CCTV Operator $25-30/hr. PURIS operates across North America as the largest ... Service, clean, maintain cutter/camera equipment as well as assigned vehicles. * Communicate ...

1Vision

Mailing Operator

Denver, CO · On-site

$20 - $25/hr

Sets-up and operates production mailing equipment (camera-based inserters, UV inkjet addressing lines, swing-arm inserters) * Helps other Operators with set-up and operation of other equipment * Uses ...

1Vision Careers

Mailing Operator

Denver, CO · On-site

$20 - $25/hr

Sets-up and operates production mailing equipment (camera-based inserters, UV inkjet addressing lines, swing-arm inserters) * Helps other Operators with set-up and operation of other equipment * Uses ...

PURIS

CCTV/Cutter Operator

Kiowa, CO

$25 - $30/hr

TAP Cutter - CCTV Operator $25-30/hr. About PURIS: PURIS operates across North America as the ... Service, clean, maintain cutter/camera equipment as well as assigned vehicles. * Communicate ...

PURIS Corporation, LLC

CCTV/Cutter Operator

Kiowa, CO · On-site

$25 - $30/hr

TAP Cutter - CCTV Operator $25-30/hr. About PURIS: PURIS operates across North America as the ... Service, clean, maintain cutter/camera equipment as well as assigned vehicles. * Communicate ...

PURIS Corporation, LLC

CCTV/Cutter Operator

Denver, CO · On-site

$25 - $30/hr

TAP Cutter - CCTV Operator $25-30/hr. About PURIS: PURIS operates across North America as the ... Service, clean, maintain cutter/camera equipment as well as assigned vehicles. * Communicate ...

1Vision, Inc

Mailing Operator

Denver, CO · On-site

$20 - $25/hr

Sets-up and operates production mailing equipment (camera-based inserters, UV inkjet addressing lines, swing-arm inserters) * Helps other Operators with set-up and operation of other equipment * Uses ...

JW Affinity IT

AV/VTC Support Operator

Littleton, CO

$38K - $40K/yr

We are looking for a AV/VTC Support Operator to join our team! One to two years of experience ... Manipulate cameras and audio equipment. * Work with Microsoft Calendars * Be proficient in ...

CHCC

Live Video Director

Highlands Ranch, CO · On-site

$50K - $75K/yr

Leads and coordinates a team of volunteers supporting broadcast video and weekend visuals (e.g., camera operators, graphics/lyrics, playback/broadcast support). No direct staff reports. SPIRITUAL ...

Copart, Inc.

Loader Operator

Denver, CO · On-site

$23.40 - $24/hr

The Loader Operator will be responsible for moving and loading vehicles with a company-provided ... Operates digital camera or other basic vehicle documentation and tracking devices. Sets up yard for ...

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All JobsCamera Operator JobsCamera Operator Jobs in Colorado

Camera Operator information

See Colorado salary details

$14

$29

$65

How much do camera operator jobs pay per hour?

As of Jun 13, 2026, the average hourly pay for camera operator in Colorado is $29.62, according to ZipRecruiter salary data. Most workers in this role earn between $18.22 and $32.12 per hour, depending on experience, location, and employer.

What are some common challenges a Camera Operator may face on set, and how can they be addressed?

Camera Operators often encounter challenges such as working in fast-paced environments, adapting to changing lighting conditions, and capturing shots as directed with precision. Effective communication with the director and crew is essential to ensure the vision is realized smoothly. Staying adaptable, proactively preparing equipment, and maintaining technical proficiency can help address these challenges and contribute to a successful shoot.

What are the key skills and qualifications needed to thrive as a Camera Operator, and why are they important?

To thrive as a Camera Operator, you need expertise in camera techniques, framing, and lighting, often developed through hands-on experience or a degree in film, broadcasting, or a related field. Familiarity with professional cameras, lenses, stabilizers, and editing software like Adobe Premiere Pro or Avid Media Composer is typically required. Strong attention to detail, teamwork, and the ability to follow creative direction help camera operators stand out. These skills ensure visually compelling footage and seamless collaboration, which are critical for producing high-quality visual content.

What qualifications do I need to be a camera operator?

To become a camera operator, you typically need a high school diploma or equivalent, along with technical training or a degree in film, broadcasting, or a related field. Experience with camera equipment, knowledge of lighting and framing, and proficiency with editing software are also important, and some roles may require certification in specific camera systems or safety training.

What does a Camera Operator do?

A Camera Operator is responsible for capturing video footage during film, television, or live event productions. They work closely with directors and cinematographers to ensure that the visual elements of a project are accurately and creatively recorded. Camera Operators set up and operate cameras, choose appropriate lenses, follow movement, and maintain shot composition. Their work is crucial in conveying the director’s vision and telling the story visually. They often collaborate with other crew members to ensure smooth production.

