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Remote Audio Operator Jobs in New Rochelle, NY (NOW HIRING)

Senior Video Editor

New York, NY ยท On-site +1

$70K - $100K/yr

We help founders and operators run their entire financial workflow in one place, and we are growing ... Real editing talent with excellent instincts for pacing, story, and audio. * Experience in Premiere ...

Provide expert-level technical support for end-user workstations for remote and NYC-based employees ... Strong proficiency in Windows, Mac and iOS operating systems. * Demonstrated proficiency in ...

Showing results 21-23

Remote Audio Operator information

See New Rochelle, NY salary details

$5

$34

$55

How much do remote audio operator jobs pay per hour?

As of Sep 15, 2026, the average hourly pay for remote audio operator in New Rochelle, NY is $34.62, according to ZipRecruiter salary data. Most workers in this role earn between $19.81 and $55.43 per hour, depending on experience, location, and employer.

What is a remote audio operator?

A Remote Audio Operator is a professional responsible for managing and controlling audio equipment from a remote location, often for live broadcasts, virtual events, or remote productions. They ensure that sound quality is clear, balanced, and free from technical issues by adjusting levels, mixing audio sources, and troubleshooting problems in real-time. This role often involves working with microphones, audio mixers, and communication systems while collaborating closely with production teams, sometimes across different time zones. Remote Audio Operators must be skilled in audio engineering software and have a strong understanding of acoustics to deliver high-quality sound remotely.

What are the key skills and qualifications needed to thrive as a remote audio operator?

To thrive as a Remote Audio Operator, you need a solid understanding of audio engineering, signal flow, and mixing, often backed by experience or relevant certifications in audio production. Familiarity with digital audio workstations (DAWs), remote collaboration platforms, and audio routing software is typically required. Strong communication, problem-solving, and attention to detail are standout soft skills for this role. These skills and qualities ensure seamless audio delivery, technical reliability, and effective teamwork in remote production environments.

What are some common challenges faced by remote audio operators, and how can they be managed effectively?

Remote Audio Operators often encounter challenges such as maintaining high audio quality over varying internet connections, troubleshooting technical issues without on-site support, and coordinating with geographically dispersed teams during live events. Effective communication, proactive equipment testing, and familiarity with a range of audio software and remote collaboration tools are essential for managing these challenges. Staying organized and developing strong problem-solving skills will help ensure smooth production workflows and successful broadcasts.

What is the difference between Remote Audio Operator vs Remote Video Editor?

AspectRemote Audio OperatorRemote Video Editor
CredentialsAudio engineering certifications, audio editing skillsVideo editing certifications, software proficiency
Work EnvironmentAudio recording/editing software, mixing consolesVideo editing software, timelines, visual effects tools
Industry UsageFilm, TV, radio, podcastsFilm, TV, online content, commercials
Search IntentJobs focused on audio production and editingJobs focused on visual editing and post-production

While both roles involve remote work and media production, a Remote Audio Operator specializes in audio recording, mixing, and editing, whereas a Remote Video Editor focuses on visual content editing. Understanding these differences helps job seekers find the right position aligned with their skills and certifications.

Senior Video Editor

New York, NY โ€ข On-site, Remote

$70K - $100K/yr

Full-time

Re-posted 11 hours ago


Key responsibilities

  • Edit customer case studies, sit-down interviews, and product demos into polished, story-driven films.

  • Own post-production end to end, including assembly, story structure, pacing, sound design, and color grading.

  • Shoot when needed, on location and in studio, as a hybrid shooter-editor.


Job description

About Slash
Slash is a financial technology company building the modern money stack for businesses. We help founders and operators run their entire financial workflow in one place, and we are growing fast off the back of a brand that punches well above its size. Marketing here is creative-first. We invest in original, high-craft content rather than scaling headcount, and video sits at the center of that bet.
We are hiring a Senior Video Editor to own the craft of our most important work: customer case studies, sit-down interviews, and product demos that look and feel like they came out of a top-tier studio.
About the role
This is not a social-clips role. We are looking for a genuinely talented editor who has shipped larger, higher-quality projects and can carry a piece from raw footage to a polished, broadcast-grade final cut. The ideal person is both a shooter and an editor, comfortable behind a camera on a shoot day and equally at home in the timeline.
You will work directly with our marketing leadership on flagship content, with real creative ownership and a high bar for taste, pacing, and finish.
What you'll do
  • Edit customer case studies, sit-down interviews, and product demos into polished, story-driven films.
  • Own post-production end to end: assembly, story structure, pacing, sound design, and color.
  • Shoot when needed, on location and in studio, as a hybrid shooter-editor.
  • Color grade footage to a clean, cinematic standard inside DaVinci Resolve.
  • Collaborate on creative direction and bring your own ideas, not just execute a brief.
What we're looking for
  • A strong portfolio of larger, high-quality projects. We want to see range across long-form and narrative work, not only social edits.
  • Real editing talent with excellent instincts for pacing, story, and audio.
  • Experience in Premiere Pro or DaVinci Resolve, and a willingness to edit in DaVinci Resolve (we standardize on it for color and team collaboration).
  • The ability to take a project from footage to finish with minimal hand-holding.
  • Comfortable being a shooter as well as an editor. This is a strong plus, not a hard requirement.
Nice to have
  • Hands-on experience shooting with Sony FX3.
  • Color grading in S-Log3 / S-Gamut3.Cine inside DaVinci Resolve.
  • Motion graphics and animation chops (helpful, not required).
  • 3D ability in Blender for custom renders. This would be a real differentiator for us, though it is not necessary.
Location
San Francisco is strongly preferred. We have a tight-knit in-office culture and being in person makes collaboration and shoot days far easier. Remote is possible for an exceptional candidate.
Compensation
$70,000-$100,000, depending on experience and whether you bring shooting ability alongside editing. This role is cash compensation.
How to apply
Apply through our Ashby posting and include a link to your portfolio. Show us a clear scope of the work you have done: the kind of projects, your specific role on each, and the pieces you are proudest of. We care most about high-quality, larger projects, so lead with those.