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Studio Audio Engineer Jobs in Dallas, TX (NOW HIRING)

Studio Manager Location: Dallas TX Type: In office This is a hands-on, multi-skilled role running ... audio, lighting, encoders and connectivity under time pressure, and escalate to our engineering and ...

Studio Manager

Dallas, TX ยท On-site

$65 - $90/hr

Studio Manager Location: Dallas TX Type: In office This is a handsโ€‘on, multi-skilled role running ... audio, lighting encoders and connectivity under time pressure, and escape to our engineering and ...

Studio Manager

Dallas, TX ยท On-site

$60 - $90/hr

Studio Manager Location: Dallas TX Type: In office This is a hands-on, multi-skilled role running ... audio, lighting, encoders and connectivity under time pressure, and upscale to our engineering and ...

Studio Manager Location: Dallas TX Type: In office This is a hands-on, multi-skilled role running ... audio, lighting, encoders and connectivity under time pressure, and escalate to our engineering and ...

Studio Manager US

Dallas, TX ยท On-site

$80 - $110/hr

... audio, lighting, encoders and connectivity under time pressure, and elevate to our engineering and ... Keep the studio and its equipment working, manage spares and faults, and flag what you need early.

AV Systems Engineer

Dallas, TX ยท On-site

$90 - $150/hr

... Media Studio, corporate events, and other shared spaces. The AV Systems Engineer will provide ... This role will support professional audio, video, PTZ camera systems, lighting, recording ...

Our vision is to shape the future of audio, where everyone can be effortlessly connected to the ... creative consultancy Studio Resonate; and an extended content network featuring exclusive ...

Who You Will Be Working With As a Creative Studio Management Lead, you'll be at the heart and ... editors, audio specialists, motion artists, tech developers, conceptual creatives and 3rd party ...

Who You Will Be Working With As a Creative Studio Management Lead, you'll be at the heart and ... editors, audio specialists, motion artists, tech developers, conceptual creatives and 3rd party ...

Oversee engineering personnel, capital planning, regulatory compliance, technology modernization ... transceivers, studio consoles, and associated audio equipment. * Respond to equipment outages ...

The audio revolution is here - and iHeart is leading it! iHeartMedia, the number one audio company ... Operate control board for studios and remote programming * Regulate program timing, operate ...

The audio revolution is here - and iHeart is leading it! iHeartMedia, the number one audio company ... Operate control board for studios and remote programming * Regulate program timing, operate ...

Facilitate, attend, set-up and operate a live performance studio as FOH sound engineer. * Be the go ... As champions of audio, we connect with people in the moments that matter - delivering trusted local ...

AI Engineer

Addison, TX ยท On-site +1

$110K - $140K/yr

Develop generative AI solutions for text generation, summarization, audio-to-text transcription ... Integrate with AI platforms including Snowflake Cortex, OpenAI, Azure AI Studio, AWS Bedrock, and ...

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Showing results 1-20

Studio Audio Engineer information

See Dallas, TX salary details

$79.7K

$113.6K

$145K

How much do studio audio engineer jobs pay per year?

As of Sep 6, 2026, the average yearly pay for studio audio engineer in Dallas, TX is $113,560.00, according to ZipRecruiter salary data. Most workers in this role earn between $94,500.00 and $131,600.00 per year, depending on experience, location, and employer.

What is a studio audio engineer?

A Studio Audio Engineer is responsible for recording, mixing, and mastering audio in a controlled studio environment. They operate recording equipment, adjust sound levels, and apply effects to enhance audio quality for music, film, podcasts, and other media. Their role requires technical expertise with digital audio workstations (DAWs), microphones, and sound processing tools. Additionally, they collaborate with artists, producers, and clients to achieve the desired sound.

What does a typical workday look like for a studio audio engineer?

A typical day for a Studio Audio Engineer involves setting up and testing recording equipment, tracking and editing audio, and collaborating with musicians, producers, and other studio staff to achieve the desired sound. You might spend time mixing and mastering tracks, troubleshooting technical issues, and ensuring all sessions run smoothly and on schedule. Studio Audio Engineers often work irregular hours, especially when artists are available or deadlines approach. The role offers a dynamic environment where every project can bring new creative and technical challenges, making adaptability and continuous learning essential.

