1

Field Audio Mixer Jobs (NOW HIRING)

We're looking for inventive and collaborative people from a variety of creative fields. If that ... Demonstrated expertise in theatrical, concert, and event audio mixing. Deep knowledge of ...

We're looking for inventive and collaborative people from a variety of creative fields. If that ... Operate and support digital mixing platforms including SSL Live, Avid S6L, DiGiCo, and Yamaha.

Running live sound (wireless mics, lavs, mixers) and managing playback/switching during sessions ... Associate's degree or technical certification in A/V, broadcast technology, or a related field, or ...

New

Audio Operations & Mixing Operate and mix live audio for a wide variety of performances including ... Degree or diploma in Audio Engineering, Technical Theater, or a related field preferred ...

Audio Operations & Mixing Operate and mix live audio for a wide variety of performances including ... Degree or diploma in Audio Engineering, Technical Theater, or a related field preferred ...

Be Seen First

Audio Engineer

Drexel Hill, PA · On-site

$31K - $52K/yr

You will be responsible for setting up recording sessions, mixing, editing, and ensuring the final ... Bachelor's degree in Audio Engineering, Sound Engineering, or related field

Audio Technician

Orlando, FL · On-site

$16 - $18/hr

... field. Experience, Technical Skills & Tools: · Proven experience as an A/V Technician or similar role. · Hands-on knowledge of audio mixers, video switchers, projectors, lighting control, and live ...

A/V TECHNICIAN I

Silver Spring, MD · Remote

$22.60 - $25/hr

... field. * Must have knowledge or experience with most of the following: setup, testing, use, maintenance, and configuration of audio mixers, digital signal processing, flat panel TV s/Monitors ...

Audio Technician

Orlando, FL · On-site

$16 - $18/hr

... field. Experience, Technical Skills & Tools: • Proven experience as an A/V Technician or similar role. • Hands-on knowledge of audio mixers, video switchers, projectors, lighting control, and ...

... field. * Must have knowledge or experience with most of the following: setup, testing, use, maintenance, and configuration of audio mixers, digital signal processing, flat panel TV s/Monitors ...

next page

Showing results 1-20

Field Audio Mixer information

See salary details

$10

$17

$24

How much do field audio mixer jobs pay per hour?

As of Aug 26, 2026, the average hourly pay for field audio mixer in the United States is $17.31, according to ZipRecruiter salary data. Most workers in this role earn between $14.90 and $19.23 per hour, depending on experience, location, and employer.

What does a field audio mixer do?

A Field Audio Mixer is responsible for capturing and controlling audio during on-location film, television, or live event productions. They operate portable mixing equipment to ensure clear recordings of dialogue, ambient sounds, and special audio effects, often working closely with camera crews and directors. Their job includes monitoring sound quality, adjusting levels, and sometimes troubleshooting technical issues on the spot. The role requires a good ear for detail, knowledge of sound equipment, and the ability to adapt quickly to different environments.

What are the key skills and qualifications needed to thrive as a field audio mixer?

To thrive as a Field Audio Mixer, you need a solid understanding of audio engineering principles, microphone techniques, and sound recording, typically backed by relevant experience or audio production education. Familiarity with portable mixers, field recorders, wireless microphone systems, and audio editing software is essential, and certifications from organizations like the Audio Engineering Society can be beneficial. Strong attention to detail, problem-solving skills, and the ability to communicate effectively with crew members are crucial soft skills for this role. These competencies ensure high-quality audio capture in dynamic environments, which is vital for producing professional-grade content.

How does a field audio mixer typically collaborate with other crew members during on-location shoots?

Field Audio Mixers work closely with directors, camera operators, and boom operators to ensure optimal sound quality during on-location shoots. They coordinate with the director to understand the creative vision, communicate with boom operators about microphone placement, and often troubleshoot audio challenges in real time. Effective teamwork is crucial, as the audio mixer must adapt quickly to changing environments and logistical constraints, all while maintaining clear communication to capture the best possible sound. This collaborative dynamic is essential for delivering high-quality audio that meets production standards.

What is the difference between Field Audio Mixer vs Sound Recordist?

AspectField Audio MixerSound Recordist
CredentialsAudio engineering certifications, experience in live or location soundAudio engineering certifications, experience in location sound recording
Work EnvironmentOn-location filming, outdoor or indoor shootsOn-location recording, film sets, documentaries
Industry UsageFilm, TV, documentary, live eventsFilm, TV, documentary, location shoots
Primary FocusMixing and managing audio equipment during shootsCapturing high-quality sound recordings on location

The main difference is that a Field Audio Mixer primarily manages and mixes audio during filming or recording on location, ensuring sound quality during production. A Sound Recordist focuses on capturing high-quality sound recordings on location, often handling microphones and recording devices. Both roles require similar credentials and work environments but differ in their primary responsibilities within the audio production process.

More about Field Audio Mixer jobs

What cities are hiring for Field Audio Mixer jobs?

Cities with the most Field Audio Mixer job openings:

Infographic showing various Field Audio Mixer job openings in the United States as of August 2026, with employment types broken down into 1% As Needed, 88% Full Time, 9% Part Time, and 2% Contract. Highlights an 91% Physical, 3% Hybrid, and 6% Remote job distribution, with an average salary of $35,996 per year, or $17.3 per hour.

Audio Engineer

Bethlehem, PA • On-site

Green Leaf Productions Inc
Broadcasting • 11 - 50 employees

Full-time

Re-posted 8 days ago


Job description


We are seeking a Sound Technician/Audio Engineer with proven experience in the film or television industry. This individual will be responsible for capturing high-quality production sound on set—working closely with directors, producers, and camera teams to ensure audio clarity, continuity, and consistency across all types of shoots.

The ideal candidate is highly skilled in both mixing and boom operation, adaptable to various shooting environments, and capable of managing and troubleshooting on-location sound challenges in real time.


Key Responsibilities

  • Operate provided sound equipment during production, including field mixers, boom mics, wireless lavalier systems, and recorders
  • Capture high-quality dialogue, ambient, and sync sound during interviews, scripted scenes, and documentary shoots
  • Monitor sound levels and adjust inputs to prevent clipping, distortion, or signal loss
  • Mic up talent with discretion and care; manage lav placement, cabling, and concealment
  • Collaborate with the Director, DP, and talent to ensure optimal mic positioning and minimal interference
  • Conduct pre-shoot sound checks and troubleshoot equipment or interference issues quickly
  • Log audio files, label takes, and maintain organized records for post-production
  • Maintain, inventory, and properly store all sound equipment
  • Support post-production by delivering clean, well-documented audio files and field notes


Qualifications

  • 4+ years of professional experience as a production sound mixer or boom operator
  • Proficiency with industry-standard gear (e.g., Zoom F8, Sound Devices mixers, Sennheiser/Lectrosonics wireless, Rode/Deity booms, etc.)
  • Strong understanding of on-location audio mixing, gain structure, and mic techniques
  • Experience working in a variety of production environments (studio, field, run-and-gun, interviews)
  • Knowledge of timecode sync, slating, and best practices for multi-cam shoots
  • Ability to work quickly and quietly on set with minimal disruption
  • Familiarity with post-production workflows and audio formats
  • Must be organized, punctual, and responsive under time-sensitive conditions
  • Ability to lift and carry sound gear; must have valid driver’s license and reliable transportation


Please note: While this evergreen posting remains open, we review applications continuously. If you’re interested, we invite you to apply. We appreciate everyone’s interest, though only candidates chosen for an interview will hear back from us.