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Audio Mixer Jobs (NOW HIRING)

RUN STUDIOS LLC

Audio Specialist (6430)

Redmond, WA

A1 - Broadcast audio mixer with LAWO experience, working with live talent in studio, on TEAMS calls, and with remote sources via AoIP. * A2 - Live telecast event stage setup and miking of talent ...

RUN Studios

Audio Specialist (6430)

Redmond, WA · On-site

A1 - Broadcast audio mixer with LAWO experience, working with live talent in studio, on TEAMS calls, and with remote sources via AoIP. * A2 - Live telecast event stage setup and miking of talent ...

Apple

Audio Engineer

Cupertino, CA · On-site

Demonstrated expertise in theatrical, concert, and event audio mixing. Deep knowledge of professional audio systems, signal flow, and system integration, Audio networking: Dante, AES67, AVB. Strong ...

Apple

Core Audio Software Engineer

Cupertino, CA · On-site

You will own the architecture of audio decoding and rendering (including for APAC and Dolby Atmos), and the real-time audio mixing engine that houses the powerful DSP for features like Spatial Audio ...

Apple

Audio Engineer

Cupertino, CA

$149K - $225K/yr

Operate and support digital mixing platforms including SSL Live, Avid S6L, DiGiCo, and Yamaha. Design, deploy, and manage Dante-based audio networks, including redundancy, time code, QoS, and ...

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Audio Mixer information

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How much do audio mixer jobs pay per hour?

As of Aug 2, 2026, the average hourly pay for audio mixer in the United States is $17.31, according to ZipRecruiter salary data. Most workers in this role earn between $14.90 and $19.23 per hour, depending on experience, location, and employer.

What does an audio mixer do?

An audio mixer is responsible for combining, balancing, and adjusting different audio sources to create a harmonious final sound. They work with various audio tracks, such as music, dialogue, and sound effects, to ensure clarity and optimal levels for each element. Audio mixers are commonly used in music production, film, television, live events, and broadcasting. Their expertise ensures that the final audio output meets the desired artistic and technical standards.

What are the key skills and qualifications needed to thrive as an Audio Mixer, and why are they important?

To thrive as an Audio Mixer, you need a solid understanding of audio engineering principles, sound design, and mixing techniques, usually backed by formal training or relevant experience. Familiarity with digital audio workstations (DAWs) like Pro Tools or Logic Pro, as well as knowledge of mixing consoles and signal processing equipment, is typically required. Attention to detail, creativity, and strong communication skills help audio mixers collaborate effectively with producers and artists. These skills are crucial to delivering high-quality audio that meets artistic and technical standards in live or recorded productions.

What are some common challenges faced by Audio Mixers when working on collaborative projects?

Audio Mixers frequently work with producers, musicians, and sound engineers, which requires strong communication and adaptability. One common challenge is balancing creative input from multiple stakeholders while maintaining audio consistency and quality. Additionally, tight deadlines and last-minute changes can require quick problem-solving and efficient workflow management. Staying organized and adaptable helps ensure a smooth mixing process and a final product that meets everyone's expectations.

What is the difference between Audio Mixer vs Sound Engineer?

AspectAudio MixerSound Engineer
Primary RoleAdjusts and balances audio signals during recording or live eventsDesigns, records, and produces sound recordings or live sound setups
CredentialsOften requires technical training or certification in audio productionTypically holds a degree or certification in audio engineering or related field
Work EnvironmentRecording studios, live venues, broadcast stationsRecording studios, concert venues, film sets
Industry UsageUsed in music, broadcasting, live eventsUsed in music production, film, television, live events

While both roles involve working with audio, an Audio Mixer primarily focuses on balancing and adjusting sound levels during recordings or live events. A Sound Engineer has a broader scope, including designing sound setups, recording, and producing audio content. Understanding these differences helps in choosing the right career path or job search focus.

More about Audio Mixer jobs
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What are the most commonly searched types of Audio Mixer jobs? The most popular types of Audio Mixer jobs are:
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What job categories do people searching Audio Mixer jobs look for? The top searched job categories for Audio Mixer jobs are:
Audio Mixer jobs near you
Infographic showing various Audio Mixer job openings in the United States as of July 2026, with employment types broken down into 76% Full Time, 21% Part Time, 1% Temporary, and 2% Contract. Highlights an 89% Physical, 1% Hybrid, and 10% Remote job distribution, with an average salary of $35,996 per year, or $17.3 per hour.

