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Audio Engineer Sound Designer Jobs in Ohio (NOW HIRING)

NEURA Robotics

As Audio AI Engineer, you own the real‑time audio pipeline on the robot, the models that turn sound into meaning, and the voice interface that lets people speak to our humanoids the way they would ...

Childhood Cancer Society

Minimum of 2 years of experience in sound design, audio engineering, or voice synthesis. Candidates should be prepared to share examples of projects where they used AI or audio technologies to create ...

Childhood Cancer Society

Minimum of 2 years of experience in sound design, audio engineering, or voice synthesis. Candidates should be prepared to share examples of projects where they used AI or audio technologies to create ...

Childhood Cancer Society

Minimum of 2 years of experience in sound design, audio engineering, or voice synthesis. Candidates should be prepared to share examples of projects where they used AI or audio technologies to create ...

Childhood Cancer Society

Minimum of 2 years of experience in sound design, audio engineering, or voice synthesis. Candidates should be prepared to share examples of projects where they used AI or audio technologies to create ...

CAPA

Lincoln Theatre Audio Technician

Columbus, OH · On-site

Are you a skilled live-sound professional who can prepare, mix, and troubleshoot performances with ... This is not designed to cover or contain an exhaustive list of duties, responsibilities, and key ...

CAPA

Lincoln Theatre Audio Technician

Columbus, OH

Are you a skilled live-sound professional who can prepare, mix, and troubleshoot performances with ... This is not designed to cover or contain an exhaustive list of duties, responsibilities, and key ...

CAPA

Lincoln Theatre Audio Technician

Columbus, OH · On-site

Are you a skilled live-sound professional who can prepare, mix, and troubleshoot performances with ... This is not designed to cover or contain an exhaustive list of duties, responsibilities, and key ...

iHeartMedia

Cluster Program Director

Toledo, OH

The audio revolution is here - and iHeart is leading it! iHeartMedia, the number one audio company ... Plan and oversee tone, programming, production, sound and theme, website, online presence and ...

iHeartMedia, Inc.

Cluster Program Director

Toledo, OH · On-site

The audio revolution is here - and iHeart is leading it! iHeartMedia, the number one audio company ... Plan and oversee tone, programming, production, sound and theme, website, online presence and ...

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Audio Engineer Sound Designer information

What does an audio engineer sound designer do?

An Audio Engineer Sound Designer is responsible for creating, recording, editing, and mixing audio elements for various media such as film, television, video games, and music. They design unique sounds, improve audio quality, and ensure that all audio components are balanced and well-integrated into the final product. Their work involves collaborating with directors, producers, and other creative professionals to achieve the desired auditory experience. Technical expertise with recording equipment and software is essential, as is a creative ear for sound manipulation.

How does an audio engineer sound designer typically collaborate with directors and other creative team members during a project?

Audio Engineer Sound Designers work closely with directors, producers, and other members of the creative team to ensure that the audio elements align with the overall vision of the project. This often involves attending meetings to discuss creative goals, providing sound samples, and making adjustments based on feedback. Effective communication and flexibility are essential, as requirements may evolve throughout production. Collaboration also extends to working alongside composers, Foley artists, and editors to seamlessly integrate sound effects and music into the final mix.

What are the key skills and qualifications needed to thrive as an audio engineer sound designer, and why are they important?

To thrive as an Audio Engineer Sound Designer, you need a solid understanding of acoustics, recording techniques, sound editing, and often a degree or certification in audio engineering or a related field. Proficiency with digital audio workstations (DAWs) like Pro Tools or Logic Pro, audio plugins, microphones, and mixing consoles is essential. Creativity, attention to detail, and strong communication skills help you collaborate effectively with producers, directors, and other team members. These skills ensure the creation of high-quality, immersive audio experiences that meet technical standards and creative goals.

What is the difference between Audio Engineer Sound Designer vs Sound Editor?

AspectAudio Engineer Sound DesignerSound Editor
CredentialsAudio engineering certifications, audio production experienceAudio editing skills, sometimes certifications in audio or media production
Work EnvironmentRecording studios, post-production facilities, live eventsPost-production, film, TV, and multimedia editing suites
Industry UsageMusic, film, video games, broadcastingFilm, TV, video post-production
Primary FocusCreating, recording, mixing sound; designing sound effectsEditing and assembling sound clips; synchronizing audio with visuals

While both roles involve working with audio, Audio Engineer Sound Designers focus on creating and mixing sounds, often designing unique effects for media. Sound Editors primarily focus on editing and assembling audio tracks to match visual content. Both roles require strong technical skills, but their daily tasks and end goals differ within the media production process.

