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Audio Engineer Sound Designer Jobs (NOW HIRING)

Freelance Audio Engineer (Post-Production & Studio Operations)Affiliation: NABET UnionPosition ... Voiceover & Sound Design: Engineer narration sessions, design sound effects when needed, and ...

Audio Engineer

Pittsburgh, PA · On-site

$21.64 - $24/hr

Operate FOH or monitor mixing consoles during live events, ensuring optimal sound quality ... designers, in a diplomatic way. * Operate a company owned vehicle including box trucks, pick up ...

The Audio Engineer is a hands on technical leadership role responsible for delivering premium live ... Experience working directly with executives, presenters, talent, designers, and stagehands.

Sound Designer (Remote)

San Francisco, CA · Remote

$21 - $25.50/hr

Create rich and immersive spatial audio soundscape for virtual reality environments. * Collaborate with educational content designers and developers to create sound schemes that support pedagogical ...

Audio Engineer

New York, NY · On-site

$450 - $900/mo

As an Audio Engineer at Sofar, you'll bring the magic on the sound desk at local shows throughout NYC. Our shows are intimate and all about the music - which makes the sound that much more important.

Senior Audio Engineer

Oskaloosa, IA · On-site

$98K - $134K/yr

The Senior Audio Engineer designs, develops, tests, and optimizes professional audio systems and ... Ability to lead technical projects, make sound engineering recommendations, and influence decisions ...

As an Audio Engineer at Sofar, you'll bring the magic on the sound desk at local shows throughout NYC. Our shows are intimate and all about the music - which makes the sound that much more important.

As an Audio Engineer at Sofar, you'll bring the magic on the sound desk at local shows throughout NYC. Our shows are intimate and all about the music - which makes the sound that much more important.

Senior Audio Engineer

Oskaloosa, IA · On-site

$98K - $134K/yr

The Senior Audio Engineer designs, develops, tests, and optimizes professional audio systems and ... Ability to lead technical projects, make sound engineering recommendations, and influence decisions ...

Audio Engineer

Los Angeles, CA · On-site

$450 - $900/mo

As an Audio Engineer at Sofar, you'll bring the magic on the sound desk at local shows throughout NYC. Our shows are intimate and all about the music - which makes the sound that much more important.

Senior Audio Engineer

Oskaloosa, IA

$98K - $134K/yr

The Senior Audio Engineer designs, develops, tests, and optimizes professional audio systems and ... Ability to lead technical projects, make sound engineering recommendations, and influence decisions ...

Audio Engineer

Los Angeles, CA · On-site

$450 - $900/day

As an Audio Engineer at Sofar, you'll bring the magic on the sound desk at local shows throughout NYC. Our shows are intimate and all about the music - which makes the sound that much more important.

Audio Engineer

Pittsburgh, PA · On-site

$21.64 - $24/hr

Operate FOH or monitor mixing consoles during live events, ensuring optimal sound quality ... designers, in a diplomatic way. * Operate a company owned vehicle including box trucks, pick up ...

The Sound Engineer will manage audio setup and breakdown for live events, including selecting, positioning, and configuring microphones and audio equipment for performers in diverse, unconventional ...

Showing results 41-60

Audio Engineer Sound Designer information

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$41K

$92.1K

$122.5K

How much do audio engineer sound designer jobs pay per year?

As of Sep 10, 2026, the average yearly pay for audio engineer sound designer in the United States is $92,099.00, according to ZipRecruiter salary data. Most workers in this role earn between $81,000.00 and $106,000.00 per year, depending on experience, location, and employer.

What does an audio engineer sound designer do?

An Audio Engineer Sound Designer is responsible for creating, recording, editing, and mixing audio elements for various media such as film, television, video games, and music. They design unique sounds, improve audio quality, and ensure that all audio components are balanced and well-integrated into the final product. Their work involves collaborating with directors, producers, and other creative professionals to achieve the desired auditory experience. Technical expertise with recording equipment and software is essential, as is a creative ear for sound manipulation.

How does an audio engineer sound designer typically collaborate with directors and other creative team members during a project?

Audio Engineer Sound Designers work closely with directors, producers, and other members of the creative team to ensure that the audio elements align with the overall vision of the project. This often involves attending meetings to discuss creative goals, providing sound samples, and making adjustments based on feedback. Effective communication and flexibility are essential, as requirements may evolve throughout production. Collaboration also extends to working alongside composers, Foley artists, and editors to seamlessly integrate sound effects and music into the final mix.

What are the key skills and qualifications needed to thrive as an audio engineer sound designer, and why are they important?

To thrive as an Audio Engineer Sound Designer, you need a solid understanding of acoustics, recording techniques, sound editing, and often a degree or certification in audio engineering or a related field. Proficiency with digital audio workstations (DAWs) like Pro Tools or Logic Pro, audio plugins, microphones, and mixing consoles is essential. Creativity, attention to detail, and strong communication skills help you collaborate effectively with producers, directors, and other team members. These skills ensure the creation of high-quality, immersive audio experiences that meet technical standards and creative goals.

What is the difference between Audio Engineer Sound Designer vs Sound Editor?

AspectAudio Engineer Sound DesignerSound Editor
CredentialsAudio engineering certifications, audio production experienceAudio editing skills, sometimes certifications in audio or media production
Work EnvironmentRecording studios, post-production facilities, live eventsPost-production, film, TV, and multimedia editing suites
Industry UsageMusic, film, video games, broadcastingFilm, TV, video post-production
Primary FocusCreating, recording, mixing sound; designing sound effectsEditing and assembling sound clips; synchronizing audio with visuals

While both roles involve working with audio, Audio Engineer Sound Designers focus on creating and mixing sounds, often designing unique effects for media. Sound Editors primarily focus on editing and assembling audio tracks to match visual content. Both roles require strong technical skills, but their daily tasks and end goals differ within the media production process.