What is the difference between Camera Operator vs Video Technician?

AspectCamera OperatorVideo Technician
CredentialsOften requires a high school diploma, technical training, or certification in camera operationTypically needs technical certifications, troubleshooting skills, and sometimes a degree in video production or related fields
Work EnvironmentWorks on film sets, TV studios, live events, and production sitesWorks in broadcast stations, production facilities, or live event venues, handling equipment setup and maintenance
Industry UsageCommonly employed in film, television, and live event productionFound in broadcasting, live event production, and post-production facilities

While both roles involve working with video equipment, Camera Operators focus on capturing footage during productions, whereas Video Technicians handle technical setup, maintenance, and troubleshooting of video systems. Understanding these differences helps clarify career paths and job expectations in the video production industry.

What Do Camera Operators Do?

A camera operator operates cameras and related technical equipment for a TV show, motion picture, or special event. They typically follow instructions from a director, provide creative suggestions on the best way to film a shoot, and monitor the set for possible obstructions. A camera operator may work during live broadcasts, occasionally operate an audio console, manage studio lighting, and help prepare video recordings. In some parts of the industry, their duties require them to work early in the morning, at night, over the weekend, or on holidays. The qualifications to become a camera operator typically include a bachelor's degree in video production, film, or a relevant field and experience.

What is the work of camera operator?

A camera operator is responsible for operating cameras to capture footage for film, television, or live events. They work closely with directors and cinematographers to achieve the desired visual style, often using various camera equipment and techniques. The role requires technical skills, knowledge of camera equipment, and attention to detail to ensure high-quality footage.

Do camera operators make good money?

Camera operators typically earn a median annual salary that varies by industry and experience, with many earning between $40,000 and $80,000. Skilled operators with specialized equipment knowledge or working in high-demand sectors can earn higher wages, and freelance work may affect income stability.

How much does a camera operator earn?

Camera operators typically earn between $30,000 and $80,000 annually, depending on experience, location, and industry. Professionals with specialized skills or working on high-budget productions can earn higher salaries, and many work irregular hours or on freelance projects.
More about Camera Operator jobs
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Camera Operator jobs near you

Control Room Crew (multiple positions)

AEG

Centennial, CO • On-site

$30 - $60/hr

Part-time

Posted 9 days ago

Job description

Job Title: Control Room Crew (multiple positions)
Department: Marketing Operations
Reports to: Director of Match Presentation
Work Location: Centennial, CO / Denver, CO
Work Arrangement: On-site
Employee Type: Part-Time
Pay Type: Hourly
FLSA: Non-exempt
Supervisor Position: No
Application Deadline: July 1, 2026 at 9:59pm
CLIMB WITH US. Denver Summit FC is Colorado's professional women's soccer club, proudly holding the distinction of being the National Women's Soccer League's (NWSL) 16th franchise. Our unwavering mission is to cultivate the preeminent professional soccer club globally, achieved through deep and meaningful engagement with Denver's dynamic and multifaceted communities. The Denver Summit FC team, set to begin play in the 2026 season, is comprised of a robust and dedicated ownership group led by Rob Cohen, alongside a collective of impassioned local and national investors. This blend of local roots and broad support underscores our dedication to both Colorado and the wider soccer community.
Nature of Work:
The Control Room Crew will provide live sports TV and video production support on all Denver Summit FC home match days. They will be responsible for the timeliness of the show, and work in step with the Producer to ensure a seamless show each match day. Each control room crew member will run a specific position as a part-time employee, as assigned by the Director of Match Presentation.
We are hiring for the following Control Room Crew positions (see below for full position responsibilities and qualifications for each position):
  • Director
  • Technical Director
  • Replay Operator
  • Camera Operator
  • Engineer in Charge
  • MotionRocket Operator
  • Pan-Tilt-Zoom (PTZ) Operator
  • VAR Engineer
  • Utility

The individual position descriptions are a summary only and highlight the general level of work being performed in each Control Room Crew position. It is not intended to be all-inclusive. The duties of these positions may change based on business needs. The Company reserves the right to add or remove duties and responsibilities at the discretion of the supervisor and/or hiring authority.
Director - Lead decision-maker in the venue control room during Denver Summit FC home matches at Centennial Stadium. Responsible for calling all camera cuts, driving show flow, and coordinating the full production crew in real time, this role requires sharp instincts, poise under pressure, and a deep familiarity with live sports entertainment pacing.
  • Key Responsibilities:
    • Call live camera cuts and direct all on-air and in-venue show elements from kickoff to final whistle
    • Collaborate with producer to plan and execute show and segment content
    • Lead pre-match production meetings and walk the crew through the rundown
    • Communicate in real time with the TD, replay, audio, graphics, show control, and camera operators
    • Maintain show timing and adapt fluidly to game action and unplanned moments
    • Partner with the Game Presentation team on rundown structure and segment timing
  • Qualifications
    • 2 to 5+ years of experience directing live sports or entertainment productions
    • Strong command of multi-camera storytelling, show pacing, and live event flow
    • Experience coordinating with replay, graphics, and show control systems
    • Ability to lead a crew calmly and decisively in a fast-paced environment
    • NWSL, MLS, or professional soccer experience a plus
    • A showreel or examples of live directed work is strongly encouraged with your application

