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Remote Music Touring Assistant Jobs (NOW HIRING)

Splice

Senior Product Manager, Growth (Remote US)

$129K - $170K/yr

WHO WE ARE: Splice is a creative platform for people who make music. Serious producers choose ... AI assistants, research synthesizers, internal tooling, as a core part of how you work. JOB ...

Livenation

LN Venues, Staff Accountant II

$56K - $74K/yr

... live music. From our dozens of owned/operated Amphitheaters to our Global Touring team, from ... Manage accounting for individual venue revenue and expense accounts * Assist Accountants and ...

The Pennsylvania State University

$41K - $48K/yr

... remote work at Penn State, seeNotice to Out of State Applicants. AND POSITION REQUIREMENTS: The College of Arts and Architecture is seeking part-time Program Support Staff to assist School of Music ...

Splice

Senior Product Manager, Growth (Remote US)

$148K - $185K/yr

REMOTE US THE ROLE: Splice INSTRUMENT launched in October 2025 to give music makers a new wave of ... AI assistants, research synthesizers, internal tooling, as a core part of how you work. JOB ...

The Pennsylvania State University

Approval of remote and hybrid work is not guaranteed regardless of work location.For additional ... Sometimes the Coordinator may assist in coding and checking of data from scorers, cleaning and ...

Hunter Hudson Media

Be Seen First

Entertainment Booking Agent

Atlanta, GA · Remote

$4.0K - $10K/mo

Remote (United States) with local networking opportunities Position Type: Independent Contractor ... One of our signature initiatives, 79th & Stony , is an interactive live music competition and ...

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Remote Music Touring Assistant information

What is the difference between Remote Music Touring Assistant vs Remote Music Roadie?

AspectRemote Music Touring AssistantRemote Music Roadie
CredentialsBasic music industry knowledge, organizational skillsSimilar credentials, often with technical or equipment knowledge
Work EnvironmentRemote, administrative, planning tasksRemote or on-site, equipment setup and support
Employer & Industry UsageMusic touring companies, event organizersTouring crews, live event support
Search & Comparison IntentUnderstanding roles in touring supportTechnical support and equipment handling

The Remote Music Touring Assistant primarily handles planning, scheduling, and administrative tasks remotely, supporting touring logistics. In contrast, the Remote Music Roadie focuses more on technical support, equipment setup, and on-site assistance. Both roles are essential in the touring industry but differ mainly in their responsibilities and work environment.

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Infographic showing various Remote Music Touring Assistant job openings in the United States as of August 2026, with employment types broken down into 2% As Needed, 75% Full Time, 20% Part Time, 1% Temporary, and 2% Contract. Highlights an 98% Physical, 1% Hybrid, and 1% Remote job distribution.

Recurring Remote Production Support - Associate Director

ESPN

Bristol, CT • Remote

$22 - $88/hr

Full-time

Posted 22 days ago

ESPN rating

8.2

Company rating: 8.2 out of 10

Based on 29 frontline employees who took The Breakroom Quiz

16th of 76 rated media

Job description

The Recurring Remote Production Support - Associate Director (RIC) position will be responsible for timing working with the Producer and/or Director to support the direction of Remote events or REMI productions by assisting with the preparation and assembly of elements, execution of the show. Job functions include formatting the show, sales deliverables and promos slated for the broadcast window. The Recurring Remote Associate Director must have strong multi-tasking and communication skills, plus leadership qualities. This role is remote based without a corporate office location.

Responsibilities:

  • Assists the Director during a production by timing elements, keying fonts, and coordinating feeds. Maintains communication with live shots by providing alerts and cues, and ensures the proper framing, audio and video levels meet on-air standards.
  • Assists in communication of traffic changes, graphics requests, music cues, and source changes with media.
  • Assists the Director with pre-production elements including billboards, promotions, teases, graphics, special effects and virtual imagery, coordinates video and fonts within the production.
  • Participates in meetings with Production to assist in the development of visual content for the show.
  • On remote productions, assists the Producer and Director in managing game-related responsibilities and traffic. Communicates directly with multiple positions, including the timeout coordinator or red hat to ensure the game and control room are in sync. Generates cards with promotional, sales and editorial copy for talent to read on air. Runs the preproduction session.
  • Takes responsibility for personal development through independent observation and training. Becomes familiar with other positions and equipment in the remote production environment as they pertain to the Associate Director role.
  • Responsible for logging music, sales elements, and commercial integrations.

Basic Qualifications:

  • Basic sports knowledge including format/rules of the game.
  • Ability to follow the game including in-game trends.
  • Careful attention to detail in striving for 100 percent accuracy.
  • Clear, concise, and comprehensive verbal and written communication skills.
  • The ability to work within a team atmosphere consistently being visible and accessible.
  • Conduct oneself with professionalism and integrity within company guidelines and policies.
  • Adaptable, flexible, and motivated to drive results in new and changing environments.
  • Possess a strong computer background with ability to network and troubleshoot.
  • Self-motivated individual who strives to constantly improve processes with new or more efficient uses of technology.
  • Provide technical maintenance for assigned systems and system components.
  • Strong self and time management skills.
  • Ability to work well under pressure in a live production environment.
  • Ability to work weekends, nights and holidays, and travel, when required.
  • An advanced understanding of television production.
  • Valid Driver’s license.

Preferred Qualifications:

  • A minimum of 5 years of production experience or network equivalent.
  • Directing experience.
  • Bilingual language skills (Spanish/English).
  • Extensive sport knowledge including historical information.
  • Advanced technical expertise in computer networking and file management.

Required Education:

  • High School Diploma or Equivalent

Preferred Education:

  • Bachelor's Degree in communications, electronics, television production or related

#ESPNMedia


The pay rate for this remote role is $22.00 to $88.00 per hour. The base pay actually offered may vary depending on the candidate’s geographic region, job-related knowledge, skills, and experience, among other factors.

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