Supervise and preserve broadcast equipment like cameras, switchers, routers, replay systems, graphics systems, and audio consoles. * Coordinate technical crews, including engineers, operators, and ...
Supervise and preserve broadcast equipment like cameras, switchers, routers, replay systems, graphics systems, and audio consoles. * Coordinate technical crews, including engineers, operators, and ...
Director of Broadcast Services & Video Production Time Type: Full time Position Summary and ... operating video production switchers, game replay systems, audio consoles, and house sound systems.
New
Director of Broadcast Services & Video Production Time Type: Full time Position Summary and ... operating video production switchers, game replay systems, audio consoles, and house sound systems.
New
Develop and manage annual operating and capital budgets for production technology. * Oversee ... Replay, graphics, and content delivery systems * IP-based broadcast infrastructure (SMPTE 2110 ...
Develop and manage annual operating and capital budgets for production technology. * Oversee ... Replay, graphics, and content delivery systems * IP-based broadcast infrastructure (SMPTE 2110 ...
Develop and manage annual operating and capital budgets for production technology. * Oversee ... Replay, graphics, and content delivery systems * IP-based broadcast infrastructure (SMPTE 2110 ...
Develop and manage annual operating and capital budgets for production technology. * Oversee ... Replay, graphics, and content delivery systems * IP-based broadcast infrastructure (SMPTE 2110 ...
Director, Production Technology (Ballpark)
Las Vegas, NV · On-site
$160 - $210/hr
... systems, replay systems, broadcast infrastructure, and digital signage.* Serve as the primary ... Develop and manage annual operating and capital budgets for production technology.* Oversee ...
New
Director, Production Technology (Ballpark)
Las Vegas, NV · On-site
$160 - $210/hr
... systems, replay systems, broadcast infrastructure, and digital signage.* Serve as the primary ... Develop and manage annual operating and capital budgets for production technology.* Oversee ...
New
Television Director
Salt Lake City, UT · On-site
... broadcast. * Provide clear, decisive communication to the technical director, camera operators, replay team, graphics, audio, talent, and other production personnel. * Lead technical and live ...
Quick apply
Television Director
Salt Lake City, UT · On-site
... broadcast. * Provide clear, decisive communication to the technical director, camera operators, replay team, graphics, audio, talent, and other production personnel. * Lead technical and live ...
... broadcast. * Provide clear, decisive communication to the technical director, camera operators, replay team, graphics, audio, talent, and other production personnel. * Lead technical and live ...
... broadcast. * Provide clear, decisive communication to the technical director, camera operators, replay team, graphics, audio, talent, and other production personnel. * Lead technical and live ...
Familiar with production control rooms and equipment (not limited to Cameras, Replay, CG, etc) - significant need of EVS, Daktronics Show Control, and Broadcast Camera Operators as well as ENG Camera ...
Familiar with production control rooms and equipment (not limited to Cameras, Replay, CG, etc) - significant need of EVS, Daktronics Show Control, and Broadcast Camera Operators as well as ENG Camera ...
Television Director
Salt Lake City, UT · On-site
... broadcast. * Provide clear, decisive communication to the technical director, camera operators, replay team, graphics, audio, talent, and other production personnel. * Lead technical and live ...
Television Director
Salt Lake City, UT · On-site
... broadcast. * Provide clear, decisive communication to the technical director, camera operators, replay team, graphics, audio, talent, and other production personnel. * Lead technical and live ...
Familiar with production control rooms and equipment (not limited to Cameras, Replay, CG, etc) - significant need of EVS, Daktronics Show Control, and Broadcast Camera Operators as well as ENG Camera ...
Familiar with production control rooms and equipment (not limited to Cameras, Replay, CG, etc) - significant need of EVS, Daktronics Show Control, and Broadcast Camera Operators as well as ENG Camera ...
Master Control Room Operator
New York, NY · On-site
As an MCR Operator, you will be responsible for managing and monitoring all aspects of live ... broadcast routers, transmission systems, monitoring, playout/ad insertion, replay, graphics, and ...
Master Control Room Operator
New York, NY · On-site
As an MCR Operator, you will be responsible for managing and monitoring all aspects of live ... broadcast routers, transmission systems, monitoring, playout/ad insertion, replay, graphics, and ...
Event Day Production Technician
$16.25 - $20.25/hr
The role will be responsible for prepping, operating, and striking all production gear pertaining ... Broadcast production quality HD cameras/shading stations, camera utility/grip support, Ross Acuity ...
Event Day Production Technician
$16.25 - $20.25/hr
The role will be responsible for prepping, operating, and striking all production gear pertaining ... Broadcast production quality HD cameras/shading stations, camera utility/grip support, Ross Acuity ...