What are the key skills and qualifications needed to thrive in the studio audio engineer position, and why are they important?

To thrive as a Studio Audio Engineer, you need a solid understanding of acoustics, audio recording, mixing, and mastering, often supported by a degree or certification in audio engineering or a related field. Proficiency with digital audio workstations (DAWs) like Pro Tools, Logic Pro, and studio hardware such as mixing consoles and microphones is critical. Strong attention to detail, effective communication, and the ability to work well under pressure are valuable soft skills in this role. These skills ensure high-quality sound production, seamless collaboration with artists and producers, and efficient problem-solving in fast-paced studio environments.

Is there a demand for studio audio engineers?

Studio audio engineers are in steady demand due to the ongoing need for audio production in music, film, television, and streaming media. Employment opportunities are often available in recording studios, post-production facilities, and live event settings, with success often relying on technical skills, familiarity with digital audio workstations, and industry experience.

What does a studio audio engineer do?

A studio audio engineer is responsible for recording, mixing, and editing audio for music, film, or broadcast projects. They operate recording equipment, use digital audio workstations, and ensure sound quality meets production standards. Strong technical skills and knowledge of acoustics are essential for this role.

What are the most commonly searched types of Studio Audio Engineer jobs in Dallas, TX?

The most popular types of Studio Audio Engineer jobs in Dallas, TX are:

What are popular job titles related to Studio Audio Engineer jobs in Dallas, TX?

For Studio Audio Engineer jobs in Dallas, TX, the most frequently searched job titles are:

What job categories do people searching Studio Audio Engineer jobs in Dallas, TX look for?

The top searched job categories for Studio Audio Engineer jobs in Dallas, TX are:

What cities near Dallas, TX are hiring for Studio Audio Engineer jobs?

Cities near Dallas, TX with the most Studio Audio Engineer job openings:

Infographic showing various Studio Audio Engineer job openings in Dallas, TX as of August 2026, with employment types broken down into 91% Full Time, 5% Part Time, and 4% Contract. Highlights an 87% Physical, 5% Hybrid, and 8% Remote job distribution, with an average salary of $113,560 per year, or $54.6 per hour.

Event Day Production Staff Part Time

Trail Drive Management Corp (TDMC)

Fort Worth, TX โ€ข On-site

$14.50 - $17/hr

Part-time

Posted 4 days ago


Job description

Event Day Production Staff

Trail Drive Management Corp (TDMC) - Dickies Arena

Job Summary:

Trail Drive Management Corp (TDMC) is looking for a part-time Event Day Production Staff member. This position will provide technical support to the arena, its guests, and clients through the operation and execution of a show script in a variety of roles.

Essential Job Functions:

