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Audio Systems Engineer Jobs in Texas (NOW HIRING)

Program, configure, and troubleshoot AV control systems, audio DSPs, and associated equipment ... Document programming configurations and system settings. * Provide technical guidance during ...

Senior Audio Engineer

Mercedes, TX ยท On-site

$98K - $134K/yr

The Senior Audio Engineer is responsible for the maintenance, reliability, and continuous ... This role focuses on system upkeep, break/fix response, infrastructure optimization, and ...

Senior Audio Engineer

Mercedes, TX ยท On-site

$98K - $134K/yr

The Senior Audio Engineer is responsible for the maintenance, reliability, and continuous ... This role focuses on system upkeep, break/fix response, infrastructure optimization, and ...

Senior Audio Engineer - Acoustic

Austin, TX

$103K - $142K/yr

Lead the application of acoustic engineering principles within robotics systems, supporting ... Optimize audio performance through enclosure design, material selection, and tuning * Mentor junior ...

Senior Audio Engineer - Acoustic

Austin, TX ยท On-site

$103K - $142K/yr

Lead the application of acoustic engineering principles within robotics systems, supporting ... Optimize audio performance through enclosure design, material selection, and tuning * Mentor junior ...

Broadcast Systems Engineer Position Overview We are seeking an experienced Broadcast Systems ... Troubleshoot complex audio/video signal flow issues across broadcast systems and coordinate with IT ...

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Showing results 1-20

Audio Systems Engineer information

See Texas salary details

$49.8K

$118.5K

$155.6K

How much do audio systems engineer jobs pay per year?

As of Jul 6, 2026, the average yearly pay for audio systems engineer in Texas is $118,520.00, according to ZipRecruiter salary data. Most workers in this role earn between $91,300.00 and $146,300.00 per year, depending on experience, location, and employer.

What are some common challenges Audio Systems Engineers face when integrating new audio technologies into existing infrastructures?

Audio Systems Engineers often encounter challenges when integrating new audio technologies, such as ensuring compatibility with legacy equipment, managing latency or signal degradation, and maintaining overall system reliability. Balancing client expectations with technical limitations can also be demanding, especially in environments with strict acoustical requirements. Collaboration with IT teams and other engineers is key to troubleshooting and implementing effective solutions that meet both performance and budgetary goals.

What are the key skills and qualifications needed to thrive as an Audio Systems Engineer, and why are they important?

To thrive as an Audio Systems Engineer, you need a deep understanding of acoustics, signal processing, and electronics, typically supported by a degree in audio engineering or a related field. Familiarity with digital audio workstations (DAWs), audio measurement software, and industry certifications like CTS or Dante are commonly required. Strong problem-solving skills, attention to detail, and effective communication help you collaborate with clients and technical teams. These skills ensure accurate system design, seamless integration, and optimal sound quality in various environments.

What does an Audio Systems Engineer do?

An Audio Systems Engineer is responsible for designing, installing, and maintaining audio systems in various settings such as studios, live venues, broadcast environments, and commercial spaces. They work with complex audio equipment, ensuring optimal sound quality and system performance. Their tasks often include system configuration, troubleshooting, acoustic analysis, and collaborating with other professionals to meet project requirements. Audio Systems Engineers need a strong understanding of audio technology, acoustics, and signal processing.

What is the difference between Audio Systems Engineer vs Audio Engineer?

AspectAudio Systems EngineerAudio Engineer
CredentialsBachelor's degree in audio engineering, electronics, or related field; certifications like CTS or CEDIASimilar degrees; certifications like CTS are common but not mandatory
Work EnvironmentDesigning, testing, and integrating audio systems in commercial, industrial, or entertainment settingsRecording, mixing, and live sound in studios, concerts, or broadcast environments
Industry UsageUsed in AV integration, system design, and technical consultingUsed in music production, live events, and broadcasting

While both roles involve audio technology, Audio Systems Engineers focus on designing and implementing complex audio systems, whereas Audio Engineers primarily handle recording, mixing, and live sound production. The roles often overlap in skills but differ in scope and work environment.

What cities in Texas are hiring for Audio Systems Engineer jobs? Cities in Texas with the most Audio Systems Engineer job openings:
Infographic showing various Audio Systems Engineer job openings in Texas as of June 2026, with employment types broken down into 71% Full Time, and 29% Contract. Highlights an 100% In-person job distribution, with an average salary of $118,520 per year, or $57 per hour.
Audio Engineer (A1)

Audio Engineer (A1)

