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Audio Mixer Jobs (NOW HIRING)

You will own the architecture of audio decoding and rendering (including for APAC and Dolby Atmos), and the real-time audio mixing engine that houses the powerful DSP for features like Spatial Audio ...

Audio Operations & Mixing Operate and mix live audio for a wide variety of performances including production shows, live bands, solo musicians, and guest entertainers. Ensure consistent, high-quality ...

Current with latest best practices of live audio mixing * Minimum 5 years of live audio experience * Familiar with Yamaha DM7 sound consoles preferred * Work well with the production team and worship ...

Audio Operations & Mixing Operate and mix live audio for a wide variety of performances including production shows, live bands, solo musicians, and guest entertainers. Ensure consistent, high-quality ...

Core Audio Software Engineer

Cupertino, CA · On-site

$181.10 - $318.40/hr

You will own the architecture of audio decoding and rendering (including for APAC and Dolby Atmos), and the real-time audio mixing engine that houses the powerful DSP for features like Spatial Audio ...

A/V TECHNICIAN I

Silver Spring, MD · Remote

$22.60 - $25/hr

Be able to operate and troubleshoot projectors, video switching equipment, audio equipment (amps, mixers), microphone devices, PCs, VCR s/DVD s players, and Video Conferencing systems (Tandberg ...

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Audio Mixer information

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$10

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How much do audio mixer jobs pay per hour?

As of Aug 23, 2026, the average hourly pay for audio mixer in the United States is $17.31, according to ZipRecruiter salary data. Most workers in this role earn between $14.90 and $19.23 per hour, depending on experience, location, and employer.

What does an audio mixer do?

An audio mixer is responsible for combining, balancing, and adjusting different audio sources to create a harmonious final sound. They work with various audio tracks, such as music, dialogue, and sound effects, to ensure clarity and optimal levels for each element. Audio mixers are commonly used in music production, film, television, live events, and broadcasting. Their expertise ensures that the final audio output meets the desired artistic and technical standards.

What are some common challenges faced by audio mixers when working on collaborative projects?

Audio Mixers frequently work with producers, musicians, and sound engineers, which requires strong communication and adaptability. One common challenge is balancing creative input from multiple stakeholders while maintaining audio consistency and quality. Additionally, tight deadlines and last-minute changes can require quick problem-solving and efficient workflow management. Staying organized and adaptable helps ensure a smooth mixing process and a final product that meets everyone's expectations.

What are the key skills and qualifications needed to thrive as an audio mixer, and why are they important?

To thrive as an Audio Mixer, you need a solid understanding of audio engineering principles, sound design, and mixing techniques, usually backed by formal training or relevant experience. Familiarity with digital audio workstations (DAWs) like Pro Tools or Logic Pro, as well as knowledge of mixing consoles and signal processing equipment, is typically required. Attention to detail, creativity, and strong communication skills help audio mixers collaborate effectively with producers and artists. These skills are crucial to delivering high-quality audio that meets artistic and technical standards in live or recorded productions.

What is the difference between Audio Mixer vs Sound Engineer?

AspectAudio MixerSound Engineer
Primary RoleAdjusts and balances audio signals during recording or live eventsDesigns, records, and produces sound recordings or live sound setups
CredentialsOften requires technical training or certification in audio productionTypically holds a degree or certification in audio engineering or related field
Work EnvironmentRecording studios, live venues, broadcast stationsRecording studios, concert venues, film sets
Industry UsageUsed in music, broadcasting, live eventsUsed in music production, film, television, live events

While both roles involve working with audio, an Audio Mixer primarily focuses on balancing and adjusting sound levels during recordings or live events. A Sound Engineer has a broader scope, including designing sound setups, recording, and producing audio content. Understanding these differences helps in choosing the right career path or job search focus.

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What cities are hiring for Audio Mixer jobs?

Cities with the most Audio Mixer job openings:

What are the most commonly searched types of Audio Mixer jobs?

The most popular types of Audio Mixer jobs are:

What states have the most Audio Mixer jobs?

