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Live Sound Audio Engineer Jobs in Texas (NOW HIRING)

Ole Red

Audio Engineer - ACL Live

Austin, TX

Serve as primary audio console operator for music performances and events at ACL Live at The Moody ... desired sound. * Fulfill audio support needs for musicians, in-house audience, and audio ...

COMPASS CHRISTIAN CHURCH

Audio Engineer

Hurst, TX

Minimum 5 years of live audio experience * Familiar with Yamaha DM7 sound consoles preferred * Work well with the production team and worship team to execute the weekend services at a high level

Austin PBS

Internship | Audio Intern

Austin, TX · On-site

$20/hr

If you're passionate about live events, sound design, and public media--and thrive in fast-paced ... With thousands of hours of programming across multiple platforms and hundreds of community events ...

Apptronik

Senior Audio Engineer - Acoustic

Austin, TX · On-site

$103K - $142K/yr

JOB SUMMARY Apptronik is seeking a Senior Audio Engineer specializing in acoustics to lead the design, analysis, and optimization of sound performance across products and environments. This role ...

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All JobsLive Sound Audio Engineer JobsLive Sound Audio Engineer Jobs in Texas

Live Sound Audio Engineer information

See Texas salary details

$27.5K

$78.7K

$159.8K

How much do live sound audio engineer jobs pay per year?

As of Jul 30, 2026, the average yearly pay for live sound audio engineer in Texas is $78,683.00, according to ZipRecruiter salary data. Most workers in this role earn between $46,600.00 and $105,300.00 per year, depending on experience, location, and employer.

Are live sound engineers in demand?

Live sound engineers are in demand due to the ongoing need for audio support at concerts, events, and venues. Employment opportunities often depend on experience, technical skills with mixing consoles and audio equipment, and the ability to work flexible hours in dynamic environments.

What are the key skills and qualifications needed to thrive in the Live Sound Audio Engineer position, and why are they important?

To thrive as a Live Sound Audio Engineer, you need strong knowledge of sound reinforcement principles, audio mixing, signal flow, and troubleshooting, often supported by a degree in audio engineering or related experience. Familiarity with mixing consoles (analog and digital), microphones, outboard gear, audio networking systems, and relevant certifications (such as AVIXA CTS or manufacturer-specific training) is highly advantageous. Excellent communication, problem-solving skills, and the ability to stay calm under pressure are crucial soft skills for managing live events. These competencies ensure seamless event execution and high-quality sound experiences for audiences and performers alike.

What does a Live Sound Audio Engineer do?

A Live Sound Audio Engineer is responsible for setting up, operating, and maintaining audio equipment for live events, such as concerts, theater productions, conferences, and sporting events. They manage sound levels, eliminate feedback, and ensure audio clarity for both performers and audiences. Their duties include mixing audio, troubleshooting technical issues, and coordinating with other production team members. They work in various environments, from small venues to large stadiums, requiring adaptability and technical expertise.

How much do live sound engineers earn?

Live sound engineers typically earn between $15 and $50 per hour, with annual salaries ranging from around $30,000 to $80,000 depending on experience, location, and the size of events they work on. Freelance engineers may have variable income based on gigs, while those working full-time for venues or production companies often receive benefits and steady pay. Skills in audio mixing, equipment operation, and certification can influence earning potential.

How much money do live sound engineers make?

Live sound engineers typically earn between $30,000 and $80,000 annually, depending on experience, location, and the scale of events they work on. Entry-level positions may pay less, while experienced engineers working at large venues or festivals can earn higher salaries or hourly rates. Many also supplement income through freelance work or overtime.

What engineers make $500,000?

In the field of live sound audio engineering, earning $500,000 annually is uncommon and typically associated with highly experienced professionals working in large-scale concert productions, major touring acts, or owning successful audio companies. Such high earnings often require advanced skills, extensive industry connections, and often involve additional revenue streams like consulting or equipment sales.

What are some typical challenges that Live Sound Audio Engineers face during live events?

