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Audio Mixing Engineer Jobs (NOW HIRING)

Bethel University

Events Audio Technician

Saint Paul, MN · On-site

$23/hr

Lead audio engineering for campus ministries and major performing arts events. * 20% Systems ... Whether you're configuring an audio network or mixing a live musical, you bring a "can-do" spirit ...

The Hangout

Sound Engineer

Myrtle Beach, SC · On-site

$18/hr

... audio mixing knowledge - Construction/shop/electrical experience preferred - Great communication skills and ability to read and adapt to the crowd - Ability to take direction and initiative well and ...

NPR

Audio Engineer

Washington, DC

$44.04 - $49.67/hr

Primary duties include engineering live broadcasts of NPR programming, audio restoration and repair, recording and mixing audio for video, Master Control operation, troubleshooting technical problems ...

FREMONT EXPERIENCE

Audio Engineer

Las Vegas, NV

$29/hr

Audio Engineer - This is a full-time position with benefits. Starting hourly rate is $27.50 ... Minimum of 5 years' experience mixing on large format concert level audio systems * Complete ...

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Audio Mixing Engineer information

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$29.5K

$84.5K

$171.5K

How much do audio mixing engineer jobs pay per year?

As of Jun 12, 2026, the average yearly pay for audio mixing engineer in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as an Audio Mixing Engineer, and why are they important?

To thrive as an Audio Mixing Engineer, you need a deep understanding of audio theory, signal flow, and acoustics, often supported by a degree or certification in audio engineering or music production. Proficiency with digital audio workstations (DAWs) like Pro Tools or Logic Pro, as well as familiarity with plugins, hardware consoles, and monitoring systems, is typically required. Strong attention to detail, creativity, and effective communication skills set top professionals apart in this field. These skills are vital to produce high-quality mixes that meet artistic and technical standards, ensuring client satisfaction and successful project outcomes.

What does an Audio Mixing Engineer do?

An Audio Mixing Engineer is responsible for blending and balancing the individual tracks of a recording to create a polished final version. This involves adjusting levels, panning, equalization, compression, effects, and other audio processing tools to ensure each element of a song or audio project sounds cohesive and professional. They work closely with producers and artists to achieve the desired sound, and their expertise is crucial for both music production and post-production in film, television, and other media.

What is the difference between Audio Mixing Engineer vs Sound Designer?

AspectAudio Mixing EngineerSound Designer
Primary RoleBalancing and blending audio tracks for final productionCreating and designing sound effects and audio elements
Skills & CertificationsProficiency in mixing software, audio engineering certificationsSound design skills, creativity, audio editing expertise
Work EnvironmentRecording studios, post-production facilitiesFilm, video game, theater, and multimedia projects
Industry UsageMusic, film, TV, broadcastingFilm, video games, multimedia, advertising

While both roles involve audio work, an Audio Mixing Engineer focuses on balancing and blending audio tracks to achieve a polished sound, often in post-production. A Sound Designer creates unique sound effects and audio elements to enhance storytelling or user experience. Both roles require technical skills and industry knowledge but serve different creative and technical purposes.

What are some common challenges Audio Mixing Engineers face when working with diverse music genres?

Audio Mixing Engineers often encounter the challenge of adapting their techniques to suit different music genres, as each genre has unique expectations for sound balance, effects, and dynamics. For instance, mixing pop may emphasize vocals and clarity, while rock requires attention to powerful drums and guitars, and electronic music leans on precise low-end and synthesized elements. Successfully navigating these differences involves not only technical skill but also strong communication with artists and producers to understand their creative vision. Flexibility and a continuous learning mindset are key to excelling in this role.
More about Audio Mixing Engineer jobs
What cities are hiring for Audio Mixing Engineer jobs? Cities with the most Audio Mixing Engineer job openings:
What states have the most Audio Mixing Engineer jobs? States with the most job openings for Audio Mixing Engineer jobs include:
What job categories do people searching Audio Mixing Engineer jobs look for? The top searched job categories for Audio Mixing Engineer jobs are:
Audio Mixing Engineer jobs near you
Infographic showing various Audio Mixing Engineer job openings in the United States as of June 2026, with employment types broken down into 2% Internship, 81% Full Time, 13% Part Time, 1% Temporary, 2% Contract, and 1% Nights. Highlights an 87% Physical, 5% Hybrid, and 8% Remote job distribution, with an average salary of $84,456 per year, or $40.6 per hour.
On Call Head Audio

On Call Head Audio

Madison Elementary School District

Phoenix, AZ

Other

Posted 6 days ago

Job description

On Call Head Audio

This position is an on-call, activated on a show-by-show basis.

The Head of Audio oversees the audio needs for the event or show, ensuring smooth operations. They are responsible for managing audio systems and structures for crew and production.

Qualifications:

  • 1-2 years experience of live audio mixing.
  • Experience with Qlab, TheatreMix, and other professional live entertainment computer software.
  • Professional experience with Yamaha Digital consoles
  • Experience with Dante networks and Dante Controller (At least Dante Level 2 Certification preferred)
  • Experience with and working knowledge of live entertainment multi projector systems and programming.
  • Experience with both Audio and Video system network setup and troubleshooting.
  • Experience with Shure ULXD, and Wireless Workbench a plus.
  • Ability to work closely with people in a professional and positive manner.
  • Ability to work closely and creatively with design teams, directors, and other members of the staff.
  • Proficiency with computers and standard office suite, ability to generate and maintain professional level paperwork and tracking for each production.
  • Ability to multitask while maintaining productivity.
  • Ability to remain levelheaded in high-stress environments.
  • Ability to troubleshoot under pressure and remain composed.
  • Ability to work independently and meet deadlines.

Responsibilities:

  1. Coordinate with production staff, designers, and performers, overseeing sound setup, operation, and strike for rehearsals and performances, ensuring sound quality, and troubleshooting any issues that arise.
  2. Ensure compliance with safety protocols and industry best practices is crucial.
  3. Serve as the primary audio contact for the event or show.
  4. Assist with event load-in, setup, operation, and load-out.
  5. Manage and maintain the venue's audio systems and equipment.
  6. Troubleshoot and resolve technical issues efficiently under time-sensitive conditions.
  7. Supervise and mentor the audio team.
  8. Ensure compliance with safety protocols.
  9. Lead in facilitating all audio needs for all rental events/productions, including the testing, maintenance and upkeep of all audio equipment, projectors, and sound equipment in The Madison.
  10. Review sound plots to evaluate feasibility and implementation in The Madison
  11. Lead in preparing and installing equipment based on plots and designer supplied specifications; including but not limited to tech table set-up, i.e. tables, headsets, and video monitors, god mic, etc.
  12. Collaborate to produce show-related audio paperwork.
  13. Maintain organized and accurate records of design execution for a given production. Make archival copies of all paperwork and show files.
  14. Adhere to the proper shut-down of all audio, special effects, stage equipment and other electrical appliances, assuring that the theatre is left in a safe, secure, and appropriately lit manner and that equipment is locked in a secure place.

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