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Work Study Audio Mixing Jobs (NOW HIRING)

Audio Operations & Mixing Operate and mix live audio for a wide variety of performances including ... Technical Collaboration Work closely with lighting, video, automation, and stage management teams ...

Audio Operations & Mixing Operate and mix live audio for a wide variety of performances including ... Technical Collaboration Work closely with lighting, video, automation, and stage management teams ...

Work with the maintenance team on the off-season * Other duties as assigned Skills and Qualifications: * Basic theatrical audio and lighting knowledge * Audio mixing knowledge preferred

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Work Study Audio Mixing information

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$84.5K

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How much do work study audio mixing jobs pay per year?

As of Jul 13, 2026, the average yearly pay for work study audio mixing in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.
What are the most commonly searched types of Audio Mixing jobs? The most popular types of Audio Mixing jobs are:

$30/hr

Other

Re-posted 8 hours ago


Job description

Madison Elementary School District #38
Position Title: On Call Head Audio
Length of Work Year: On Call/Substitute
Salary Information: $30.00/hour
Department: Madison Center for the Arts
Supervision: Supervised by Technical Director
Reports To: Stage Manager, Technical Director and Lighting Designer
This position is an on-call, activated on a show-by-show basis.
Overview: The Head of Audio oversees the audio needs for the event or show, ensuring smooth operations. They are responsible for managing audio systems and structures for crew and production.
QUALIFICATIONS:
  1. 1-2 years experience of live audio mixing.
  2. Experience with Qlab, TheatreMix, and other professional live entertainment computer software.
  3. Professional experience with Yamaha Digital consoles
  4. Experience with Dante networks and Dante Controller (At least Dante Level 2 Certification preferred)
  5. Experience with and working knowledge of live entertainment multi projector systems and programming.
  6. Experience with both Audio and Video system network setup and troubleshooting.
  7. Experience with Shure ULXD, and Wireless Workbench a plus.
  8. Ability to work closely with people in a professional and positive manner.
  9. Ability to work closely and creatively with design teams, directors, and other members of the staff.
  10. Proficiency with computers and standard office suite, ability to generate and maintain professional level paperwork and tracking for each production.
  11. Ability to multitask while maintaining productivity.
  12. Ability to remain levelheaded in high-stress environments.
  13. Ability to troubleshoot under pressure and remain composed.
  14. Ability to work independently and meet deadlines.
RESPONSIBILITIES:
  1. Coordinate with production staff, designers, and performers, overseeing sound setup, operation, and strike for rehearsals and performances, ensuring sound quality, and troubleshooting any issues that arise.
  2. Ensure compliance with safety protocols and industry best practices is crucial.
  1. Serve as the primary audio contact for the event or show.
  2. Assist with event load-in, setup, operation, and load-out.
  3. Manage and maintain the venue's audio systems and equipment.
  4. Troubleshoot and resolve technical issues efficiently under time-sensitive conditions.
  5. Supervise and mentor the audio team.
  6. Ensure compliance with safety protocols.
  7. Lead in facilitating all audio needs for all rental events/productions, including the testing, maintenance and upkeep of all audio equipment, projectors, and sound equipment in The Madison.
  8. Review sound plots to evaluate feasibility and implementation in The Madison
  9. Lead in preparing and installing equipment based on plots and designer supplied specifications; including but not limited to tech table set-up, i.e. tables, headsets, and video monitors, god mic, etc.
  10. Collaborate to produce show-related audio paperwork.
  11. Maintain organized and accurate records of design execution for a given production. Make archival copies of all paperwork and show files.
  12. Adhere to the proper shut-down of all audio, special effects, stage equipment and other electrical appliances, assuring that the theatre is left in a safe, secure, and appropriately lit manner and that equipment is locked in a secure place.