Community Bible Church

San Antonio, TX โ€ข On-site

Full-time

Posted 21 days ago


Job description

JOB SUMMARY
The Audio Engineer (A1) is responsible for delivering world-class audio experiences for both in-room and broadcast environments across all CBC campuses, services, conferences, and special events.
This role combines advanced live mixing, systems engineering, immersive audio technologies, broadcast integration, and technical leadership to create distraction-free worship experiences that
support ministry at the highest level. The ideal candidate understands that audio is more than technical execution - it is emotional support, clarity, atmosphere, storytelling, and leadership through sound.
This position requires a highly skilled engineer who thrives in fast-paced live production environments while maintaining excellence in preparation, communication, adaptability, and servant leadership. The Audio Engineer will work closely with worship leaders, production staff, volunteers, and creative teams to help deliver consistent and engaging experiences both in-room and online.
ESSENTIAL FUNCTIONS
Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.
  • Serve as lead A1 for weekend worship services, conferences, broadcasts, and special events
  • Mix high-level FOH, monitor, overflow, and broadcast audio environments
  • Deliver polished, balanced, and emotionally engaging mixes for:
  • In-room worship experiences
  • Online streaming audiences
  • Satellite campuses
  • Broadcast environments
  • Recording and archive playback
  • Overflow environments
  • Operate Yamaha Rivage and Yamaha DM7 console ecosystems across multiple production environments including:
  • Main Worship Center
  • Overflow venues
  • Monitor World
  • Broadcast environments
  • Build and maintain console show files, scenes, routing structures, macros, and workflows
  • Execute dynamic live mixes while adapting quickly to spontaneous service flow changes
  • Collaborate closely with worship leaders, pastors, broadcast teams, and production leadership to support ministry moments with intentional excellence
  • Maintain sonic consistency across multiple venues and campus environments
  • Mix and optimize audio specifically for online and broadcast environments
  • Understand the operational and creative differences between FOH and broadcast mixing
  • Manage vocal intelligibility, tonal balance, dynamics, and loudness consistency across streaming platforms
  • Collaborate with video engineering and broadcast teams to maintain synchronization and minimize latency issues
  • Understand audio-for-video workflows including:
  • Embedded SDI audio
  • Dante network audio systems
  • Multitrack recording
  • Playback systems
  • Lip sync management
  • Streaming signal paths
  • Help create immersive worship experiences for In room/online audiences
  • Operate, maintain, and troubleshoot advanced live audio systems including:
  • Yamaha Rivage console ecosystems
  • Yamaha DM7 console ecosystems
  • d&b Audiotechnik PA systems
  • d&b Soundscape immersive audio environments
  • Shure wireless microphone systems
  • Dante audio networking
  • RF coordination systems
  • Playback and recording systems
  • Configure and maintain Dante audio infrastructure and routing workflows across multiple venues
  • Coordinate wireless frequencies and RF environments for large-scale productions
  • Assist with PA optimization, gain structure management, and system tuning workflows
  • Troubleshoot complex signal flow and technical issues under live-event pressure
  • Maintain organized documentation including:
  • Patch sheets
  • Signal flow diagrams
  • System configurations
  • Equipment status reports
  • Ensure systems remain operationally reliable and service-ready
  • Record, edit, mix, and master audio for:
  • Video productions
  • Promotional content
  • Broadcast packages
  • Podcasts
  • Worship recordings
  • Support multitrack recording workflows and playback systems
  • Maintain organized session archives and audio assets
  • Assist in developing scalable playback and recording workflows for future production growth
  • Support guest artists, conferences, and special production environments with advanced preparation and execution
  • Serve as technical lead for smaller ministry events and gatherings
  • Adapt quickly between FOH, monitors, broadcast mixing, systems engineering, and production support roles
  • Cross-train in lighting, broadcast, and video systems to support overall production excellence
  • Help train and develop Audio All-Stars (volunteers) within CBC production culture and standards
  • Maintain calm, organized, and solutions-focused environments during high-pressure productions

COMPETENCIES
  • Strong attention to detail with exceptional listening skills
  • Calm and composed under live-event pressure
  • Highly organized and solutions-oriented
  • Team-focused with strong interpersonal communication skills
  • Self-motivated learner with a growth mindset
  • Reliable, punctual, and highly accountable
  • Passionate about excellence in both ministry and production environments
  • Adaptable and flexible within rapidly changing live-event environments

POSITION TYPE/EXPECTED HOURS OF WORK
Regular full-time, 36-40 hours per week. Weekend services and special events are required as part of scheduled responsibilities. Must work flexible hours including evenings and conferences.
PHYSICAL REQUIREMENTS
While performing the duties of this job, the employee may be regularly required to do the following:
  • Work extended periods on your feet in active live production environments, often during long services, rehearsals, and events.
  • Lifting, carrying, and setting up audio and production equipment weighing up to 50 lbs
  • Navigating stages, platforms, and technical areas

EDUCATION AND EXPERIENCE
  • High School Diploma or equivalent required
  • 3+ years of live audio production experience preferred
  • Experience in church, touring, concert, or broadcast production environments strongly preferred
  • Relevant certifications or advanced live audio training considered a plus

REQUIRED SKILLS
  • Strong experience with professional digital audio consoles in live production environments
  • Experience operating Yamaha Rivage and Yamaha DM7 systems preferred
  • Advanced understanding of:
  • FOH mixing
  • Broadcast mixing
  • Monitor engineering
  • EQ and dynamics processing
  • Gain structure
  • Signal flow
  • System optimization
  • Experience with Shure wireless systems and RF coordination
  • Understanding of Dante audio networking and digital audio infrastructure
  • Strong troubleshooting skills in high-pressure live production environments
  • Strong musical ear with understanding of dynamics, arrangement, frequency balance, and worship aesthetics

PREFERRED QUALIFICATIONS
  • Experience with d&b audiotechnik systems
  • Experience with d&b Soundscape immersive audio environments
  • Experience in large church, touring, concert, or broadcast production environments
  • Familiarity with Waves plugins, playback systems, multitrack recording, and audio postproduction workflows
  • Understanding of synchronization, latency management, and broadcast integration
  • Experience mentoring volunteers or technical team members
  • Familiarity with lighting and broadcast production systems

WORK ENVIRONMENT
Live production environments with high sound pressure levels
OTHER DUTIES
  • Must exemplify The CBC Way of Honor, Hospitality, Hustle, High Capacity, and Humility
  • Communicate proactively and professionally with production staff, worship teams, volunteers, and ministry leaders
  • Lead by preparation, professionalism, positivity, and adaptability
  • Support continuous improvement of CBC systems, workflows, and team development
  • Uphold the belief that production should support worship experiences without becoming distracting
  • CBC Member, genuine desire to serve God and the Church
  • Must live a life beyond reproach 1 Timothy 3
  • Maintain daily disciplines of Bible study and prayer

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