States with the most job openings for Audio Mixer jobs include:

Infographic showing various Audio Mixer job openings in the United States as of August 2026, with employment types broken down into 1% Internship, 71% Full Time, 25% Part Time, 1% Temporary, and 2% Contract. Highlights an 80% Physical, 2% Hybrid, and 18% Remote job distribution, with an average salary of $35,996 per year, or $17.3 per hour.

Full-time

Posted 9 days ago


Job description

  1. Summary

Title: Audio Engineer

Reports to: Director of Production

Employment Status: Full-Time Salaried, Exempt

Overview: As the primary executor of both live and recorded audio for the Nashville Symphony and at the Schermerhorn Symphony Center (SSC), the Audio Engineer helps the Director of Production manage and supervise part-time audio staff and audio production equipment/infrastructure at SSC. This role also works in conjunction with external venues and engineers to ensure the sonic quality of the Nashville Symphony is preserved regardless of the performance context.

  1. Primary Duties and Responsibilities
  1. Collaborate with Director of Production, Artistic Operations staff, orchestra musicians, and conductors to establish and execute audio standards and best-practices consistent with the Nashville Symphony and SSC’s reputation of excellence.
    1. Operate and/or supervise the operation of SSC audio equipment.
    2. Maintain audio equipment, communicating effectively about any repair or replacement needs to the Director of Production in a timely fashion.
    3. Provide audio support for non-orchestral events and concerts at SSC.
  2. Coordinate with other venues, arts organizations, engineers, and artists to cultivate and maintain a high standard of auditory excellence for the Nashville Symphony outside of SSC.
  3. Operate and/or supervise the operation, maintenance, and purchase & installation of SSC audio equipment for the Nashville Symphony, visiting artists/tours, and venue rental clients.
  4. Interpret technical riders and advance audio production for visiting artists and tours congruent with symphony CBA regulations and SSC best practices.
  5. Coordinate with Director of Production and Orchestra Production Manager to complete administrative work related to audio production including coding invoices, scheduling audio labor, and coordinating audio equipment rentals as needed.
  6. Ensure safety of Production Department equipment.
  7. Supervise and direct stagehands for “floor flips” in Laura Turner Concert Hall, as well as other production and maintenance tasks as assigned.

The duties listed above are not all inclusive.  The person in this position is expected to perform other work-related duties as assigned even though they may not be considered primary duties.

  1. Supervisory Responsibilities

Supervision of audio staff, contracted free-lancers, and venders. Carry out supervisory responsibilities in accordance with the organization's policies and applicable laws.

  1. Work Requirements
  1. Education / Experience:
    1. Bachelor’s degree or higher in Audio Engineering or related; or
    2. High School diploma or GED equivalent; and
    3. 5 years of experience mixing and recording in professional settings
  2. Required Soft Skills:
    1. Ability to lead, contribute, and thrive in a team environment.
    2. Strong analytical, organizational, and project management skills and a helpful attitude in developing creative responses and solutions to needs and issues.
    3. Ability to read, analyze, and interpret complex technical manuals and specifications and translate technical terminology to lay terms.
    4. Strong interpersonal skills for balancing the needs of various stakeholders.
    5. Ability to work independently and use independent judgment while keeping supervisor informed of work activity and issues.
    6. Ability to coordinate multiple projects and effectively prioritize tasks while maintaining a calm and professional demeanor.
    7. Ability to work flexible hours, including nights and weekends.
  3. Required Technical Skills:
    1. Familiarity with a variety of analog and digital audio equipment including: consoles, microphones, speakers, amplifiers, wireless systems, AoIP protocols, etc.
    2. Familiarity with Digital Audio Workstations.
    3. Excellent computer and Audio over IP networking skills.
    4. Advanced audio mixing and recording proficiency.
    5. Proficiency with soldering iron and heat gun.

The Nashville Symphony Association reserves the right to revise this job description at any time.  This job description is not a contract for employment. All employees are expected to adhere to all terms and conditions of the Association’s Personnel Policies and Employment Manuals and other Association policies and procedures which may be promulgated and published from time to time.