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Watching Video Jobs in Oregon (NOW HIRING)

Create seamless user flows that allow members to fluidly transition from watching Netflix content ... lag, and video fidelity You will define the metrics for a successful, high-quality TV gaming ...

OR · On-site

$55.50 - $73.50/hr

Our mission? To make learning as accessible, engaging, and fun as binge-watching your favorite ... graphic designers, video creatives, and creative producers who turn learning science into ...

Salesforce Tech Lead

OR · On-site +1

$55.50 - $73.50/hr

Our mission? To make learning as accessible, engaging, and fun as binge-watching your favorite ... graphic designers, video creatives, and creative producers who turn learning science into ...

Learn more about the Tigard Police Department by watching our latest video and checking out our YouTube channel. Examples of Duties Tigard Police Officers perform a wide range of law enforcement and ...

Entry Level Police Officer

Tigard, OR · On-site

$86K - $107K/yr

Learn more about the Tigard Police Department by watching our latest video and checking out our Examples of Duties Tigard Police Officers perform a wide range of law enforcement and crime prevention ...

Software Engineer 5 - iOS

OR · On-site +1

$388K - $558K/yr

In essence, we help members find stories they'll love-and ensure they enjoy watching them, too. We ... Vertical Video GenSearch What You'll Do Collaborate with engineers and product teams to build ...

Teaching Assistant

Salem, OR · On-site

$3.5K - $4.7K/wk

Please enjoy a video from OSD Director, Sharla Jones: Welcome Message. What you will do! Teaching ... Teaching Assistants are always watching over students and quickly address any concerns by talking ...

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Watching Video information

What does a person who watches videos for a job do?

A person who watches videos for a job is typically responsible for viewing and analyzing video content for various purposes, such as content moderation, quality control, captioning, or providing feedback. This role can involve ensuring that videos meet certain guidelines, flagging inappropriate material, or creating summaries and reviews. Some positions may also require workers to tag or categorize videos, transcribe spoken content, or collect data for research. The specifics of the job can vary depending on the industry and employer requirements.

What are the key skills and qualifications needed to thrive as a video editor, and why are they important?

To thrive as a Video Editor, you need a strong understanding of visual storytelling, video production techniques, and typically a degree or certification in film, media, or a related field. Proficiency with video editing software such as Adobe Premiere Pro, Final Cut Pro, or DaVinci Resolve is essential. Creativity, attention to detail, and the ability to collaborate effectively with clients and team members are crucial soft skills. These skills ensure the creation of engaging, polished content that meets project goals and client expectations.

What are the common challenges faced by professionals who review video content for quality or compliance?

Professionals tasked with watching and reviewing video content often face challenges such as maintaining focus during long periods of repetitive viewing, staying up to date on evolving content guidelines, and efficiently documenting any issues found. Additionally, there is a need to balance speed and accuracy, as large volumes of content may need to be processed in tight timeframes. Working closely with content creators, editors, or compliance teams is also common to ensure all feedback is clear and actionable.

What is the difference between Watching Video vs Video Editor?

AspectWatching VideoVideo Editor
Required SkillsViewing and analyzing videosEditing, cutting, and producing videos
Work EnvironmentMedia platforms, streaming servicesEditing suites, post-production studios
CertificationsNone typically requiredVideo editing courses, certifications (e.g., Adobe Premiere)
Industry UsageContent consumption, quality assessmentContent creation, film, advertising

Watching Video involves viewing and analyzing content, often for entertainment or quality checks. Video Editors actively manipulate footage to create polished videos for various media. While watching is passive, editing is an active, technical process requiring specific skills and tools. Both roles are essential in media production but serve different functions within the industry.

Are there jobs that pay you to watch videos?

Yes, there are jobs such as video evaluators or content reviewers that pay individuals to watch videos for quality, content moderation, or feedback purposes. These roles often require attention to detail and sometimes familiarity with specific tools or guidelines, and they can be part-time or freelance positions.

What cities in Oregon are hiring for Watching Video jobs?

Cities in Oregon with the most Watching Video job openings:

Infographic showing various Watching Video job openings in Oregon as of August 2026, with employment types broken down into 2% Internship, 56% Full Time, 36% Part Time, 2% Temporary, and 4% Contract. Highlights an 89% In-person, and 11% Remote job distribution.

Video Editor | Direct Response Ads

OR • On-site, Remote

Catch Creation, LLC
Manufacturing • 51 - 200 employees

$15 - $30/hr

Full-time

Posted 16 days ago


Job description

Catch Creation is a remote-first eCommerce company. We build and grow our own DTC brands - including Muddy Mat and Cloud K9 - and we grow them primarily through paid social advertising. That means creative is not a support function here. It's the engine. The ads we make determine how fast the business grows, which is why we invest heavily in the people who make them.
What this job actually is:
You'll cut direct-response ads for our brands - vertical video, primarily Meta and TikTok, built to stop the scroll and sell.
Our Creative Director writes the concept, sometimes loosely, sometimes very specifically. From there it's a conversation: you'll push back, bring your own angles, and shape how the idea actually gets made. The strongest ideas we run usually don't survive first contact with an editor unchanged, and that's the point.
Why this role is different from most editing jobs:
Most editors deliver a file and never find out whether it worked.
Here, your work goes live with real advertising spend behind it, and within days you'll know exactly how it performed - how many people watched past the hook, how many bought. You'll see your ideas tested against real customers spending real money, at a scale most editors never get access to.
That feedback loop is the whole reason this job is worth having. You'll get better faster than you would anywhere else, because you'll actually know what works instead of guessing.
To be clear about the model: most ads lose. That's expected, and it's how this works - we run a lot of ideas to find the few that break out. Nobody gets blamed for a test that didn't hit. What we care about is that you keep generating ideas and keep sharpening them. When one does break out, everyone knows it was yours.
If you're the kind of editor who's curious whether your instincts are actually right, you'll like it here. If you'd rather deliver a file and move on, you probably won't.
One honest note: the format is repetitive. You'll be making a lot of vertical ads in similar structures. The craft demands inside that narrow format are high, and the editors who thrive here get genuinely, unusually good at a specific thing - making the first three seconds work, cutting for retention, and turning a note into a better version fast.
What you'll do:
  • Cut [8-12] ads per week, working from Creative Director briefs and collaborating on how each concept comes together
  • Assemble UGC and influencer footage into ads that hold attention past the 3-second drop-off
  • Build subtitles, text overlays, motion graphics, and sound design that serve the message
  • Turn around revision rounds within 24 hours
  • Bring your own angles and variations - especially on ads that are already winning
  • Adapt winners into new formats, lengths, and platform cuts
What we require:
  • You've edited paid social ads - Meta or TikTok - for DTC or eCommerce brands. Not just YouTube, not just brand or corporate work.
  • Fluent in Premiere Pro or After Effects (or both)
  • You can name what makes a hook work and why an ad loses viewers at second three
  • You have opinions about what makes an ad work, and you're willing to argue for them
  • Written English strong enough for async work - most of our communication is written, across time zones
  • Full-time availability with no competing clients
  • A portfolio containing work you personally cut
Nice to have:
  • Motion graphics and animation beyond the basics
  • Experience in pet, home, or lifestyle categories
  • Comfort with high-volume variant testing
What we offer:
  • Fully remote, long-term, full-time
  • Performance data on everything you make, and incentives tied to ads that actually win
  • Direct collaboration with an in-house Creative Director - you won't be guessing at what's wanted
  • Real growth: our best editor started well below our current bar and got there by iterating

Compensation:

  • $15 - $30 per hour depending on skill set