Game Night Staff: Technical Lead (Part-time/Seasonal)
Washington, DC · On-site
$65 - $70/hr
Supervise and preserve broadcast equipment like cameras, switchers, routers, replay systems, graphics systems, and audio consoles. * Coordinate technical crews, including engineers, operators, and ...
Game Night Staff: Technical Lead (Part-time/Seasonal)
Washington, DC · On-site
$65 - $70/hr
Supervise and preserve broadcast equipment like cameras, switchers, routers, replay systems, graphics systems, and audio consoles. * Coordinate technical crews, including engineers, operators, and ...
Event Day Production Technician
Atlanta, GA · On-site
$16.50 - $20.75/hr
The role will be responsible for prepping, operating, and striking all production gear pertaining ... Broadcast production quality HD cameras/shading stations, camera utility/grip support, Ross Acuity ...
Event Day Production Technician
Atlanta, GA · On-site
$16.50 - $20.75/hr
The role will be responsible for prepping, operating, and striking all production gear pertaining ... Broadcast production quality HD cameras/shading stations, camera utility/grip support, Ross Acuity ...
... and broadcast production systems; and repetitive hand movements associated with operating production, replay, and graphics equipment. The position also requires occasional setup and teardown of ...
... and broadcast production systems; and repetitive hand movements associated with operating production, replay, and graphics equipment. The position also requires occasional setup and teardown of ...
Midco Sports Events Associate
Sioux Falls, SD · On-site
$18.25 - $21/hr
... replay systems preferred. Camera * Successfully operates video cameras to film live events and other subjects as required. * Three years' Experience operating ENG, production or live sports broadcast ...
Midco Sports Events Associate
Sioux Falls, SD · On-site
$18.25 - $21/hr
... replay systems preferred. Camera * Successfully operates video cameras to film live events and other subjects as required. * Three years' Experience operating ENG, production or live sports broadcast ...
... broadcast, including but not limited to: directing cameras, operating cameras, operating a graphics machine, operating a replay machine, serving as a play-by-play or color analyst on the air, and ...
... broadcast, including but not limited to: directing cameras, operating cameras, operating a graphics machine, operating a replay machine, serving as a play-by-play or color analyst on the air, and ...
... broadcast, including but not limited to: directing cameras, operating cameras, operating a graphics machine, operating a replay machine, serving as a play-by-play or color analyst on the air, and ...
... broadcast, including but not limited to: directing cameras, operating cameras, operating a graphics machine, operating a replay machine, serving as a play-by-play or color analyst on the air, and ...
Work on a live broadcast in various roles as: * Director * Producer * Replay Operator * Graphics Operator * Camera Operator for multiple locations * On-air talent * Shoot and edit content promoting ...
Work on a live broadcast in various roles as: * Director * Producer * Replay Operator * Graphics Operator * Camera Operator for multiple locations * On-air talent * Shoot and edit content promoting ...
Associate Producer
Salt Lake City, UT · On-site
... operator. They will gather the proper assets ahead of a broadcast and work with the producer and ... on Replay (EVS), Graphics (Xpression) or Switcher (Carbonite/Acuity/HyperMax). Producing and ...
Associate Producer
Salt Lake City, UT · On-site
... operator. They will gather the proper assets ahead of a broadcast and work with the producer and ... on Replay (EVS), Graphics (Xpression) or Switcher (Carbonite/Acuity/HyperMax). Producing and ...
Replay Operator Broadcast information
See salary details
$12.02 - $14.14
3% of jobs
$14.14 - $16.26
2% of jobs
$16.26 - $18.38
4% of jobs
$20.43 is the 25th percentile. Wages below this are outliers.
$18.38 - $20.50
16% of jobs
The median wage is $21.89 / hr.
$20.50 - $22.62
37% of jobs
$22.62 - $24.74
5% of jobs
$24.74 - $26.86
2% of jobs
$26.86 - $28.98
1% of jobs
$29.51 is the 75th percentile. Wages above this are outliers.
$28.98 - $31.10
15% of jobs
$31.10 - $33.22
9% of jobs
$33.22 - $35.34
5% of jobs
$12
$24
$35
How much do replay operator broadcast jobs pay per hour?
As of Aug 7, 2026, the average hourly pay for replay operator broadcast in the United States is $24.46, according to ZipRecruiter salary data. Most workers in this role earn between $20.43 and $30.05 per hour, depending on experience, location, and employer.
What are the main challenges faced by a replay operator in live broadcast environments?
Replay Operators in live broadcast settings often work under high-pressure conditions where timing and accuracy are critical. They must quickly identify, mark, and play back key moments during live sporting events or shows, often collaborating closely with producers and directors to ensure broadcast quality. Technical issues, rapidly changing scenarios, and the need for instant decision-making are common challenges. Effective communication and staying attentive during long shifts are essential for success in this fast-paced role.