Do audio engineers sound designers make a lot of money?

Audio engineers and sound designers can earn a wide range of salaries depending on experience, location, and industry. Entry-level positions typically pay less, while experienced professionals working in film, gaming, or high-profile projects can earn higher salaries, often supplemented by freelance work or specialized skills with industry-standard tools. Overall, their income varies but can be lucrative with advanced skills and a strong portfolio.

Does sound design pay well?

Sound design can offer competitive pay, especially for experienced professionals working on high-profile projects or in specialized industries like film, video games, or advertising. Entry-level sound designers typically earn less, but salaries increase with skill, reputation, and the complexity of projects handled. Many sound designers also supplement income through freelance work or by developing a strong portfolio of diverse projects.

Is there a demand for audio engineers?

Audio engineers and sound designers are in steady demand across industries such as music, film, television, gaming, and live events. Skills in digital audio workstations, mixing, and sound editing are highly valued, and employment opportunities are expected to grow as media production expands globally.

What cities are hiring for Audio Engineer Sound Designer jobs?

Cities with the most Audio Engineer Sound Designer job openings:

What states have the most Audio Engineer Sound Designer jobs?

States with the most job openings for Audio Engineer Sound Designer jobs include:

What are popular job titles related to Audio Engineer Sound Designer jobs?

For Audio Engineer Sound Designer jobs, the most frequently searched job titles are:

Audio Engineer

Boston, MA • On-site

Other

Posted 5 days ago


Job description

GBH enriches people's lives through programs and services that educate, inspire, and entertain, fostering citizenship and culture, the joy of learning, and the power of diverse perspectives. At GBH, we believe in the advantages of coming together to build community, mentor and learn from colleagues, and connect more deeply with our mission. As a result, the majority of our staff are hybrid and work both from home and onsite. Our current hybrid approach requires staff to work onsite a minimum of two days each week, every Tuesday and Wednesday, Hybrid staff are also welcome to come in additional days each week or may be asked to come in on other days by their manager. The GBH Production Group oversees GBH production and post-production operations and is comprised of two divisions: GBH Studios which manage and staff studio and EFP production, Fraser Studio operations, GBH public spaces, and the remote studio at Boston Public Library. GBH OutPost, which provides post-production services, including color-grading and online, audio mixing and sweetening, sound booth recording, and duplication/encoding operations.

Position Title: Freelance Audio Engineer (Post-Production & Studio Operations)Affiliation: NABET UnionPosition Overview

We are seeking a versatile Freelance NABET Audio Engineer to join our team. Primary responsibilities focus on audio post-production utilizing Pro Tools for both internal GBH productions and external client projects. In addition to post-production, this role involves cross-functional support for studio operations and basic technical maintenance.

Key Responsibilities
  • Audio Post-Production & Mixing: Edit, track-lay, mix, and sweeten audio for broadcast and digital non-broadcast media using Pro Tools.
  • Voiceover & Sound Design: Engineer narration sessions, design sound effects when needed, and deliver final mix deliverables compliant with industry broadcast standards.
  • Collaborative Workflow: Partner closely with Senior Post Production Manager and Post-Production Supervisors to achieve the creative and technical vision for each project.
  • Studio & Technical Support: Assist with studio and EFP live sessions and other duties as assigned.
  • Adaptability: Work flexibly across multiple technical roles within The Production Group (cross-training provided).
Qualifications & Experience
  • Experience: 5–10 years of professional experience in audio post-production and studio recording environments.
  • Technical Mastery: Advanced proficiency in Pro Tools, audio plug-ins, signal flow, and technical audio processing for broadcast standards.
  • Mindset: Strong customer-service orientation, excellent communication skills, and a collaborative approach.
  • Flexibility: Willingness to adapt to varied technical assignments and learn internal workflows.
Salary Range

N/A - N/A Compensation offered within this range is determined by skills, experience and internal pay equity.

GBH is an equal opportunity employer. The community and audience we serve are diverse, and we wish to foster that diversity in our workplace. Toward that end, GBH does not discriminate against individuals in hiring, employment, or promotion based on race, religion, color, sex/gender, gender identity and gender expression, age, marital status, national origin, sexual orientation, citizenship, disability, veteran or military status, political belief, pregnancy, genetic information, or any other characteristic protected by law.

Application Process Assistance

GBH will reasonably accommodate applicants with disabilities who need adjustments to participate in the application or interview process. To initiate an accommodation request, contact the Human Resource department by sending an email to human_resources@wgbh.org or by calling 617-300-2000.

GBH is the leading multiplatform creator for public media in America. As the largest producer of content for PBS and partner to NPR and PRX, GBH delivers compelling experiences, stories and information to audiences wherever they are. GBH produces digital and broadcast programming that engages, illuminates and inspires, through drama and science, history, arts, culture and journalism. It is the creator of such signature programs as MASTERPIECE, ANTIQUES ROADSHOW, FRONTLINE, NOVA, AMERICAN EXPERIENCE, Arthur and Molly of Denali and a catalog of streaming series, podcasts and on-demand video. GBH’s television channels include GBH 2, GBH 44, GBH Kids and national services WORLD and Create. With studios and a newsroom headquartered in Boston, GBH reaches across New England with GBH 89.7, Boston’s Local NPR; CRB Classical 99.5; and CAI, the Cape and Islands NPR station. Dedicated to making media accessible to and inclusive of our diverse culture, GBH is a pioneer in delivering media to those who are deaf, hard of hearing, blind and visually impaired. GBH creates curriculum-based digital content for educators nationwide with PBS LearningMedia and has been recognized with hundreds of the nation’s premier broadcast, digital and journalism awards. Find more information at gbh.org.

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