Do audio engineers sound designers make a lot of money?

Audio engineers and sound designers can earn a wide range of salaries depending on experience, location, and industry. Entry-level positions typically pay less, while experienced professionals working in film, gaming, or high-profile projects can earn higher salaries, often supplemented by freelance work or specialized skills with industry-standard tools. Overall, their income varies but can be lucrative with advanced skills and a strong portfolio.

Does sound design pay well?

Sound design can offer competitive pay, especially for experienced professionals working on high-profile projects or in specialized industries like film, video games, or advertising. Entry-level sound designers typically earn less, but salaries increase with skill, reputation, and the complexity of projects handled. Many sound designers also supplement income through freelance work or by developing a strong portfolio of diverse projects.

Is there a demand for audio engineers?

Audio engineers and sound designers are in steady demand across industries such as music, film, television, gaming, and live events. Skills in digital audio workstations, mixing, and sound editing are highly valued, and employment opportunities are expected to grow as media production expands globally.

What cities in Ohio are hiring for Audio Engineer Sound Designer jobs?

Cities in Ohio with the most Audio Engineer Sound Designer job openings:

Audio AI Engineer (human)

On-site

NEURA Robotics
See more jobs at NEURA Roboticsexternal

Other

Posted 9 days ago

Job description

Hearing is essential to how a robot understands and responds to the world. At NEURA Robotics, audio is a first-class modality: spoken instructions, contact sounds, and ambient cues all inform autonomous action. As Audio AI Engineer, you own the real‑time audio pipeline on the robot, the models that turn sound into meaning, and the voice interface that lets people speak to our humanoids the way they would to another person.

The role can emphasize conversational AI, audio ML modeling, or embedded audio DSP. We expect depth in at least one area and breadth across the others; you will lead where strongest and collaborate with AI and hardware teams on the rest.

Your mission & challenges
  • Voice Interaction Stack: You build and own the edge‑to‑cloud hybrid automatic speech recognition, text‑to‑speech, wake‑word, voice activity detection, and natural language understanding pipelines that connect the human voice to our robot's cognitive core, optimizing for low latency, multi‑speaker scenarios, and noisy real‑world environments.
  • Audio Encoder Research: You design, train, and integrate audio encoders that feed our foundation models, and develop the ambient and contact‑acoustic event recognition that gives our robot situational awareness.
  • Real‑Time Audio Pipeline: You architect the shared audio substrate from microphones to model input - acquisition, denoising, beamforming, source separation, and tight synchronization with vision and proprioception streams - and optimize it for our on‑robot compute and latency budgets.
  • Models, Data & Evaluation: You evaluate, fine‑tune, and deploy state‑of‑the‑art models across speech and general audio, drive data collection from real deployments, and build the evaluation infrastructure that turns recordings into measurable model improvements.
  • Sensor Strategy & Integration: You help select and qualify audio hardware (mic arrays, contact and tactile microphones, ADC frontends) with the hardware team, define calibration and mounting requirements, and ensure clean integration with the AI, hardware, and agentic stacks.
What we can look forward to
  • An excellent Master's or PhD in Computer Science, Electrical Engineering, Computational Linguistics, or a related field.
  • 3+ years of professional experience in audio‑related AI engineering.
  • A proven track record: your projects show measurable impact, whether through publications, shipped systems, or both.
  • Depth in at least one of the following, with curiosity and breadth across the others:
    • Conversational AI: ASR, TTS, NLP/NLU, dialogue systems, real‑time speech systems with LLMs.
    • Audio ML modeling: audio representation learning, multimodal / VLA foundation models with an audio branch, generative audio.
    • Embedded audio DSP: real‑time signal processing, mic‑array processing, low‑level audio I/O, quantized inference for on‑device deployment.
  • Strong programming skills in Python; solid C/C++ a plus for real‑time and on‑device work.
  • Familiarity with ROS or robotics middleware is a plus.
  • Experience with agentic frameworks and LLM tool‑use is a plus.
  • Experience with audio simulation, room acoustics, or spatial audio is a plus.
  • Hands‑on experience setting up audio recording equipment for ML data collection (microphone selection, placement, calibration) is nice to have.
  • Team spirit, initiative, and the ability and willingness to explore new paths.
  • Excellent English skills; German is optional but welcome.
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