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Work Study Audio Engineer Jobs in New York (NOW HIRING)

The New York Times

Audio Engineer, Newsroom

New York, NY · On-site

$93K - $110K/yr

The New York Times is seeking an Audio Engineer to work across all current and future products in the Newsroom audio and video podcast portfolio. You will play a crucial role in our post-production ...

Sofar Sounds

Audio Engineer

New York, NY

$450 - $900/mo

As an Audio Engineer at Sofar, you'll bring the magic on the sound desk at local shows throughout ... We work in some pretty cool and unexpected places, so you may need to get creative depending on the ...

Sofar Sounds

Audio Engineer

New York, NY

As an Audio Engineer at Sofar, you'll bring the magic on the sound desk at local shows throughout ... We work in some pretty cool and unexpected places, so you may need to get creative depending on the ...

Livenation

Audio Engineer- Gramercy

New York, NY

Audio Control Boards operation * Oversee visiting audio techs, especially during shows ... Work in an environment with moderate to loud noise level EQUAL EMPLOYMENT OPPORTUNITY We are ...

Princess Cruises

APM Audio

New York, NY

Willingness to live and work onboard a cruise ship for extended periods (typically 6 months). * Degree or diploma in Audio Engineering, Technical Theater, or a related field preferred; manufacturer ...

Princess Cruises

APM Audio

New York, NY · On-site

Willingness to live and work onboard a cruise ship for extended periods (typically 6 months). * Degree or diploma in Audio Engineering, Technical Theater, or a related field preferred; manufacturer ...

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Work Study Audio Engineer information

What is a Work Study Audio Engineer?

A Work Study Audio Engineer is typically a student employed through a school's work-study program to assist with audio production tasks. Their responsibilities may include setting up audio equipment, recording events, managing sound during live performances, and supporting faculty or staff with technical audio needs. This role provides valuable hands-on experience with professional audio equipment and software, helping students develop practical skills for careers in sound engineering or related fields. The position usually offers flexible hours to accommodate academic schedules.

What is the difference between Work Study Audio Engineer vs Audio Technician?

AspectWork Study Audio EngineerAudio Technician
CredentialsRelevant audio or engineering certifications, sometimes student or entry-levelTechnical certifications or experience in audio equipment
Work EnvironmentEducational institutions, campus media, or university projectsLive events, recording studios, broadcast facilities
Employer & IndustryUniversities, colleges, educational programsMedia companies, production houses, live event companies

Work Study Audio Engineers typically work in educational settings, assisting with audio tasks as part of their academic program, often with entry-level certifications. Audio Technicians work in professional environments like studios or live events, focusing on technical setup and operation. While both roles involve audio skills, their work environments and employer types differ significantly.

What are the key skills and qualifications needed to thrive as a Work Study Audio Engineer, and why are they important?

To thrive as a Work Study Audio Engineer, you need a foundational understanding of audio production, acoustics, and basic recording techniques, often supported by coursework or hands-on experience. Familiarity with digital audio workstations (DAWs) like Pro Tools or Logic Pro, as well as audio interfaces and mixing consoles, is typically required. Attention to detail, problem-solving, and effective communication are crucial soft skills for collaborating with team members and meeting project requirements. These skills and qualities ensure high-quality sound production, efficient workflow, and a successful learning experience in an academic or studio setting.

What are some common challenges a Work Study Audio Engineer might face when balancing academic responsibilities with studio assignments?

Work Study Audio Engineers often juggle academic commitments alongside their studio responsibilities, making time management a key challenge. Balancing class schedules, homework, and tight recording session deadlines requires strong organizational skills and clear communication with both faculty and studio supervisors. Additionally, adapting to rapidly changing production needs and troubleshooting technical issues under time constraints are common in this role. However, this environment provides valuable real-world experience and can improve multitasking abilities, making it a great stepping stone for future careers in audio engineering.
What are the most commonly searched types of Audio Engineer jobs in New York? The most popular types of Audio Engineer jobs in New York are:
What cities in New York are hiring for Work Study Audio Engineer jobs? Cities in New York with the most Work Study Audio Engineer job openings:
Work Study Audio Engineer jobs near you
Audio Engineer, Newsroom

Audio Engineer, Newsroom

The New York Times

New York, NY • Hybrid

Other

Posted 3 days ago

Job description

The New York Times is seeking an Audio Engineer to work across all current and future products in the Newsroom audio and video podcast portfolio. You will play a crucial role in our post-production processes, and play a significant role in the ongoing development of audio best-practices and video integration by working closely with the audio engineering team, show producers and editors, as well as New York Times reporters and contributors.

You will be the main point of contact for one or more shows. The right candidate can demonstrate the ability to clearly discuss audio engineering techniques, and steer technical conversations with producers and editors. As a key player on the team, you will develop strong working relationships with producers and editors in a creative environment. In addition, you will be expected to have a working knowledge of NYT studio systems to provide tapings support as needed, and the ability to contribute adaptive and creative original music composition across NYT projects.

This is an in-office position, based in New York City and includes regular attendance in the office four days each week. There may be some flexibility to work remotely per your departmental guidance.

Responsibilities:

  • Be a point person for show teams and mix daily/weekly shows as directed
  • Lead show-specific workflow and project management in collaboration with Engineering leadership
  • Contribute to the development of changing formats and workflows, particularly video podcasting
  • Organize audio and video media ingest across platforms and stakeholders
  • Act as first line of defense in troubleshooting studio and Pro Tools workflow issues
  • Help train and assist staff in all aspects of production
  • General technical support including audio restoration, file management, host/guest recording setup, and SOP documentation
  • Help develop and deploy Pro Tools templates, SOPs, and other team-wide tools
  • Collaborate with Sound Designer/Composers as directed
  • Occasional evening and weekend technical support
  • Demonstrate support and understanding of our value of journalistic independence and a strong commitment to our mission to seek the truth and help people understand the world
  • You will report to the Senior Audio Engineer, Newsroom

Basic Qualifications:

  • 5+ years of experience as an audio engineer (or equivalent position) required - podcast or broadcast environment preferred
  • Strong knowledge of Pro Tools, iZotope RX, and other creative plugins
  • Comfortable with concept of Loudness and mixing to different specs
  • Familiarity with mixing for video, specifically .aaf formats, Premiere Pro audio suite, etc.
  • Demonstrated knowledge of media asset management systems and file organization

Preferred Qualifications:

  • Quickly, calmly and creatively troubleshoot complex issues under pressure
  • Demonstrated ability to manage multiple priorities and follow through on projects to completion
  • Excellent attention to detail, with good organization and time management skills
  • Collaborative attitude and strong communication skills; with the ability to communicate complex technical information to people with technical and nontechnical backgrounds
  • High level of proficiency with Apple computers
  • Believes in the New York Times' mission and is dedicated to being part of our innovation and growth
  • Uphold the existing editorial standards of The Times

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