Live Sound Audio Engineers often encounter unpredictable acoustic environments, last-minute technical issues, or sudden changes in show requirements during live events. Problem-solving quickly under pressure is essential, as is adapting to different venues and collaborating closely with performers, stage managers, and production teams. Engineers may have to address feedback issues, equipment malfunctions, or adapt sound for various crowd sizes rapidly. This dynamic environment keeps the work exciting and rewarding for those who thrive on hands-on, real-time challenge.

What are the most commonly searched types of Live Sound Audio Engineer jobs in Texas? The most popular types of Live Sound Audio Engineer jobs in Texas are:
What are popular job titles related to Live Sound Audio Engineer jobs in Texas? For Live Sound Audio Engineer jobs in Texas, the most frequently searched job titles are:
What job categories do people searching Live Sound Audio Engineer jobs in Texas look for? The top searched job categories for Live Sound Audio Engineer jobs in Texas are:
What cities in Texas are hiring for Live Sound Audio Engineer jobs? Cities in Texas with the most Live Sound Audio Engineer job openings:
Live Sound Audio Engineer jobs near you
Infographic showing various Live Sound Audio Engineer job openings in Texas as of July 2026, with employment types broken down into 78% Full Time, 19% Part Time, 1% Temporary, and 2% Contract. Highlights an 89% Physical, 1% Hybrid, and 10% Remote job distribution, with an average salary of $78,683 per year, or $37.8 per hour.

Audio Production Tech

Trinity Church & School

Lubbock, TX

Full-time

Re-posted 10 days ago

Job description

Summary: The Audio Production Tech will manage and coordinate all audio and sound reinforcement needs at Trinity as well as collaborate with the Technical Department on all Audio, Video and Lighting needs.
ESSENTIAL DUTIES AND RESPONSIBILITIES:
  • Manage AVL Production for Worship Services and Special Events:
  • Maintain all AVL equipment relating to Trinity.
  • Serve as the primary FOH Audio Engineer for weekend services, rehearsals, Midweek, and special events.
  • Schedule both staff and volunteer coverage for all Worship Services and Special Events.
  • Design, integrate, and operate various sound systems for special events.
  • Aid in the design, planning, and installation for system upgrades and enhancements in various venues.
  • Work with the Technical Director and the Worship amp; Creative Arts Department to produce all technical elements for service production to include stage layouts, microphone/instrument needs, etc.
  • Oversee the building of all weekend service elements (ProPresenter files, Video switcher configurations, Live Streaming Apps, etc.)
Recruit and Lead an Audio Volunteer Team:
  • Lead/train audio engineers on the FOH, Monitor, and A/V sound consoles and equipment.
  • Train, lead, and direct a volunteer team for maximum impact.
  • Provide coaching and feedback for team members for continuous improvement.
  • Create an atmosphere of community for the Technical Department.
General:
  • Attend all required meetings (Chapel, Technical Team, Ministry Teams, etc.)
  • Recruit and train volunteers to assist in the Technical Department.
  • Aid in planning and installing for system upgrades and enhancements.
  • Help maintain proper supplies.
  • Ensure multi-media delivered is of high technical quality.
  • Assist in coordinating work of technical personnel engaged in controlling and maintaining multi-media equipment.
  • Be willing to cover additional responsibilities deemed as necessary for fulfilling the requirements of this position.
QUALIFICATIONS: Some college preferred in related field such as Live Sound and/or Audio Engineering. Experience with Midas Pro series consoles and coordinating hardware equipment, Yamaha CL and LS series consoles, Shure PSM/UHF/UHFR/ULXD, Dante, Meyer Sound RMS, and BSS Soundweb London. Cutting edge knowledge of multimedia operations to include intelligent light programming, audio for video/broadcast, click tracks/loop track use, in ear monitors, and multi-campus audio/video systems engineering. Proven people, organizational and administrative skills. High level of interpersonal skills/communication. Ability to adjust and adapt quickly to a changing environment.
  • Affirms that Scripture defines the roles of male and female and Romans 1:21-27; Romans 1:24-32 condemns the homosexual lifestyle. (1 Cor. 6:9-20; Eph 4:1-11, 5:3-5)
  • Must be a Member of Trinity Church or willing to become a member
REQUIREMENTS:
  • 3-5 years of live audio production and crew management.
  • Expert knowledge of live event/broadcast audio systems.
  • Must be available to work weekends.
  • Week days worked may vary

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