  • Assist the Technical Services Manager with issues related to Event Production and Broadcast equipment.
  • Review show scripts and attend preshow meetings and rehearsals to ensure professional presentation of all content
  • Communicate as a team using the tools and devices provided by Dickies Arena and notify management of any equipment failures or issues.
  • Director Execute the script presented by clients or partners and ensure the execution of the event as the coordinated point of contact for all Part-Time Event Day Staff. Lead staff through rehearsal, identify key roles, and potential workflow issues.
  • Technical Director Using the Ross Acuity Switcher, provide a professionally presented board show, test animations, transitions, and scene setup with the director, work with the video engineer to ensure multi-viewer layout, and correct signal patching and routing.
  • Graphics Using the Ross XPressions systems, build lower thirds, score bug, and on-screen keyed elements for use in the show, confirm location and call ID with Director and TD, operate system during live performance to ensure seamless and professional appearance.
  • Playback Load pre-produced video elements in the playback system for use during the performance, ability to make audio and video adjustments using Adobe Premiere, confirm playout during rehearsal, fax audio with the audio engineer, and execute during the show.
  • Replay Operate Ross Mira Replay system during event and build replay packages for immediate playback on the directors request. Build smaller packages for highlights to be used internally and melts to be shared with the news. Manage full program records and archive footage.
  • Video Engineer Work with Camera operators to focus cameras, assist the technical director with router layout, and multi-viewer. During the show, paint and shade cameras, when requested, assist the Senior Broadcast Engineer with cable pathways and broadcast truck connections.
  • Camera Build out the camera and fax with the Video Engineer, ensure safe cable pathways and trip hazards with Building operations staff. Operate either shoulder or studio cameras in accordance with calls from the Director and Technical Director.
  • Audio Set up Yamaha QL1 and/or CL5 front of house boards with audio engineer, ensure routing of all signals and confirm clear and proper playout of pre-produced files and elements, during show, ensure execution of cues and commands from the Director.
  • Audio Engineer Assist Audio with the setup of all audio setup, patching, and routing needs, assist technical staff with use of clearcom and Riedel communication systems. Assist Audio and Senior Broadcast Engineer with zoning and routing of Dante audio to the main bowl, concourse, or any auxiliary spaces.
  • Lighting Ensure proper functionality of Musco House Light systems, PlanLED Broadcast light systems, and Clay Paky theatrical light systems. Build walk-in, show, intermission, and special light scenes in accordance with notes and cues from the Director and show requests. During the show, all cues are operated in accordance with cues from the Director.
  • LED Load content into the ANC vSoft system and ensure proper playout of all files, ability to make edits to content using Adobe After Effects when necessary. Confirm scripting of elements for playback using the ANC vSoft and Ross Dashboard control systems. During the show, execute prebuilt cues on the directors call
  • Utility Assist all technical services staff with set-up and execution of event, operate Cisco Vision software for control of concourse, office, and suite TVs, assist Senior Broadcast Engineer with broadcast truck patching, cable pathways, and troubleshooting. Assist Content Engineer with loading and executing Cisco Vision content, and LED board Content, respond to radio calls and requests for guest service needs as they relate to the Technical Services Department.
  • Performs other duties as assigned.

Qualifications:

  • Must be a minimum of 18 years of age.
  • Understanding of Broadcast Signal flow and Pathways, including HD/SDI SMPTE, Triax, XLR, Dante Audio, Network Cable terminations, and Single Mode Fiber.
  • Ability to read and understand blueprints and technical drawings, as well as to understand and document changes to drawings and system layouts.
  • Maintain a professional appearance and Superior Customer Service.
  • Prior certification and training, or willingness to become certified in safe operations of heavy machines and complex tools.
  • Ability to handle complex problems in high stress situations, as well ability to handle loud noises, dark rooms, bright spaces, and extreme heights.
  • Ability to work with computer equipment in a highly technical fashion, understanding of basic networking principles and guidelines, and willingness to continue cross-training and understanding of other key arena systems.
  • Successful and Professional work alongside all other Part-Time Event Day Technical Services staff assigned to the department, performing a variety of duties from camera operation, broadcast operation, audio engineering, lighting control, video display control, and event support.
  • Ability to work a flexible schedule including nights, weekends, and holidays.
  • Able to communicate effectively with management, guests, and team members.
  • Ability to handle multiple tasks in a fast-paced, high-energy environment.

Working Conditions:

  • Employees will work in an environment with fluctuating temperatures.
  • Employees must have the ability to lift, push, and pull up to 50 lbs.
  • Employees will be trained for certification on high lifts and other heavy machines.
  • Employees will regularly spend their shift standing/walking, traveling stairs, with limited to no sitting.
  • Employees will be exposed to high noise levels and/or fluctuating lights in event settings.
  • Employees must have the ability to reach, lift, and bend to perform job duties throughout the shift.

Other Duties:

  • This job description is not designed to contain a comprehensive listing of activities, duties, or responsibilities that are required. Duties, responsibilities, and activities may change at any time with or without notice.

Reasonable accommodations may be made to enable individuals with disabilities to perform essential functions.

We are an equal opportunity employer, and all qualified applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, disability status, protected veteran status, or any other characteristic protected by law.