Seasonal Part-Time Audio 1

The National Football League

Inglewood, CA • Remote

Other

This job post has expired today. Applications are no longer accepted.

Job description

NFL Media Technical Operations is seeking an experienced Audio 1 (A1) to lead audio production for live and recorded programming across NFL Media platforms. This position serves as the primary audio lead responsible for the planning, execution, mixing, and overall quality of audio elements supporting studio, remote, and special event productions. 

The ideal candidate possesses extensive live broadcast audio experience, strong technical expertise in modern IP-based audio environments, and a proven ability to perform in fast-paced, high-profile sports production settings. Production services will be based at NFL Media's state-of-the-art broadcast facility in Inglewood, California. 

Responsibilities

  • Serve as the lead audio mixer for live and recorded productions, ensuring the highest level of audio quality and operational excellence.
  • Design, configure, and execute complex audio workflows for studio shows, remote broadcasts, special events, and digital productions.
  • Operate and mix live productions utilizing broadcast audio consoles, playback systems, communication systems, and IP-based audio infrastructure.
  • Collaborate closely with producers, directors, technical directors, engineering teams, and production personnel to deliver consistent and impactful audio experiences.
  • Develop and maintain show-specific audio configurations, routing strategies, and operational workflows.
  • Lead audio planning for remote productions, transmission paths, venue integration, and signal management.
  • Troubleshoot and resolve technical audio issues in real time while maintaining on-air continuity.
  • Oversee proper setup, operation, and optimization of communications systems, including Riedel intercom platforms.
  • Ensure compliance with broadcast audio standards and best practices across stereo, surround sound, and emerging audio formats.
  • Provide guidance, mentorship, and operational direction to A2 and A3 personnel and freelance audio staff as needed.
  • Maintain proficiency in emerging broadcast technologies, IP networking standards, and audio production workflows.
  • Perform other duties as assigned. 

Required Qualifications

  • 7+ years of professional broadcast audio experience, including significant experience mixing live sports and studio productions.
  • Proven experience serving as an Audio 1 (A1) or senior-level broadcast audio mixer in a professional television, streaming, or live event environment.
  • Advanced experience operating SSL audio consoles; experience with SSL System T and S500 platforms strongly preferred.
  • Demonstrated expertise in stereo, 5.1 surround, and multi-channel broadcast audio mixing.
  • Extensive knowledge of IP-based audio infrastructures, including AES67, Dante, SMPTE 2110, and related broadcast networking technologies.
  • Experience supporting complex remote productions, transmission workflows, and large-scale live event broadcasts.
  • Strong understanding of broadcast signal flow, routing, communications systems, and troubleshooting methodologies.
  • Proficiency with playback systems, audio servers, and broadcast production technologies.
  • Experience working with Riedel communications systems and networked intercom environments preferred. 

Qualifications

  • Experience supporting national sports broadcasts and large-scale live events.
  • Dante Certification or equivalent IP audio networking credentials.
  • Experience with EVS audio workflows and replay systems.
  • Familiarity with cloud-based or remote production environments.
  • CTS, Dante, or other relevant industry certifications. 

Other Key Attributes / Characteristics

  • Exceptional leadership, communication, and collaboration skills.
  • Ability to remain calm and make sound decisions in high-pressure live production environments.
  • Demonstrated attention to detail and commitment to operational excellence.
  • Strong troubleshooting and problem-solving capabilities.
  • Ability to prioritize multiple competing demands while maintaining production quality.
  • Strong technical proficiency with broadcast systems, production software, and collaboration tools. 

Terms / Expected Hours of Work

  • Availability to work flexible schedules, including evenings, weekends, holidays, and special events.
  • Ability to support remote productions and occasional travel as business needs require.
  • Seasonal employment up to 7 months. 

Salary / Pay Range

This job posting contains a pay range, which represents the range of salaries or hourly rates that the NFL believes, in good faith, at the time of this posting that it might be willing to pay for the posted job in the location(s) specified. The NFL expects to hire for this position near the middle of the range. Only in truly rare and exceptional circumstances, where an external candidate has experience, credentials or expertise that far exceed those required or expected for the position, would the NFL consider paying a salary or rate near the higher end of the range. 

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