Technical Director - Operates the video switcher during Denver Summit FC home matches at Centennial Stadium, executing all cuts, transitions, and effects in real time under the direction of the Control Room Director. This is a precision execution role that demands quick hands, sharp focus, and a deep familiarity with live switcher operation in a fast-paced sports entertainment environment.
  • Key Responsibilities:
    • Operate the video production switcher live during match broadcasts and in-venue show
    • Execute cuts, dissolves, wipes, and effects accurately and on cue from the Director
    • Follow the show rundown and respond fluidly to live direction and real-time adjustments
    • Maintain awareness of all video sources, graphics, and replay feeds available in the control room
    • Coordinate with the Director and other operators to ensure seamless show execution
  • Qualifications:
    • 2 to 5+ years of experience operating a video switcher in a live production environment
    • Proficiency with professional broadcast switchers (Ross, Grass Valley, Sony, or similar)
    • Strong ability to execute under pressure with speed and accuracy
    • Experience in live sports, concerts, or event production preferred
    • Familiarity with show rundowns and control room communication protocols
    • A showreel or examples of live switcher work is strongly encouraged with your application

Replay Operator - Manage all in-venue instant replay during Denver Summit FC home matches at Centennial Stadium. Working from the control room, this role is responsible for capturing, organizing, and delivering replay clips across up to four camera sources (including main, slash, reverse, corner, and handheld angles) on cue from the Director. In addition to live replay duties, this operator also assembles halftime, full time, and Player of the Match highlight packages during the match for in-venue playback.
  • Key Responsibilities:
    • Monitor and capture live footage from all assigned camera feeds in real time
    • Identify and queue key moments (goals, saves, fouls, near misses) for immediate replay
    • Deliver replay clips to the video board on Director's cue with speed and precision
    • Manage multiple camera angles simultaneously and select the best available shot
    • Communicate proactively with the Director and TD about available replay content
    • Assemble a halftime highlight package for in-venue playback before the second half
    • Compile a full match highlight reel and Player of the Match package for post-match presentation
    • Maintain clean, organized clip management throughout the match
  • Qualifications:
    • 2 to 5+ years of experience operating replay systems in a live sports or event production environment
    • Proficiency with professional replay platforms (EVS, Deltacast, 3play or similar)
    • Strong soccer IQ with the ability to anticipate key moments and react quickly to game action
    • Ability to manage multiple feeds and build highlight packages simultaneously under live show pressure
    • Experience assembling in-game highlight packages in a live production environment
    • Experience in professional or collegiate sports production preferred

Camera Operator - Responsible for capturing live match action and in-venue moments during Denver Summit FC home matches at Centennial Stadium. Working across a mix of fixed and handheld camera positions, operators are responsible for setting up their own equipment on arrival and delivering broadcast-quality footage throughout the match under the direction of the Control Room Director.
  • Key Responsibilities:
    • Set up, configure, and test camera equipment prior to match kickoff
    • Operate assigned fixed or handheld camera position throughout the match and surrounding show
    • Capture live match action, player moments, crowd reactions, and in-venue entertainment on cue
    • Follow Director's guidance while maintaining strong compositional instincts and anticipating key moments
    • Maintain proper exposure, focus, and framing in a dynamic outdoor live event environment
    • Communicate clearly with the control room via intercom throughout the show
    • Break down and secure equipment following the conclusion of each match
  • Qualifications:
    • 2 to 5+ years of experience as a camera operator in live sports, broadcast, or event production
    • Proficiency with professional broadcast cameras (Sony, Panasonic, or similar)
    • Experience operating both fixed and handheld camera positions preferred
    • Strong understanding of live sports shooting; anticipating action, reading the game, reacting quickly
    • Comfortable working outdoors in variable weather and lighting conditions
    • Ability to work effectively as part of a coordinated multi-camera crew
    • A showreel or examples of live camera work is strongly encouraged with your application