What is the difference between Replay Operator Broadcast vs Video Technician?
| Aspect | Replay Operator Broadcast | Video Technician |
|---|---|---|
| Credentials | Typically requires broadcast or media production certifications | Requires technical or audiovisual certifications |
| Work Environment | Broadcast studios, live sports, or event venues | TV stations, production facilities, or live events |
| Industry Usage | Commonly used in live sports, news, and entertainment broadcasting | Used across TV, film, and multimedia production |
| Job Focus | Managing instant replays and highlights during live broadcasts | Handling video equipment, editing, and technical support |
The Replay Operator Broadcast primarily focuses on managing instant replays during live broadcasts, requiring specific broadcast certifications and working in live studio environments. In contrast, Video Technicians support video equipment and editing across various media settings. While both roles involve video technology, their responsibilities and work settings differ significantly.
What skills and qualifications are needed to be a replay operator?
To thrive as a Replay Operator in Broadcast, you need a solid understanding of live sports production, video editing, and broadcast operations, often supported by relevant experience or a degree in broadcasting or a related field. Familiarity with industry-standard replay systems such as EVS, DreamCatcher, or Evertz, and certifications in these platforms are highly valuable. Attention to detail, quick decision-making, and effective communication are essential soft skills for managing fast-paced live events. These competencies ensure smooth playback of critical moments, seamless production workflow, and high-quality viewer experiences during live broadcasts.
What is a replay operator?
A Replay Operator in broadcast is responsible for capturing, queuing, and playing back video footage during live events, such as sports or live television shows. They use specialized equipment and software to create instant replays, highlight packages, and slow-motion sequences that enhance the viewer's experience. Replay Operators work closely with directors and producers to ensure the right moments are replayed at the right time, often under tight deadlines and high-pressure situations. Their technical skills and attention to detail are crucial in delivering seamless and engaging live broadcasts.
More about Replay Operator Broadcast jobs
What cities are hiring for Replay Operator Broadcast jobs? Cities with the most Replay Operator Broadcast job openings:
What states have the most Replay Operator Broadcast jobs? States with the most job openings for Replay Operator Broadcast jobs include:
What job categories do people searching Replay Operator Broadcast jobs look for? The top searched job categories for Replay Operator Broadcast jobs are:
Game Night Staff: Technical Lead (Part-time/Seasonal)
Washington, DC
$65 - $70/hr
Other
Re-posted 26 days ago
Job description
Position Overview:
The Sports Broadcasting Technical Lead is responsible for coordinating all technical aspects of live sports broadcasts. This includes handling the setup, operation, maintenance, and troubleshooting of broadcasting equipment. This person will coordinate with production, engineering, and operations teams.
Enjoy collaborating with production and engineering teams to deliver live sports events? We'd love to hear from you!
Responsibilities- Coordinate technical planning and execution of live sports broadcasts, encompassing studio, remote, and hybrid productions.
- Supervise and preserve broadcast equipment like cameras, switchers, routers, replay systems, graphics systems, and audio consoles.
- Coordinate technical crews, including engineers, operators, and freelancers, ensuring alignment with production needs.
- Collaborate with producers, directors, and editorial teams to guarantee all technical needs are fulfilled for each event.
- Troubleshoot technical issues in real-time to minimize disruption during live broadcasts.
- Ensure accurate signal flow and quality for transmission to linear TV, digital platforms, and streaming services.
- Coordinate remote production (REMI) workflows, satellite uplinks, and IP-based transport systems.
- Maintain compliance with FCC regulations, safety standards, and internal SOPs.
- Assist in budgeting and procurement of technical resources for productions.
- Provide training and mentorship to junior technical staff and freelancers.
- Bachelor's degree in Broadcast Engineering, Media Technology, Communications, or a related field, or equivalent experience.
- Minimum 5 years of experience in live broadcast production, preferably in sports.
- Deep knowledge of broadcast systems, including SDI/IP workflows, video/audio routing, encoding/decoding, and transmission technologies.
- Experience leading technical teams in fast-paced, live production settings.
- Mastery in broadcast control systems like Evertz and Lawo, video switchers such as Grass Valley and Ross, replay systems like EVS and DreamCatcher, and audio consoles including Calrec and Yamaha.
- Strong organizational, communication, and problem-solving skills.
- Ability to travel and work evenings, weekends, and holidays as needed.
- Experience with cloud-based and IP production technologies (e.g., AWS Elemental, SRT, NDI).
- Familiarity with REMI workflows and remote production infrastructure.
- Certifications in broadcast technologies (e.g., SBE, SMPTE, Dante).
- Experience working with major sports leagues, federations, or broadcasters.
- Knowledge of media asset management and post-production workflows.
About Monumental Sports & Entertainment
Sourced by ZipRecruiter
Industry
Spectator sports
Company size
1,001 - 5,000 Employees
Headquarters location
Washington, DC, US
Year founded
2010