Engineer In Charge (EIC) - Serves as the lead technical authority for a live sports broadcast. Oversees the setup, integration, testing, operation, and troubleshooting of all broadcast equipment and transmission systems. The EIC works closely with producers, directors, technical managers, venue personnel, transmission providers, and engineering staff to deliver a seamless live broadcast.
  • Key Responsibilities:
    • Lead all engineering operations for Denver Summit FC home matches at Centennial Stadium
    • Manage and monitor:
      • Cameras and Camera Control Units
      • Production Switchers
      • Replay Systems
      • Audio Consoles and intercom systems
      • Graphic Systems
      • IP and fiber transport
      • Video shading and monitoring systems
      • Satellite, fiber, and internet transmission paths
      • Verify redundancy and backup systems are operational
  • Qualifications:
    • 2+ years of broadcast engineering experience, preferably in live sports production, remote broadcasts, or mobile units
    • Strong knowledge of broadcast video and audio systems, including signal flow, routing, intercom, RF, replay, and transmission systems
    • Experience supporting live production environments with tight deadlines and high-pressure operational demands
    • Proficiency with IP-based broadcast workflows, networking, and SMPTE standards (including ST 2110, where applicable)
    • Working knowledge of broadcast infrastructure such as routers, multiviewers, production switchers, audio consoles, encoders, and fiber transport systems
    • Ability to diagnose and resolve technical issues quickly during live broadcasts

MotionRocket Operator - Responsible for controlling the main LED video boards, fascia/ribbon displays, and pitch-side screens using the MotionRocket LaunchPad control system. From triggering explosive goal animations and hype prompts to managing critical sponsor loops and live scoreboard data, this position will ensure fans are engaged and run-of-show is executed flawlessly.
  • Key Responsibilities:
    • Live Event Operation - Utilize the MotionRocket LaunchPad system to queue and play graphics, animations, and video clips across multiple LED screens and channels during live soccer matches
    • Cue Execution - Fire off visual elements (e.g., player headshots, substitutions, goal animations, yellow/red card graphics, and crowd prompts) instantaneously on cue from the Matchday Producer via headset comms
    • Asset Management - Ingest, organize, and verify all pre-rendered media files prior to gates opening, ensuring proper formatting (e.g., H.264, alpha channel transparency) and correct aspect ratios for non-standard ribbon displays
    • Sponsor & Data Integration - Manage the virtual scoreboard elements and execute all sponsored inventory precisely according to the script to ensure accurate "proof of play" reporting for corporate partners
    • Pre-Match Setup & Calibration - Configure display outputs, map split screens for fascia boards, test audio embedding, and run through a full system check before every match
    • Troubleshooting - Monitor system stability and playback quality during the event, reacting quickly to bypass glitches, adjust daytime/nighttime brightness profiles, or load on-the-fly graphical updates
  • Qualifications:
    • 2+ years of experience operating MotionRocket LaunchPad, Click Effects (CrossFire/Prime), Daktronics Show Control, Ross Video Xpression, or similar clip server/CG systems in a live sports venue
    • Proven ability to follow a highly detailed script/run-of-show and take rapid-fire verbal directions over a comms channel in a noisy, high-stakes control room
    • Solid understanding of video codecs, resolutions, alpha channels, and basic A/V routing (SDI/DVI outputs)
    • Good understanding of the flow of a soccer match to anticipate stoppages in play, substitutions, and referee decisions, ensuring graphics are queued before they are needed

Pan-Tilt-Zoom (PTZ) Camera Operator - Responsible for operating robotic cameras during Denver Summit FC home matches, training sessions, and club events. You will capture dynamic, fast-paced soccer action, providing vital angles for both our live broadcast and in-stadium video boards.
  • Key Responsibilities:
    • Live Operation - Remotely control multiple PTZ cameras using a hardware joystick controller to track live soccer action smoothly and accurately
    • Dynamic Framing - Anticipate gameplay to maintain optimal framing, seamlessly transitioning between wide tactical angles, tight player follows, and crowd reaction shots
    • Direction Execution - Take real-time cues from the Technical Director/Producer over headset comms, adjusting shots on the fly to meet broadcast needs
    • Equipment Setup & Strike - Assist with the pre-match calibration, white balancing, network configuration, and post-match strike of PTZ camera units and controllers
    • Quality Control - Monitor video feeds for focus, exposure, and color accuracy, making rapid adjustments to account for changing outdoor lighting and weather conditions
    • Tactical Filming (occasional) - Support the coaching staff by recording training sessions and matches from high-angle tactical PTZ setups when required
  • Qualifications:
    • 2+ years of experience operating PTZ cameras (e.g., Panasonic, Sony, BirdDog, or similar systems) in a live, fast-paced environment
    • Previous experience shooting live sports, demonstrating the ability to track fast-moving subjects without erratic movem...

About AEG

Sourced by ZipRecruiter

Industry

Recruiting and staffing services

Company size

51 - 200 Employees

Headquarters location

Saint Louis, MO, US

Year founded

1992

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